tag:blogger.com,1999:blog-19154655238176701262024-03-19T01:46:32.262-07:00And Your Bird Can SwingBlank Frankhttp://www.blogger.com/profile/10422157939508053534noreply@blogger.comBlogger68125tag:blogger.com,1999:blog-1915465523817670126.post-38666627073267589842020-07-17T07:51:00.006-07:002021-09-16T02:58:09.452-07:00The 93 KHJ-LA Complete Boss 30 - 1974 (End Of Series)<div class="separator" style="clear: both; text-align: center;">
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<i><b>KHJ 1974</b></i><br />
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<i>The decade from 1965 to 1974. Suburban LA white girl, ages 7 to 16. Now, looking back, still in Southern California. Sixty-two now, but also seven. Also sixteen. The years don’t change, they accumulate, like the leaves of my liquidamber tree, crumbling and softening and feeding the life on the surface.</i><br />
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<i>My earliest AM radio memories were mingled with the smell of cut bermuda grass, the whir of the push lawnmower, the feel of sun on my skin: the voice of Vin Scully on my dad’s transistor radio, calling the Dodgers game and telling us about Farmer John bacon and sausage, “the easternmost in quality and the westernmost in flavor.” Not KHJ, of course. My parents loved music, but if there was music on their radio it was KPFK (folk) or KFAC (classical). They had disdained popular music since the big band of their youth went away in the fifties, and weren’t about to listen to it now. Snobs? Well, yes. Me too.</i><br />
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<i>Prior to this, most of the pop music we had heard (aside from the somehow ubiquitous Beatles) had been from singles/45s played by our babysitter, a paragon of 1965 teenage girlhood, complete with sponge-curler knowhow, ski vacations, and cheerleader pom poms. (She went on to shrug off all that, married a Frenchman and became an economist for the Fed). But I heard the top 30 hits in her room, and at some point during the middle Beatles years, my techie dad got my older sister a transistor radio of her own. </i><br />
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<i>KHJ and the boss 30 became part of our reality.</i><br />
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<i>At age 11, 1969, lying on a faded beach towel on the grass in the backyard, reading The Hobbit, trying to get a tan on my tall, skinny, girl-child’s body. The smell of Sea and Ski lotion, the feel of prickly zoyzia grass sticking up through the threadbare towel: listening to KHJ on my very own transistor radio, the sound tinny and interrupted by static, trying to get that tiny dial to stay on the sweet spot of best reception. Aware of “hippies,” the Vietnam War, discrimination against Negroes (as we called people then), hearing my folks discussing a cousin’s attempt to go to something called Woodstock. I was not out in the world yet, but in a few years I would be, thanks to junior high and high school and my parents’ increasing preoccupation with their own, adult, worlds.</i><br />
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<i>At age 14, 1972, lying on a JC Penney’s mass-produced psychedelic beach towel, at the actual beach and without adult supervision. Gossiping with my current best friend, reading Ray Bradbury, and improving the tan, except for that portion of the tip of my nose that was a perpetual blister from June through September. The smell of mustard, the feel of the warm sand and drying saltwater that encrusted every surface of my taller, still-skinny, most-definitely-not-filling-out-the-bikini body: listening to KHJ on the radio, mostly because one MUST have music at the beach, and the FM stations didn’t always come through. I was starting to have definite musical tastes, though, and when a song came on that didn’t make the cut, I would ruthlessly switch over to KRLA. But KHJ was in that salt-laden air, and each of the songs in the Boss 30 for 1972 is one that I know.</i><br />
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<i>1974. I was 16, still a Southern California girl. I no longer body-surfed much, and it had been some time since I had lusted after surfer boys. The culture of Laurel Canyon had captivated me, as well as the intellectual life of speculative fiction; and if I was outside listening to the radio, it was a fancier one that played KMET and KLOS FM. The smell of the apricot tree, the feel of the embroidery floss and macrame rope sliding through my fingers: the sound of “top hits,” still, but hits that had filtered back and forth across the AM/FM divide. On the lists, I see Steely Dan, Joni Mitchell, Elton John, Eric Clapton, but not the “good stuff.” More, the silly self-parodying stuff, the maudlin weepy stuff, the bounciest piece on the album. And yet, every single one is familiar to me, even now, 25 years later. KHJ was in the air. The DJ’s names, the ads, the station breaks - all somehow imprinted into my consciousness, a palimpsest faintly showing through all of the years, all of the music, all of the life that followed. </i><br />
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<i>KHJ. Southern California. That decade. It was in the air. </i><br />
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<i>It still is. Essay by Rebecca Roberts</i><br /></div><div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
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<span face="arial, helvetica, sans-serif" style="background-color: transparent; font-size: 14.6667px; vertical-align: baseline; white-space: pre-wrap;">1973 to 1974 <a href="https://yadi.sk/d/kga3MRebM8f7mA">YANDEX</a></span></div>
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<span face="arial, helvetica, sans-serif" style="background-color: transparent; font-size: 14.6667px; vertical-align: baseline; white-space: pre;">1974 Part 1 (January-February) <a href="https://yadi.sk/d/W50MtLtzilhqRQ">YANDEX</a></span><br />
<span face="arial, helvetica, sans-serif" style="background-color: transparent; font-size: 14.6667px; vertical-align: baseline; white-space: pre;">1974 Part 2 (March-April) <a href="https://yadi.sk/d/O9Vi6w8wzPGPrA" target="_blank">YANDEX</a></span><br />
<span face="arial, helvetica, sans-serif" style="background-color: transparent; font-size: 14.6667px; vertical-align: baseline; white-space: pre;">1974 Part 3 (May-June) <a href="https://yadi.sk/d/ikEixo-cyajrlg">YANDEX</a></span><br />
<span face="arial, helvetica, sans-serif" style="background-color: transparent; font-size: 14.6667px; vertical-align: baseline; white-space: pre;">1974 Part 4 (July-August) <a href="https://yadi.sk/d/YpBqdKPaHUc22A" target="_blank">YANDEX</a></span><br />
<span face="arial, helvetica, sans-serif" style="background-color: transparent; font-size: 14.6667px; vertical-align: baseline; white-space: pre;">1974 Part 5 (September-October) <a href="https://yadi.sk/d/sdczDd4wSpPgQQ" target="_blank">YANDEX</a></span><br />
<span face="arial, helvetica, sans-serif" style="background-color: transparent; font-size: 14.6667px; vertical-align: baseline; white-space: pre;">1974 Part 6 (November-December) <a href="https://yadi.sk/d/5-cnV_7d0QLLfg">YANDEX</a></span><br />
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<span style="background-color: transparent; font-size: 14.6667px; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;"><span style="font-family: arial;">It's been a long, and sometimes, a hard road to get this completed. And at last, it finally is.
1974 will feel quite different from the others but after listening to most of it, this seems like a fitting way to end the series. I'm not saying anything else about it. You gotta find out for yourself and be surprised! I think it turned out quite well. I hope it puts a smile on your face.
So with this post and the others in the series, you will have EVERY LA Top-30 song, along with every US Top-10 (if it never made it onto the KHJ chart) nearly all (98%+) in the exact 45 single mixes (either mono or stereo) spanning from July 1965 through December 1974. Also included are actual station IDs, airchecks, and advertisements from each year featured in the series. I estimate 300+ have never seen a digital release. 3563 tracks. 137 hours long. This is the soundtrack for our lives. It documents the time when Los Angeles radio, particularly KHJ, was ever-present, like a passive participant in our lives. In Los Angeles, KRLA and for a while, KFWB were cooler stations but it was only KHJ that kept everyone in the family happy. So as youngsters, KHJ became the default station. </span></span></div>
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<span style="background-color: transparent; font-size: 14.6667px; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;"><span style="font-family: arial;">KHJ also spoke to the entire city and in a way united the city in a way that seems impossible today. Be it Lynwood, Compton, Covina, Tarzana, Anaheim, Bellflower, East LA, Canoga Park, Culver City, or Redondo Beach, it didn't matter if we had never met anyone or had never been to these areas. We were still united through KHJ.</span></span></div>
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<span style="background-color: transparent; font-size: 14.6667px; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;"><span style="font-family: arial;">There are a lot of people to thank officially for this. When I first started posting these last autumn, some AYBCS readers offered me upgrades and airchecks, so by my third post I understood how the series should be: all original single mixes and included as many airchecks as possible. Furthermore, I understood that I'd have to start all over again, go back to the first aircheck in 1965, completely overhaul my original posts, and add three additional years. </span></span></div>
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<span style="background-color: transparent; font-size: 14.6667px; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;"><span style="font-family: arial;">My friend Kwai Chang kept the flame burning and gave me the advice, support, and encouragement to see it all the way through. Without his support, I definitely would have petered out before completing it. It is his essays that you'll see in 1965-1973.</span></span></div>
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<span style="background-color: transparent; font-size: 14.6667px; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;"><span style="font-family: arial;">Rory has been my second set of eyes and has pointed out many of my errors and opened up both his vast collection and knowledge. He has been instrumental in bringing this series up to the next level.</span></span></div>
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<span style="background-color: transparent; font-size: 14.6667px; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;"><span style="font-family: arial;"><br /></span></span></div>
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<span style="background-color: transparent; font-size: 14.6667px; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;"><span style="font-family: arial;">Dave Rafter also helped me quite a bit by helping with his detective work, and I suspect, even bought a few items so we would have them here!</span></span></div>
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<span style="background-color: transparent; font-size: 14.6667px; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;"><span style="font-family: arial;"><br /></span></span></div>
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<span style="background-color: transparent; font-size: 14.6667px; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;"><span style="font-family: arial;">Kevin Johnson, Sitar Swami, Colin Push, Patti Rules, and Timmy have also made valuable contributions to this series.</span></span></div>
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<span style="background-color: transparent; font-size: 14.6667px; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;"><span style="font-family: arial;"><br /></span></span></div>
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<span style="background-color: transparent; font-size: 14.6667px; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;"><span style="font-family: arial;">I thank you all and I also thank AYBCS readers for sharing my enthusiasm for this project.</span></span></div>
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<span style="background-color: transparent; font-size: 14.6667px; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;"><span style="font-family: arial;">Finally, this will be my last post for a while, I'll be around to update links and make corrections. I need to recharge my batteries. I do invite you to look deeper into the blog, I try to keep all posts working properly.</span></span></div>
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Blank Frankhttp://www.blogger.com/profile/10422157939508053534noreply@blogger.com72tag:blogger.com,1999:blog-1915465523817670126.post-65601044873878526112020-07-07T04:44:00.002-07:002020-08-05T05:24:28.959-07:00The 93 KHJ-LA Complete Boss 30 - 1973<div class="separator" style="clear: both; text-align: center;">
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<i>KHJ 1973 - BOSS By Name(but, not by Nature)</i><br />
<i>Since radio was a very straight forward entity when KHJ began the BOSS Top 30 in mid-1965...it is easy to see and hear that by 1973 the realm had changed dramatically. It is not so easy to explain in words but anyone listening should understand that things were not so simple anymore.</i><br />
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<i>First of all, radio had already been laid to rest when television became the medium of choice with the fickle public consumer base. When KHJ created the BOSS campaign, radio had not yet realized how wide open the horizon actually was. Thus, from 1965 until the early 70's radio was still trying to figure out what it wanted to be.</i><br />
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<i>Along the way, FM radio had also elbowed its way into the competition and had brought entirely new concepts to the realm. Many of the FM philosophies were giving AM radio a serious run on the claim for the high stakes that were piled up on the table. To say the ante had been upped into astronomical proportions would be a most conservative estimation of the situation.</i><br />
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<i>Never before had KHJ had so much to keep abreast of. This may have even given birth to a God Complex whereby the station was adamant about its superiority and its inability to fail. This usually results in an overabundance of confidence that takes on the form of cockiness that has always been dangerous to apply to the typical practice.</i><br />
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<i> In this case, those practices were what had always been KHJ's bread and butter...its formula for success. Here's where things can go terribly wrong. What starts as confidence becomes an unwillingness to bend. From there, everything becomes self-parody. So, this is the rut that KHJ would have to navigate/negotiate if it was going to keep itself from falling completely into it.</i><br />
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<i>Where FM had started to present more vanguard approaches to radio playlists, formalities, protocol and even the identity stamps of station jingles...KHJ had more and more format decisions to make. Would it not bend an inch? Would it make the DJs take on even more flamboyant personalities? Would it start and end every dialogue, every sentence with "93 KHJ" from the mouths of the Disc Jockeys? Would they play station jingles only at news breaks? Would they even cover news anymore? Should they do away with traffic and weather? Do they need to focus even more on contests that were no longer meaningful enough to pursue? Did they need to endorse the community at all? Perhaps they should play only music and do away with DJs and Station Jingles!</i><br />
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<i>All of these things were non-decisions in 1965. Now, 1965 seemed so far behind 1973...and the BOSS was starting to seem archaic. First of all, there was much more music being made and therefore more diverse types of music/sub-genres. This was a logistical challenge all its own. How to support the music industry AND remain loyal to your own existence. Had KHJ BOSS Radio outlived its own usefulness? Did the industry even need creative commercialism? And, could music survive without them?</i><br />
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<i>These are but a few of the reasons that NOTHING lasts forever. Gimmicks become gambits and overconfidence becomes an Achilles Heel that is not just an idiomatic reference...but something quite physical. BOSS Radio was so good at what they had created...it seems impossible that it could actually end. And, somehow, it seems that KHJ would be the last to know! Kwai Chang</i><br /><br />
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1972 to 1972 <a href="https://yadi.sk/d/hIYnhg7ZWDyycw" target="_blank">Yandex</a> <a href="https://www95.zippyshare.com/v/9om2yXCZ/file.html" target="_blank">Zippy</a><br />
1973 Part 1 (January-February) <a href="https://yadi.sk/d/bncMnKMJLKMwHQ" target="_blank">Yandex</a> <a href="https://www95.zippyshare.com/v/8eLVjXIT/file.html" target="_blank">Zippy</a><br />
1973 Part 2 (March-April) <a href="https://yadi.sk/d/1ZknQi8dv7dnaA" target="_blank">Yandex</a> <a href="https://www95.zippyshare.com/v/SdAihN2C/file.html" target="_blank">Zippy</a><br />
1973 Part 3 (May-June) <a href="https://yadi.sk/d/tUSZo-3BedNuCQ" target="_blank">Yandex</a> <a href="https://www95.zippyshare.com/v/Qo1Pbo3I/file.html" target="_blank">Zippy</a><br />
1973 Part 4 (July-August) <a href="https://yadi.sk/d/93AH-gWWsTKbbg" target="_blank">Yandex</a> <a href="https://www95.zippyshare.com/v/2Z0VfouG/file.html" target="_blank">Zippy</a><br />
1973 Part 5 (September-October) <a href="https://yadi.sk/d/f5eGSrqZFxNnRA" target="_blank">Yandex</a> <a href="https://www95.zippyshare.com/v/7pEq5Dbs/file.html" target="_blank">Zippy</a><br />
1973 Part 6 (November-December) <a href="https://yadi.sk/d/98r-VCgToOT2ug" target="_blank">Yandex</a> <a href="https://www95.zippyshare.com/v/XXIoYCQP/file.html" target="_blank">Zippy</a><br />
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You can see the Playlist getting tighter, and things are really changing for top-30 AM radio. Nevertheless, some classics and a whole lotta rare single-only mixes. I wish the quality of the available airchecks were better. All in all, an interesting, entertaining, but possibly not essential year.<br />
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The final year in this series will be in about 2 weeks.Blank Frankhttp://www.blogger.com/profile/10422157939508053534noreply@blogger.com21tag:blogger.com,1999:blog-1915465523817670126.post-32105629536439195582020-06-29T00:46:00.002-07:002020-08-05T05:24:48.462-07:00The 93 KHJ-LA Complete Boss 30 - 1972<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQbs5UX7Q_zeqGqzZariPPPWlAl31rpBeKsGCxxA69WDAvNm6fPZ1SmQ1FTzjdjuVcDNt31FwUsXmv0exOBjaHizGuUPjXDp_tqR0PTauAuUmPn5OZ2eHpks5jmVbTIPz8vXtIGvKdcxXY/s1600/khj_353b_720404.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="670" data-original-width="783" height="341" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQbs5UX7Q_zeqGqzZariPPPWlAl31rpBeKsGCxxA69WDAvNm6fPZ1SmQ1FTzjdjuVcDNt31FwUsXmv0exOBjaHizGuUPjXDp_tqR0PTauAuUmPn5OZ2eHpks5jmVbTIPz8vXtIGvKdcxXY/s400/khj_353b_720404.jpg" width="400" /></a></div>
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<i>KHJ 1972 (Community Appeal)</i><br />
<i>In the realm of AM Radio, KHJ seems to have been leading edge for so many BOSS concepts that would eventually shape all things radio. Their influence can still be heard wherever one tunes in...although many of their inspirations have been passed over for the sake of staying fresh and modern. Some of their ideas have been lost in the wake of format radio. Some have become antiquated as the world itself changes and tries to stay efficient. Many of the BOSS characteristics have been sacrificed due to world politics. </i><br />
<i><br /></i>
<i>However, the KHJ BOSS model was very good at maintaining an appeal that was as broad as radio has ever known. This can be traced to various strategies and well-planned objectives that were distinctly their own. Starting with the TOP 30 playlist, KHJ was supremely acute in terms of keeping their finger on the pulse of modern music. </i><br />
<i><br /></i>
<i>Focusing on a mere 30 songs every week served to magnify the station's prowess in regards to something it is seldom recognized for. KHJ had an affinity for holding everyone's air-wave attention. Their playlists represented virtually every category of music and the net result was a huge listener-ship. By avoiding specialization their efforts resulted in a brilliant cross-section of new music in general...not just rock and roll. </i><br />
<i><br /></i>
<i>Today that is an unheard-of notion that is no longer anywhere to be found. But, for KHJ, the practice worked well for the music business and for its own BOSS ends. It was the exact opposite of what exists today...and there was an inherent side effect of the TOP 30 at KHJ. Their playlists represented all members of Los Angeles' community. Young, old, commercial, esoteric, Beatles/British, baroque, rock, folk, soul, reggae, beat, pop, classical, comedy, romance, protest, surf, country, western, vocal, instrumental, middle of the road, novelty, Latin, blues, local, international, spoken word, and seemingly every other category that one can think of. Perhaps there was no electronica or industrial or thrash or grunge...these types of music had not been invented yet. </i><br />
<i><br /></i>
<i>It was all very melodic and in retrospect, this open-minded approach to genre bore many aspects that may not have been planned. Nevertheless, their omnipresent influence had undeniable effects that were a joy to behold. KHJ in all of their strategizing had created perhaps the most friendly place to ever represent Los Angeles. </i><br />
<i><br /></i>
<i>For, the broad range of music found on the TOP 30 was an accidental unifying agent for the entire community. It not only allowed everyone a way to keep abreast of all new music...it gave them a unified platform to tune into and feel a sense of belonging to. That might have been naive and innocent but everyone was included. Nothing like it exists nowadays...and that may be why this series seems so magical. It reaches out to everyone...and, Los Angeles has not been so unified as a community since. KHJ BOSS Radio wasn't just a station to play while driving the car...it was a foundation that represented everyone! - Kwai Chang</i><br /><br />
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1971 to 1972 <a href="https://yadi.sk/d/pNR6ZJ2pN0pEDQ" target="_blank">Yandex</a> <a href="https://www95.zippyshare.com/v/WsAgMFoH/file.html" target="_blank">Zippy</a><br />
1972 Part 1 (January-February) <a href="https://yadi.sk/d/P-Txaf14_eRYaw" target="_blank">Yandex</a> <a href="https://www95.zippyshare.com/v/O6BG0qNv/file.html" target="_blank">Zippy</a><br />
1972 Part 2 (March-April) <a href="https://yadi.sk/d/GzqIh12J4A8fKg" target="_blank">Yandex</a> <a href="https://www95.zippyshare.com/v/vNz2jQAJ/file.html" target="_blank">Zippy</a><br />
1972 Part 3 (May-June) <a href="https://yadi.sk/d/6TzMO1sI9vkCIA" target="_blank">Yandex</a> <a href="https://www95.zippyshare.com/v/DLt05NEc/file.html" target="_blank">Zippy</a><br />
1972 Part 4 (July-August) <a href="https://yadi.sk/d/MlanB74JcfI2nQ" target="_blank">Yandex</a> <a href="https://www95.zippyshare.com/v/xhi8DYSL/file.html" target="_blank">Zippy</a><br />
1972 Part 5 (September-October) <a href="https://yadi.sk/d/eMXGXKhqAyzvQQ" target="_blank">Yandex</a> <a href="https://www95.zippyshare.com/v/PgR3zuaS/file.html" target="_blank">Zippy</a><br />
1972 Part 6 (November-December) <a href="https://yadi.sk/d/Nu_swBStYF7zLQ" target="_blank">Yandex</a> <a href="https://www95.zippyshare.com/v/PIFWnTXf/file.html" target="_blank">Zippy</a><br />
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This begins phase 3 of the KHJ project; phase one was to go back to the beginning from the first KHJ survey (65-66-67). phase two was to upgrade my original posts with more airchecks and update as many tracks as possible the actual single versions, or if I got really lucky, mono promo mixes of stereo singles (68-69-70-71). It wasn't until 1971 was originally being put together that I realized how this series was supposed to be presented. But I knew that would take a lot of work. And it has.<br />
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Phase 3 finishes the story, so 1972 is the beginning of the end. I plan to end the series at 1974 - by then KHJ was beginning to show its age, playlists were getting tighter, and it seemed the music was getting to be a bit corporate. Less about magic and more about moving merchandise. Nevertheless, I have an idea that should make 1974 a stunner. You'll see.<br />
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To be honest, airchecks for these years were a huge problem. As I was beginning to assemble 1972, I found more airchecks for 1972 and1973. Whew. But................ some of the airchecks suffer in quality.<br />
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I never really know what these projects are like until I finish and start listening. And I'm really happy with the way this turned out. There are some sections of this that really sound like you're listening to AM Top-30 radio in 1972. Also, the group that has been assisting me really came up with the goods and there are A LOT OF hard-to-find original single mixes here. Also included are a (very) few songs that made the national top-10, but were ignored by KHJ. And the music holds up pretty well! This is a great time for soul groups and one-hit wonders. Prepare to be surprised. This one's a winner. Take a long drive with 1972 KHJ blasting through your speakers, even better, annoy the neighbors with this playing while having a backyard BBQ. It will a time-warp for everyone!<br />
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Finally, I need to give a big public thanks to a small team of people who have been supporting this project with their time and collections. What I made alone was good. With their help, it has been astounding. When the series ends, two posts from now, They will be thanked by correctly.<br />
Blank FrankBlank Frankhttp://www.blogger.com/profile/10422157939508053534noreply@blogger.com19tag:blogger.com,1999:blog-1915465523817670126.post-12989886989335294292020-06-21T04:06:00.002-07:002020-08-05T05:25:12.513-07:00The 93 KHJ-LA Complete Boss 30 - 1971 (2020 Upgrade)<div class="separator" style="clear: both; text-align: center;">
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<i>KHJ 1971 - Airchecks and Station Jingles</i><br />
<i><br /></i>
<i>One of the things that made KHJ so BOSS was that they made their location-location-location seem very much like the only place to be. They sponsored a cascade of contests that were always related to their playlist's current events calendar as well as a decent amount of local commerce support. This was always decorated with a formidable flair that was all their own. But even more importantly, they never let you forget which station you were tuned into. </i><br />
<i><br /></i>
<i>BlankFrank's KHJ series is supremely special because of the insertion of many vintage airchecks and station jingles. 'AirChecks/Station Jingles' are a huge part of the radio game. KHJ certainly saw it fit to lavish sufficient budgets to aircheck/jingle creation and thus insured that the biggest possible blur was inherent to the listening experience. Station jingles set the personality pace of the station. They are the very first weapon in station vs. station competition. Airchecks and station jingles are what initially hooks the listener's attention...and, builds their confidence in the station. </i><br />
<i><br /></i>
<i>If your airchecks aren't cutting edge, how can your DJs be? Even, if you didn't like music...KHJ station jingles and airchecks were enough to make all citizens young and old aware that they were someplace special. Like icing on a cake, they serve to glamorize the station as well as the community. They help anyone who hears them fall under childlike spells that are both a friendly and familiar form of security that can be believed in. Even if it was ragged and naive...it helped make every day seem eternal. </i><br />
<i><br /></i>
<i>To be near a radio brought electricity to the landscape. Everyday life could seem like a mirage...a kaleidoscope...a Disneyland made of sound waves. Another pleasant side effect was that they reassured everybody that they were members of a community on the move. It was very nearly like the sunrise...something to count on...blending any routine into something special. Every listener could plot their own position in the community whatever the day would hold in store. In that context, KHJ was the hub of national AM radio. It happened at KHJ first, then the influence rippled outwards...to everywhere else. </i><br />
<i><br /></i>
<i>KHJ's BOSS jingles were ultra-slick productions that set the premier standard for all other stations to follow. KHJ's creations gave Los Angeles its own personality and certainly, Smalltown USA couldn't help follow suit...to the best of their ability, anyway. The indirect result was that they also helped shape all other factions of modern lifestyle, as well as the foundation of industry, commerce, etc. in any area. Los Angeles was many things...and being the home of magical dreams and desires was one of them. </i><br />
<i><br /></i>
<i>Airchecks and station jingles were both the cause and the symptom. If time is an infinite piece of thread, then BOSS Radio made sure that every listener was a needle...</i><br />
<i>No cure for this one! It's never going to stop...</i><br />
<i>Or at least, that's how it seemed then.</i><br />
<i>Wide-open...and radio proved it.</i><br />
-Kwai Chang<br /><br />
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1970 to 71 <a href="https://yadi.sk/d/EH6_eSXFT3R5lQ" target="_blank">Yandex</a> <a href="https://www95.zippyshare.com/v/V5Zb5lPM/file.html" target="_blank">Zippy</a><br />
1971 Part 1 (January-February) <a href="https://yadi.sk/d/2C_H2-NwlGFGtQ" target="_blank">Yandex</a> <a href="https://www95.zippyshare.com/v/UdrEyk4l/file.html" target="_blank">Zippy</a><br />
1971 Part 2 (March-April) <a href="https://yadi.sk/d/VjKLdB6dzwRThg" target="_blank">Yandex</a> <a href="https://www95.zippyshare.com/v/imFavzCI/file.html" target="_blank">Zippy</a><br />
1971 Part 3 (May-June) <a href="https://yadi.sk/d/2R_6ZrQ5WsH1SA" target="_blank">Yandex</a> <a href="https://www95.zippyshare.com/v/WaJP3E6x/file.html" target="_blank">Zippy</a><br />
1971 Part 4 (June-July) <a href="https://yadi.sk/d/abOxZCJOYzhFZg" target="_blank">Yandex</a> <a href="https://www95.zippyshare.com/v/r6Y1iFoA/file.html" target="_blank">Zippy</a><br />
1971 Part 5 (September-October) <a href="https://yadi.sk/d/YP3SOonf-Xf53g" target="_blank">Yandex</a> <a href="https://www95.zippyshare.com/v/uMP3Di86/file.html" target="_blank">Zippy</a><br />
1971 Part 6 (November-December) <a href="https://yadi.sk/d/3LeT0_tFrieqXA" target="_blank">Yandex</a> <a href="https://www95.zippyshare.com/v/fxkk0wif/file.html" target="_blank">Zippy</a><br />
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<br />Blank Frankhttp://www.blogger.com/profile/10422157939508053534noreply@blogger.com11tag:blogger.com,1999:blog-1915465523817670126.post-33075866168876451732020-06-14T03:07:00.000-07:002020-07-21T20:20:12.709-07:00The 93 KHJ-LA Complete Boss 30 - 1970 (2020 Upgrade)<div class="separator" style="clear: both; text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTKl6jPrWUCAUia7BG0SdGJ1soXWd2zVN9VOClQx9U7sXSuYNLOwYVcEJgZgVWpjHVs2pZauZniV0kphp38D-AZAVlDaPKMbUVXZy8y7CB7ck7efelF-px-i96TpOcmqZ8aSo7b4ClSQHE/s1600/khj_266b_700805.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="670" data-original-width="783" height="341" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTKl6jPrWUCAUia7BG0SdGJ1soXWd2zVN9VOClQx9U7sXSuYNLOwYVcEJgZgVWpjHVs2pZauZniV0kphp38D-AZAVlDaPKMbUVXZy8y7CB7ck7efelF-px-i96TpOcmqZ8aSo7b4ClSQHE/s400/khj_266b_700805.jpg" width="400" /></a></div>
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Kwai Chang Essay: <i>I wonder how KHJ management felt in April of 1970 when Paul McCartney made it formal...The Beatles were OVER! If the fab four had actually been ANY part of BOSS Radio's inception, was their demise going to play a role in how boss KHJ would continue to be? The Beatles' name did not even appear on the very first Top 30 survey. That didn't happen until survey #2 with the HELP single listed as "HIT BOUNDS (ON THE WAY UP)". From that moment forward, the group would be a primary piece of BOSS Radio's airwave weaponry. </i><br />
<i><br /></i>
<i>On the surface, KHJ understood the group's potential and had no need to act differently towards them. It was a subdued approach that oozed confidence in The Beatles' coolness and made the absolute most of their high standard of radio-friendly gravity. The group had already proven that they could generate sufficient numbers where ever they were marketed. KHJ was reciprocating a similar coolness by showing them no particular favoritism. It was a very strategic way to bank on the group's already proven track record. </i><br />
<i><br /></i>
<i>At KHJ, The Beatles might have just as well been a local band with everything to lose...and no conspicuous favoritism is shown them. Very clever. There were plenty of markets that were heavily reliant on The Beatles' inclusion in the proceedings. So, at KHJ, The Beatles had to succeed on the same level playing field as every other act listed in the surveys. Their week to week status would be determined the same way as the local newcomers. After all, KHJ had an incredible influence on many demographics. Los Angeles was just one of them. So, it was on survey #4, that we finally see The Beatles in the Top 30 with their single HELP at position #13! What is interesting about this is that the group's name DID appear on survey #3 as part of a contest for FREE tickets to see their upcoming concert at The Hollywood Bowl. But, they were NOT listed as HIT BOUND the week prior as survey #4 claims. The same contest for free Bowl tickets also appeared on survey #4. On survey #5 the single rose to #5 in the Top 30. A</i><br />
<i><br /></i>
<i> NEW contest was announced for MORE FREE BEATLES TICKETS...and at the top of the HIT BOUNDS is the group's HELP LP(the WHOLE album)! So, this cool approach to the fab four was gaining some boss momentum. If KHJ's relationship with The Beatles was symbiotic, it was being played coolly. Survey #6 has the HELP single up to #4 in the Top 30 with the Hollywood Bowl shows still more than three weeks away. Survey #7 proudly boasts the image from inside the HELP album's gatefold jacket! Beneath the photo is HEAR THE BEATLES ON 93/KHJ! Meanwhile, the HELP single falls back down to #5. Survey #8 the single holds steady at #5...with the concerts in L.A. only four days away! After the Bowl shows, survey #9 finds the HELP single up two notches to #3 AND we see the single YESTERDAY at the top of HIT BOUNDS. Then, on survey #10, there are two Beatles singles in the Top 30...HELP steady at #3 and YESTERDAY at #29. Survey #11: (WATCH OUT)---> Cleverness alert! We have HELP single down to #8 while at #11 is...wait for it...YESTERDAY...by PAUL McCARTNEY. This might coincide with a rumored/planned solo album by the cute Beatle. Was this a KHJ insider tip/internal-use-only memo(?) from Capitol's Dave Dexter Jr.??? Or...or, or, or! </i><br />
<i><br /></i>
<i>It's irrelevant. It is more clever KHJ promo-promotion(call it POT-STIRRING) and also a possible downplay of the over-used moniker(Beatles). Who knows? But, I guarantee, it generated SPIN...both literally and figuratively. Pure genius from the BOSS! All the while keeping the top slot open for more local contenders. Like I said...this Beatles support in the Top 30 needed to look innocuous! So far, so good! Just watch: Survey #12 finds the McCARTNEY single (YESTERDAY) up to #3 while The Beatles' HELP(...now listed as HELP/I'M DOWN) is down one notch to #9! Fantastic spin...ALL from the still new...still fresh radio in "BOSS Angeles"! Survey #13 find NO CHANGE in position of YESTERDAY or HELP/I'M DOWN...(#3 and #9, respectively). Man, is this just far out...or WHAT? Survey #14 finds our very first #1 by PAUL McCARTNEY with YESTERDAY as HELP/I'M DOWN falls ever farther to #12. Survey #15 sees NO change regarding The Beatles entries including PAUL McCARTNEY's name. He's still listed as the artist with the TOP slot on the Top 30. </i><br />
<i><br /></i>
<i>We can see that KHJ was adamant in showing no Beatles bias. So, for now...only one song(unless you count I'M DOWN) is listed with their name on it! Survey #16 follows through on this with PAUL McCARTNEY's YESTERDAY holding the Top 30 top slot for the third straight week and NO entry listed to The Beatles. HELP/I'M DOWN has fallen off completely. On survey #17...MORE Beatles razzle-dazzle. YESTERDAY (STILL listed by PMc) has fallen to #5...and lo and behold, HELP returns to the Top 30 at #30 without the I'M DOWN designation. The more The Beatles are downplayed...the more bias they actually receive. </i><br />
<i><br /></i>
<i>All the while, making The Fabs just another name in the pack. It also made the Top 30 the most exciting list in music. Billboard's HOT 100 was too big and only served to lose artists in its enormity. Remember, ONLY two Beatles songs have given buoyancy to 16 weeks of Top 30. That's not bad considering this infancy was only 17 weeks old. It might be that KHJ was the most amazed of all as all of their objectives seemed to be realizing themselves. What could that have to do with The Beatles? 'They' haven't even hit the #1 position. Survey #18 McCARTNEY's YESTERDAY holding steady at #5 and here come The Beatles again with the 'I'M DOWNless' listing of HELP climbing up one to #29! Survey #19 YESTERDAY drops to #8 while NO Beatles song is listed. Was this 'help' from The Beatles always going to be this minimal? I'm sure that KHJ management was counting on it! Survey #20 is also without The Beatles while PAUL McCARTNEY finally falls to #18. Survey #21 verifies a cycle starting to repeat itself. The Beatles are back as HIT BOUNDS with DAY TRIPPER/WE CAN WORK IT OUT...so count that as two listings...PLUS McCARTNEY at #24. </i><br />
<i><br /></i>
<i>Now, EXHALE! Survey #22 is finally devoid of ANY Beatles involvement...just like Survey #1. Can we...should we salute the beauty that had become the KHJ BOSS Top 30? After all, it had downplayed The Beatles in the most advantageous way possible. So, whatever the reason, the year of 1965 was a great year for the BOSS and all of the other talents that had graced the Top 30. The Beatles probably made everyone very happy as survey #23 reaffirms that this is going to be...ONGOING. The group emerges from nowhere at #5 with two songs listed as HIT BOUNDS the week prior...which of course neither were. It has been two weeks since they were HIT BOUNDS with DAY TRIPPER/WE CAN WORK IT OUT but, hey...what kind of difference can a week really represent? This party is just getting started! Survey #24 has both Beatles tracks taking up a single slot at #2! Since there may be symbolism in the numbers...Survey #25 will cover December 25 and for that eventuality, Santa BOSS has left two #1s under The Beatles' Christmas Tree. </i><br />
<i><br /></i>
<i>So, maybe we should bid them a Happy New Year and end this retrospective glance since 1970 was the end of The Beatles. Would KHJ need to be worried? Would BOSS Radio still be boss? Would KHJ be able to do this without The Beatles? If this road had been long and winding, would it be possible to just let it be? I think it must have been the only thing on their minds! If this all seems overly boring, just realize that radio is about numbers more than anything else. In that context...the end of the KHJ BOSS magic had begun!</i><br />
<i><br /></i>
1969 to 1970 <a href="https://yadi.sk/d/5C3HJdzbL8yYgQ" target="_blank">Yandex</a> <a href="https://www95.zippyshare.com/v/7saLrz1A/file.html" target="_blank">Zippy</a><br />
1970 Part 1 (Jan-Feb) <a href="https://yadi.sk/d/PIAXcyQEJ84xww" target="_blank">Yandex</a> <a href="https://www95.zippyshare.com/v/2j68lgOT/file.html" target="_blank">Zippy</a><br />
1970 Part 2 (March-April) <a href="https://yadi.sk/d/jXTLSp6gZlKqLQ" target="_blank">Yandex</a> <a href="https://www95.zippyshare.com/v/UcYtTdaW/file.html" target="_blank">Zippy</a><br />
1970 Part 3 (May-June) <a href="https://yadi.sk/d/bp_BocCd-ZI9gQ" target="_blank">Yandex</a> <a href="https://www95.zippyshare.com/v/8vUTA0CW/file.html" target="_blank">Zippy</a><br />
1970 Part 4 (July-Aug) <a href="https://yadi.sk/d/zVtAa-uo5lwLGQ" target="_blank">Yandex</a> <a href="https://www95.zippyshare.com/v/cuZ8JqU1/file.html" target="_blank">Zippy</a><br />
1970 Part 5 (Sept-Oct) <a href="https://yadi.sk/d/4mSmmoqkLGYAdQ" target="_blank">Yandex</a> <a href="https://www95.zippyshare.com/v/zuaOqjsh/file.html" target="_blank">Zippy</a><br />
1970 Part 6 (Nov-Dec) <a href="https://yadi.sk/d/0OZzIm0pbY9wSg" target="_blank">Yandex</a> <a href="https://www95.zippyshare.com/v/W4GFWNFx/file.html" target="_blank">Zippy</a><br />
<i><br /></i>
Blank Frank<i>: Ironically, beginning in 1970, the solo Beatles had far more KHJ chart hits!</i><br />
<i><br /></i>
<i>1970 has been completely overhauled with about 70 music upgrades to original mono single mixes and/or sound quality and about the same amount of airchecks. Some of the quality of these aren't so good, but unfortunately, I had to take what I could get. Nevertheless, like with the other years, it plays much closer to an actual 1970 radio experience. Also, like the other years posted so far, there are quite a few rare mono mixes included. Prepare to be surprised!</i>Blank Frankhttp://www.blogger.com/profile/10422157939508053534noreply@blogger.com19tag:blogger.com,1999:blog-1915465523817670126.post-44157734468839082382020-06-08T00:52:00.002-07:002020-06-27T06:49:28.251-07:00The 93 KHJ-LA Complete Boss 30 - 1969 (2020 Upgrade)<div class="separator" style="clear: both; text-align: center;">
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Kwai Chang Essay - <i>1969:</i><br />
<i>I have not studied the KHJ BOSS Radio history. Even so, it is easy to see the entire BOSS campaign was built on calculated slickness. And yet, in the days of early BOSS, there was a naivete to it all that was a true apex in escapism ideals. Where television ends with the program credits rolling up...radio NEVER ended. It went wherever the listener went, and thus, could serve as a cultural sextant to navigate the labyrinth of mid-60's wide open air-wave horizon. </i><br />
<i><br /></i>
<i>So, how nice it was to actually CONNECT with the mechanisms that made KHJ 'boss' in the first place. Listeners already had confidence and trust in the stable of ultra cool KHJ personalities. The KHJ DJ characterizations made Hollywood legend biographies look like 12th grade journalism. The REAL Don Steele and his staff contemporaries made it all look so fun...made it all look so easy...and it all sounded so perfect. The blur was on...full stop! Why should it have anything to do with illusion? KHJ listeners were reassured that they were part of the medium...that they were included in everything to help realize radio's full potential. The station took phone-in requests that it used to survey the general public...follow trends...and to predict the next big-thing...and, to compile their weekly surveys. This would ideally reveal the most geographically local pulse in the entire industry...that of the music city: Los Angeles! </i><br />
<i><br /></i>
<i>How cool it was to be informed by experts. How completely hip to be in the center of the action?!? To hear great music for the first time was an honorable privilege. But, that's not all! When the listener decided the music was desirable enough to purchase, many of L.A.'s retail points of sale offered the current weekly KHJ BOSS survey in printed form...'FREE'! There was no purchase required to get a survey. These were a really decorative icing on an already beautiful cake. It was something EXTRA for the effort and served many a purpose for ANYONE listening to the radio. Surely, they appear to be a gratuity for the loyal listener finally making the empirical commitment with wallet in hand. But, look closer...these were just another piece of proof that KHJ had thought long and hard about L.A. radio dominance. These surveys appealed visually with bright color and design and layout. They connected intellectually as they informed the consumer of the most updated rankings of airplay rotation. They guided speculation for anyone willing to hedge a guess on what's-next. They informed socially about the voices(KHJ DJs) being heard around the clock in Los Angeles. They could be mused over at home while playing recent purchases. </i><br />
<i><br /></i>
<i>They also served the Top-30 the same way the racing sheet serves the ponies at the track. And when the week is over, they can serve as reference. But, most importantly...they were unique, attractive advertising that would last forever no matter how fast the week went by! That's some very clever public relations from any vantage point. And, if time already flies by too fast...these little pieces of offset lithography only made it go by even faster.</i><br />
<i>The blur was on and there was no better place to live life...naivete be damned!</i><br />
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1968 to 69 <a href="https://yadi.sk/d/u-KGKufy4du7jQ">Yandex</a> <a href="https://www116.zippyshare.com/v/kPPthS8q/file.html" target="_blank">Zippy</a><br />
1969 Part 1 (Jan-Feb) <a href="https://yadi.sk/d/mXrHsvVTAv09KA">Yandex</a> <a href="https://www116.zippyshare.com/v/xfmdioO2/file.html" target="_blank">Zippy</a><br />
1969 Part 2 (Mar-Apr) <a href="https://yadi.sk/d/GJ1PcBBBy7vz4Q">Yandex</a> <a href="https://www116.zippyshare.com/v/IAvOs6l2/file.html" target="_blank">Zippy</a><br />
1969 Part 3 (May-Jun) <a href="https://yadi.sk/d/YsskbgJ61MfDgA">Yandex</a> <a href="https://www116.zippyshare.com/v/xRUexSLk/file.html" target="_blank">Zippy</a><br />
1969 Part 4 (Jul-Aug) <a href="https://yadi.sk/d/RHrj_miY-X3Urg">Yandex</a> <a href="https://www116.zippyshare.com/v/2xFPye2f/file.html" target="_blank">Zippy</a><br />
1969 Part 5 (Sep-Oct) <a href="https://yadi.sk/d/IRsScDD4IW7w_w">Yandex</a> <a href="https://www116.zippyshare.com/v/CpAWuwmO/file.html" target="_blank">Zippy</a><br />
1969 Part 6 (Nov-Dec) <a href="https://yadi.sk/d/dsGgrq_czhu7UQ">Yandex</a> <a href="https://www116.zippyshare.com/v/wgZqWwmI/file.html" target="_blank">Zippy</a><br />
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BlankFrank: 70+ songs have been upgraded and about 50 + airchecks added. I scoured everything I could from the few airchecks I had. Once again, if you have the original, delete it and take this one. This revised version fits with the rest of the series! Like others in the series, this is every single song that entered the KHJ-LA Boss for 1969 using original (mostly) mono single mixes if they could be located. There are many original mixes that have not been heard since the singles were issued.<br />
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This is meant to be played and enjoyed. I suggest listening in your cars on long drives. Enjoy!Blank Frankhttp://www.blogger.com/profile/10422157939508053534noreply@blogger.com22tag:blogger.com,1999:blog-1915465523817670126.post-76758608262221163712020-06-02T11:27:00.003-07:002020-06-27T06:48:54.551-07:00The 93 KHJ-LA Complete Boss 30 - 1968 (2020 Upgrade)<div class="separator" style="clear: both; text-align: center;">
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<i>KHJ 1968 (The End Of Mono)</i><br />
<i>Yes, it is a wonderful sensation to hear a song from the past...especially when it has been so long that it rings long-forgotten bells of youth. But what about when our favorite old tune sounds different than what we remember? Is this anything to be alarmed about?</i><br />
<i><br /></i>
<i>The answer to that isn't so simple and might be based on where, when, and who you are in the chronological landscape. Music lovers are usually content to be reminded of a song that they love. Often this is based on emotion. But, times change, as do technology and physiology. And quite often, conflict can arise that is in direct opposition to what is natural, subjective, and objective. So, let us jump to the heart of this blurry predicament as heard in the early years of KHJ BOSS radio.</i><br />
<i><br /></i>
<i>When the station began its campaign, the music industry embraced both mono and stereo formats. Many music lovers preferred the stereo sound and didn't mind paying $1.00 more for stereo LPs. At that time a mono LP retailed for $3.00 while it cost $4.00 for its stereo counterpart. However, the stereo demographic was quite small in terms of the popular music whole. This is because nearly all popular music was initially heard on the radio...and for KHJ listeners, that meant AM radio which broadcast its signal in mono. We have already spoken of gimmicks and whatever stereo really had going for it...it too was a technological gimmick.</i><br />
<i><br /></i>
<i>FM stereo broadcasting was NOT the industry norm and so for entities like The Wrecking Crew and their engineers and producers, it meant extra work on any given recording. Since AM radio could not emphasize the gimmick of stereo records, it relied on their mono counterparts to provide this function. The radio business is about selling airtime for commercial advertising and it is also about selling music. The Music business certainly understood this as there was a huge amount of revenue to be gained or lost in how both formats were utilized. KHJ's weekly tally of airplay rotation had created the competitive atmosphere of being at a drag-strip on Saturday night, and if the songs acted out the role of race cars...'The Wrecking Crew' assumed the role of the mechanics/pit crews. It might have made no difference to the musicians but the producers were certainly under additional pressure to insure that both formats received their respective representation. Radio required the very best from the mono format. Retail required the very best from the stereo format. Radio needed a song to reach its airplay impact while the retail world needed to capitalize on the stereo gimmick.</i><br />
<i><br /></i>
<i>And therein lies the rub. For mono is the ONLY discipline the music industry was ever to know. Mixing a song into mono was much more critical in terms of the production decisions because there is no forgiveness when the song is finally broadcast on AM radio. Conversely, stereo versions of the same song will sound different every time you change your location in relation to the left and right speakers. So, it is pure joy to have these early years of KHJ Top 30 as presented here. BlankFrank has endured the drudgery of collecting ALL of the tracks in their DEDICATED mono mixes. THAT is why many of these songs will sound different to the way we remember them from the past. It is unknown why the industry betrayed the mono format as the status quo. It worked so well for radio! It certainly helped BOSS radio realize its own objectives. It helped consumers justify the purchase of their favorite tunes as singles. The 7" retail unit was clearly the most profitable way to sell music. And it also connected more directly with listeners regardless of their willingness to buy music. It kept them listening and that's what mattered the most. Where consumer demand is the consideration, mono mixes guaranteed intellectual/entertainment value to every ear.</i><br />
<i><br /></i>
<i>Let us cite a vintage example of this phenomenon. We need only play The Beatles' Sgt. Pepper album to understand why the music industry might have been guilty of treason. The mono and stereo versions of the album are two completely different experiences regarding their respective audio dynamics. Why is this? It doesn't matter. The Beatles considered the mono format to be the precedent that mattered the most. So, when we see that they attended all mono mixing for the album...(2 months total) and that they did not attend the sessions for the stereo mixing(2 days total) we can at least see that this would lead back to basic business concerns. If the mono album was going to retail for $1.00 less, then perhaps the only alternative for the music industry was to throw the mono format off of the roof of a tall building. And, it didn't matter much to KHJ, if by 1968...the Top 30 was only available in stereo. To accommodate the radio industry, NO mono consideration would be forthcoming. The records would be offered in folded down mono promotional copies.</i><br />
<i><br /></i>
<i>Did this take the punch out of the greatness of BOSS radio? Well, that debate is all we have left of the mono format. I personally prefer the mono mix of Sgt. Pepper. All the while, Steve Wilson keeps nailing nails in its coffin. It probably means nothing that Nature's own model offers NO creatures that speak in stereo. And yet, evolution provided most of the animal kingdom with two ears. All this means is that in Nature, there are NO gimmicks...only DIRECTNESS. Could there be too much directness in mono mixes to risk losing a retail price increase of 33%? Maybe! Will Steve Wilson ever mix Abbey Road into mono in search of a Sgt. Pepper-like version of the classic? We don't know.</i><br />
<i><br /></i>
<i>Should radio even be allowed to influence such decisions? Well, the KHJ Top 30 was still running full tilt in 1968, and it was doing so without any say in the matter. They cannot broadcast or survey a format that no longer exists. Was there a loss in the directness in proportion to the massive increase in music production profits? Well, now we get to make up our own minds. Great songs, great music and BOSS broadcasting are still commodities to be embraced, but was the gain enough to make up for what was lost? THAT is a question that will be the only epitaph that mono will ever be able to call its own. And, since no entity can stand in the way of 'progress'...we can at least know that in every gain there is loss. And, in every loss, there is gain. And, so it was still BOSS radio...but it wasn't true mono ANYMORE! - Kwai Chang</i><br />
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1967 to 68 <a href="https://yadi.sk/d/rLuj1X_d2hQAvw" target="_blank">Yandex</a> <a href="https://www70.zippyshare.com/v/fy1Ca7ZR/file.html" target="_blank">Zippy</a> <br />
1968 Part 1 (Jan-Feb) <a href="https://yadi.sk/d/pmU_XNqhtoKA_w" target="_blank">Yandex</a> <a href="https://www70.zippyshare.com/v/mqLSGqF6/file.html" target="_blank">Zippy</a><br />
1968 Part 2 (March-April) <a href="https://yadi.sk/d/PHLP3s__5v3T2Q" target="_blank">Yandex</a> <a href="https://www70.zippyshare.com/v/22KW1AVG/file.html" target="_blank">Zippy</a><br />
1968 Part 3 (May-June) <a href="https://yadi.sk/d/jzNJb-RUSRdL7A" target="_blank">Yandex</a> <a href="https://www70.zippyshare.com/v/DPR7w9sf/file.html" target="_blank">Zippy</a><br />
1968 Part 4 (July-Aug) <a href="https://yadi.sk/d/y2eU5AyM-RPNFg" target="_blank">Yandex</a> <a href="https://www70.zippyshare.com/v/hikTN4HL/file.html" target="_blank">Zippy</a><br />
1968 Part 5 (Sept-Oct) <a href="https://yadi.sk/d/-W1K0KEJkh6ZgA" target="_blank">Yandex</a> <a href="https://www70.zippyshare.com/v/W7L9qnHq/file.html" target="_blank">Zippy</a><br />
1968 Part 5 (Sept-Oct) <a href="https://yadi.sk/d/bPmSjXKkUHGFjg" target="_blank">Yandex</a> <a href="https://www70.zippyshare.com/v/BO3NmLj7/file.html" target="_blank">Zippy</a><br />
BF Notes - This was supposed to be a simple update of my original post last autumn, Instead, it has been the most difficult of all of them, but, for now at least, it's my favorite and a HUGE improvement over the original post.<br />
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Thanks to the generosity of Faltonians and AYNCS readers, about 100 tracks have been upgraded to mono single mixes or upgraded sound. Many have never seen a digital release. It was pretty cool sometimes having a few versions to choose from. When I first compiled this set, I felt lucky to have the song!. Also, about 100 new airchecks were edited and added to the collection.<br />
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Some months are lean with airchecks, but much of this feels like you're being transported back to 1968 and getting the full 93 KHJ-LA experience. At 468 tracks and 17 hours +, it's also the longest in the series so far. @320<br />
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If you have the original version from last October, replace it with this.<br />
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1968, 69, 70, and 71 upgrades will get posted when completed. After that, 1972 and 73 are planned. Stay tuned and please be patient.Blank Frankhttp://www.blogger.com/profile/10422157939508053534noreply@blogger.com25tag:blogger.com,1999:blog-1915465523817670126.post-45007650053271566862020-05-25T13:16:00.005-07:002020-06-27T06:48:25.722-07:00The 93 KHJ-LA Complete Boss 30 - 1967<div class="separator" style="clear: both; text-align: center;">
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The third in this KHJ series was completed last night and what a great year it was! By my count, all but nine songs are original mono single mixes. I had a lot of help from AYBCS readers, as well as a couple of Faltonians! I'm sending it out without having listened to all of it yet, Your comments are appreciated! 444 tracks and nearly 16 hours long. Every single song that appeared in KHJ's Boss-30 Survey for the year, with as many 1967 airchecks added in as I could get. Coming up next are upgrades to 68 through 71.<br />
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Commentary from Kwai Chang:<br />
<i>KHJ 1967(The Wrecking Crew)</i><br />
<i>Technology by definition must keep advancing...a never-ending sum of techniques, skills, methods, and processes in the effort to create new value.</i><br />
<i><br /></i>
<i>Hence, a perplexing situation was that of KHJ in the quest to be BOSS! For all of the technical limitations of the late 1960s, radio was not immune to the effects of the primitive playing field which was nothing more than a threshing floor. In that regard, never before had something so business-like seemed like something so genuine in its essence...so everyday-lifelike!</i><br />
<i><br /></i>
<i>And yet, we all know the first rule of business: If you're not bringing in more capital than you spend...you're NOT a business. So, it seems amazing that KHJ brought a flair to the world of radio and even more so, to the world of music than had ever been known prior. KHJ had no real advantage in the radio world. It was still becoming modern. It was in the process of being created and it was pretty simplistic in terms of risks, odds, vision! It was still trying to figure out what it wanted to be. This might be enough to keep a radio station busy even when objectives are practically realizing themselves. So, in KHJ's situation, things were going very much as planned. The project seemed to be devoid of monetary concerns when in fact nothing could be further from the truth.</i><br />
<i><br /></i>
<i>We needn't concern ourselves about the protocols of commerce. This was already part of the mechanism as The Beatles learned when Andy White was able to relegate the drummer, Ringo Starr, to tambourine at the sessions for Love Me Do. It is simply a matter of economics to never let investment become more of a risk than the situation requires. In the early years of KHJ, this was an unwritten rule that preceded all other considerations. It is not exactly clear where one entity stops and another begins...but in the radio world(...in BUSINESS) it's always about efficiency. This is apparent by the inserted advertisements that corporate sponsorship pays large premiums for. Broadcast slots are strategized and even more so, the commercials themselves are crafted by professionals who do nothing else but specialize in making you want to buy products.</i><br />
<i><br /></i>
<i>In Hollywood, most of this work was sub-contracted out to The Hellers. This was the slickest team of gimmick creators who made most of the connections with the tuned-in consumer. We have never seen any amateur efforts on television when the programming breaks for a word-from-our-sponsors. It is common industry knowledge that our favorite television shows are only there to fill the space between the commercials. So, with that pretext in mind, we can only marvel at the clever finesse utilized by BOSS radio when their own airchecks were broadcast sounding very much(read EXACTLY) as if they were recorded by the current hitmakers in the TOP 30.</i><br />
<i><br /></i>
<i>This was not the work of The Hellers...but, rather by a group of their contemporaries. In fact the collective didn't really have a name. They were simply a small group of musicians that worked 40 hours a week doing what they did best...providing musical backing tracks for very realistic sounding endorsements. However anonymous such a function could actually be, there was much more to this relationship than anyone knew.</i><br />
<i><br /></i>
<i>We now know this elite team by the name The Wrecking Crew. The KHJ airchecks DID sound exactly like the Beach Boys had made it...because The Beach Boys records were actually backing tracks produced by The Wrecking Crew. Why would it...why SHOULD it be any other way? Music is a business and most of the BOSS Top 30 was created in this most efficient manner. In this way, the VERY best music could be created, broadcast, surveyed...and purchased. It isn't an accident...it is professionalism. It wasn't intended to be illusory...but it WAS a huge blur that kept everything running smoothly and profitably. Most of all, it made everything sound fun while captivating anybody who loved music, radio, or record collecting. It isn't clear whether KHJ and The Wrecking Crew were really separate limbs of the same tree...it didn't matter. Very few artists have the technical expertise to ever achieve stardom. We'll never know what The Beatles' own fate would have been had not Andy White been there for 'them'.</i><br />
<i><br /></i>
<i>But a quick glance at KHJ surveys should reveal that current stars in the airplay rotation are really only singers...possibly only actors pretending to be music stars...trying to be loved. Probability gives better odds to those who know their own true functions. So, without dwelling on how the OTHER faces(band members) are selected to be on the record jackets...just know that NEVER before had so many been entertained by so few. This is why the music was so good in the first place and at least for KHJ...why they were BOSS!</i><br />
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1966 to 1967 <a href="https://yadi.sk/d/Sb4eT6ENUmvm3A" target="_blank">Yandex</a> <a href="https://www111.zippyshare.com/v/7ZYaMYum/file.html" target="_blank">Zippy</a><br />
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1967 Part 1 (Jan-Feb) <a href="https://yadi.sk/d/pVj-lCsGNZIRSw" target="_blank">Yandex</a> <a href="https://www111.zippyshare.com/v/1gVygs7U/file.html" target="_blank">Zippy</a><br />
<br />
1967 Part 2 (March-April) <a href="https://yadi.sk/d/72FhMnXg_6PTTg" target="_blank">Yandex</a> <a href="https://www111.zippyshare.com/v/Oz7KO3nM/file.html" target="_blank">Zippy</a><br />
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1967 Part 3 (May-June) <a href="https://yadi.sk/d/IUrTw6WJUjtV8Q" target="_blank">Yandex</a> <a href="https://www111.zippyshare.com/v/UvIgjgQ4/file.html" target="_blank">Zippy</a><br />
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1967 Part 4 (July-Aug) <a href="https://yadi.sk/d/O3tebJbS8Otyug" target="_blank">Yandex</a> <a href="https://www111.zippyshare.com/v/bso0vtld/file.html" target="_blank">Zippy</a><br />
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1967 Part 5 (Sept-Oct) <a href="https://yadi.sk/d/XATOJu0-NkvYpg" target="_blank">Yandex</a> <a href="https://www111.zippyshare.com/v/IJnT1mF6/file.html" target="_blank">Zippy</a><br />
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1967 Part 6 (Nov-Dec) <a href="https://yadi.sk/d/VyZltal3bA25bA" target="_blank">Yandex</a> <a href="https://www111.zippyshare.com/v/ioPjxSRN/file.html" target="_blank">Zippy</a><br />
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<br />Blank Frankhttp://www.blogger.com/profile/10422157939508053534noreply@blogger.com23tag:blogger.com,1999:blog-1915465523817670126.post-34689718938696787442020-05-16T04:50:00.000-07:002020-06-05T01:30:07.838-07:00The 93 KHJ-LA Complete Boss 30 - 1966<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieWMI0uE3AR0HAqjcXyw_xH9BnnMCSlR1EwrSR0O4PhTKTuNZhK9ns6M5OVME4Zq9ioHYf9Vr3Q8R_AFOYs1YkMLXC8wW4LXtXtpptRNwsnP0X1hefnlLR6WWgFbQ1oppB2rZifdktry09/s1600/khj_029a1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="476" data-original-width="600" height="316" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieWMI0uE3AR0HAqjcXyw_xH9BnnMCSlR1EwrSR0O4PhTKTuNZhK9ns6M5OVME4Zq9ioHYf9Vr3Q8R_AFOYs1YkMLXC8wW4LXtXtpptRNwsnP0X1hefnlLR6WWgFbQ1oppB2rZifdktry09/s400/khj_029a1.jpg" width="400" /></a></div>
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Blank Frank Notes: <i>1966 is a fine, if not the best year ever. This 389 track 14 hour set compiles EVERY boss-30 song that appeared in the weekly KHJ-LA survey for 1966, in the order of its appearance. Some minor changes were made to accommodate airchecks, but they all stayed in the same survey week. Thanks to the help of Dave, Rory, and Kevin, the sound quality is outstanding and virtually all original single mono mixes, some of which have never been released since the original 45s were pressed. Thanks too for Kwai Chang for his essay and support/advice. Without their help, this collection would not have turned out as nice. Thank you all!! About airchecks, finding them in good quality and sufficient quantity was very difficult. They are what they are, but they do add to the overall KHJ experience. I hope you're able to take this for your daily commute or listen on a long drive once we're all free of this quarantine. Surveys, tracklist, and essay included.</i><br />
<br />
Kwai Chang - 1966:<br />
To understand what radio was like before BOSS Radio is nearly futile because its creation was a well thought out campaign. The people responsible for its inception had a huge vision that was pure genius for it was clearly institutional in scope. It was as if Disneyland was a station on the radio yet, it was personalized to appear as though the individual listener could feel a part of it.<br />
<br />
This is incredibly clever. It allowed for belonging on a constant basis...round the clock. It provided real personalities for the entire day with which the listener could identify and trust. It was a never-ending finger on the pulse of a genre that was clearly new and refreshing...new and colorful...new and ALIVE. As if by an undeniable force there was endless excitement from the once dead realm of radio. Forget the novelty of television...it had nothing so tangible for the modern consumer to do except the latent dormancy that accompanies catatonic immersion into the medium.<br />
<br />
The beauty of BOSS radio was that it seemed fluid and constantly flowing. So much so, that TV was used as a self-serving gimmick that turned the television viewer into active participants as KHJ listeners. Contests were regularly held on KHJ that would offer prizes of meeting TV stars, visiting the sets of the productions, eating lunch with celebrities. So, you could be the biggest Batman fan on the planet...but, it would require a certain amount of radio participation to realize.<br />
<br />
All the while, each KHJ Disc Jockey would use such promotions to continue building their own respective personalities into lovable identities that were more well known locally than Adam West or Burt Ward would ever accomplish. This is a heady accomplishment and may be based entirely on the irony that radio had returned from the dead. Was everything radio HAD BEEN before 1966 actually mundane and pointless?<br />
<br />
By KHJ's game-plan, that assessment may be the only premise for the new format that exacted such sentiment. The BOSS Radio daily experience certainly made THE MOMENT the most important point on ANY chronology. 1966 was a very rich year for music. It must have been the most promising year of all for ANYONE that connected with the station...directly, or indirectly. That merely begs the question...was it better to be a KHJ DJ, or a KHJ listener?<br />
<br />
THAT is just how good things were for everyone. The tinsel was everywhere...and everything was still new. Like a dream!!!<br />
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1965 to 1966 <a href="https://yadi.sk/d/rohmZbUDnZ2MUg" target="_blank">Yandex</a> <a href="https://www94.zippyshare.com/v/hT8PTQtd/file.html" target="_blank">Zippy</a><br />
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1966 Part 1 (Jan-Feb) <a href="https://yadi.sk/d/fKVDR0euX2neSw" target="_blank">Yandex</a> <a href="https://www94.zippyshare.com/v/NyEioM0p/file.html" target="_blank">Zippy</a><br />
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1966 Part 2 (March-April) <a href="https://yadi.sk/d/W0XTvYGRNHtPuA" target="_blank">Yandex</a> <a href="https://www94.zippyshare.com/v/q9ICEGA0/file.html" target="_blank">Zippy</a><br />
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1966 Part 3 (May-June) <a href="https://yadi.sk/d/vaUKABZzaQUYDQ" target="_blank">Yandex</a> <a href="https://www94.zippyshare.com/v/ZX4rbi2z/file.html" target="_blank">Zippy</a><br />
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1966 Part 4 (July-Aug) <a href="https://yadi.sk/d/BuRMUFvn0mZbIw" target="_blank">Yandex</a> <a href="https://www94.zippyshare.com/v/Fwsaf2CS/file.html" target="_blank">Zippy</a><br />
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1966 Part 5 (Sept-Oct) <a href="https://yadi.sk/d/1V1uirftlLw9OA" target="_blank">Yandex</a> <a href="https://www94.zippyshare.com/v/o2Ss3aQR/file.html" target="_blank">Zippy</a><br />
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1966 Part 6 (Nov-Dec) <a href="https://yadi.sk/d/ZniinFfUaZSYfQ" target="_blank">Yandex</a> <a href="https://www94.zippyshare.com/v/KNED5Lu0/file.html" target="_blank">Zippy</a><br />
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<br />Blank Frankhttp://www.blogger.com/profile/10422157939508053534noreply@blogger.com39tag:blogger.com,1999:blog-1915465523817670126.post-3378662765293790132020-05-08T03:04:00.001-07:002020-06-05T01:30:30.733-07:00The 93 KHJ-LA Complete Boss 30 - 1965<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSXzW21-q_UMgI1Zh3nArClhOMlbZ8o-9Q3n73chqMfr_wkV8PjSWHu1bEhh9mRB0F_qqBMGOhA1klHdYG2NlD7WUn2MwRmEUOrv2CZJzexGMx6pql5SkqJHD5V0fzXSi-WckE9sFsirey/s1600/khj_001a1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="476" data-original-width="600" height="316" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSXzW21-q_UMgI1Zh3nArClhOMlbZ8o-9Q3n73chqMfr_wkV8PjSWHu1bEhh9mRB0F_qqBMGOhA1klHdYG2NlD7WUn2MwRmEUOrv2CZJzexGMx6pql5SkqJHD5V0fzXSi-WckE9sFsirey/s400/khj_001a1.jpg" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzFtHc71LWQvOJnlo0R6bfeo6o4z_aU3WmkX5KruE3sGI3Z4BlVZkbdz8MnA5QqvMvM54M10mEIL-hncwzH8ZAbMOglEtbcLkg6W0ePoRHRi1KWFo91JKsnYr6GaunLZsG0U7aYpM5yhDC/s1600/khj_001b1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="476" data-original-width="600" height="316" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzFtHc71LWQvOJnlo0R6bfeo6o4z_aU3WmkX5KruE3sGI3Z4BlVZkbdz8MnA5QqvMvM54M10mEIL-hncwzH8ZAbMOglEtbcLkg6W0ePoRHRi1KWFo91JKsnYr6GaunLZsG0U7aYpM5yhDC/s400/khj_001b1.jpg" width="400" /></a></div>
<br />
After a five-month break, AYBCS has returned to continue this series of Los Angeles Top-30 tracks. In the beginning, I thought of this as the story of LA Pop music, but I've reconsidered and realized this is the story of KHJ's Top-30. So our story begins with the first survey from July 9th, 1965. Also, I scoured all the sources I could find and was able to insert airchecks between every second song. As this series continues, I'll try to keep this standard, but getting quality airchecks is very difficult.<br />
<br />
So we have every song that appeared in a KHJ Boss-30 in 1965. The vast majority are original mono 45 single versions. Also, each track is tagged with the survey where the song first appeared. Airchecks are on the other side of the survey for that week. This has been a labor of love and, I gotta admit, a very difficult series to compile. But with this you'll have the most complete view of what LA radio was like at the beginning of KHJ's reign. @320, essay, tracklist, and surveys included. Thanks to everyone who shared their time and collections to help make this project even better than I could have hoped.<br />
<br />
Introduction Kwai Chang: <i>1965:</i><br />
<i>It must have been strange to watch television render radio obsolete. Radio had been good to the world. It's just that regarding the context of demographics, there is no loyalty to be found within American Consumerism. Gimmicks rule supreme and ANY gimmick is a good gimmick! So how long was radio ever supposed to compete with television when TV had the gimmick of moving images? </i><br />
<i><br /></i>
<i>Luckily, no one held their breath waiting for an answer. </i><br />
<i><br /></i>
<i>Perhaps, the real lesson of radio was to show us just how ANY advance in technology is really DOOM for all that came before it. Or, is there something much less obvious-- FAR more mysterious to be learned by the hastily available legacy with a bad case of eulogy-itis? Because, as RADIO lay deceased for the proceedings of February 9, 1964...the horizon unfolded itself into an omni-directional money grab led by anything sounding British along with a sublime sense of timing that was beyond the realm of human strategy. </i><br />
<i><br /></i>
<i>Depending on when you were born, and where you lived...RADIO was about to transform itself into many things...most of them unforeseen...and many of them inevitable. But, in 1964, Radio wanted to hold my hand. It is a situation that was culturally confusing that had assembled itself(or crumbled into) from the most simple events, chronologies, voids, supplies, demands, industry protocol, and some non-protocol innocence that slipped in at the very beginning. All of these things woke up CHANGED on the morning of February 10, 1964. The Beatles' would sell many 8-Crystal Transistor Radios while Capitol Records did the honors of giving the group structural support(manufactured retail units) and the rest of the world tried to hang on for the ride. For the next year, American boredom became overwhelming...it doesn't matter what breaks the spell. By 1965, it seemed like all music came from England...and, American radio found itself in a most bemusing position. </i><br />
<i><br /></i>
<i>Thanks to television, pop music was left with an orphan known as Top-40 radio. The bonus of this situation was much the same as Los Angeles' musical identity dilemma before The Doors became its pride. Radio would now be standing on a wide-open potential that could have gone in any number of directions. And since it was happening in Los Angeles, AM radio was about to turn from B&W to COLOR. </i><br />
<i><br /></i>
<i>At the end of the really great year of 1964...American radio found itself standing over a new commodity. A parallel to Hollywood's Tinsel-Town and all that goes with the silver screen was now a wide-open horizon...to be played out on the airwaves of Southern California. Just as Los Angeles had been a musical identity void prior to The Doors...this was, even more, the case in 1965 Los Angeles radio. But, childhood must end.</i><br />
<i><br /></i>
<i>So, in that, it must follow that those of the right age and in the proper locations would be able to escape into a very real magic. No fictitious realities would impose themselves upon format radio...at least, not yet. But, that's because there was a very real need to chart the territory...and decide on a navigational course to start mapping. But, for the moment, a Boy-Scout compass would suffice. </i><br />
<i><br /></i>
<i>Modern music media, Los Angeles' Musical Identity, Industry Headquarters, Trend-Setting, Fast Lane Life, The Wrecking Crew, Radio Community Function, et cetera...AND KHJ BOSS Radio were ALL being born and learning to walk, talk, to dance and...to sing...</i><br />
<i><br /></i>
<i>(Well, 2-out-of-4 ain't bad)</i><br />
<i><br /></i>
<i>So, what? Quidnunc? How do the lyrics really go??? And did those feet, in ancient times, walk up on....Los Angeles in 1965?</i><br />
<i><br /></i>
<i><a href="https://yadi.sk/d/pgjWfMAOQW3tAQ" target="_blank">Yandex</a></i><br />
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<a href="https://www63.zippyshare.com/v/CCUBcLSb/file.html" target="_blank">Zippy Part 1</a><br />
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<a href="https://www17.zippyshare.com/v/V6JCX8Np/file.html" target="_blank">Zippy Part 2</a><br />
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<a href="https://www17.zippyshare.com/v/zUIRPuG4/file.html" target="_blank">Zippy Part 3</a>Blank Frankhttp://www.blogger.com/profile/10422157939508053534noreply@blogger.com33tag:blogger.com,1999:blog-1915465523817670126.post-69133369230739770222020-04-30T05:58:00.001-07:002020-04-30T05:58:14.510-07:00The Doors - Boot Yer Butt Deluxe (Speak In Secret Alphabets Addendum)<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8m581B1qbVg57qx90RvBDdgxt2hvw1iFHPmgPWgSnfE0e_x4x5WnaRKaVCbJ9NzHY3JjmdbMTduVCIYwAIqCTKnBuy9sKUJXPCWbAa3qE4he7J9W2m_mdmO13SFDMpIZh9diurZ5ACQfm/s1600/BYB.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="462" data-original-width="477" height="309" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8m581B1qbVg57qx90RvBDdgxt2hvw1iFHPmgPWgSnfE0e_x4x5WnaRKaVCbJ9NzHY3JjmdbMTduVCIYwAIqCTKnBuy9sKUJXPCWbAa3qE4he7J9W2m_mdmO13SFDMpIZh9diurZ5ACQfm/s320/BYB.jpg" width="320" /></a></div>
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Thanks to everyone for your enthusiasm for the last post Speak In Secret Alphabets: The Complete Doors recordings. Boot Yer Bett Deluxe completes their recordings - and also fills in many of the missing pieces.<br />
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I idea here is simple: use the recordings that the surviving Doors decided were worthy, which was released on Boot Yer Butt. The Deluxe version contains the COMPLETE bootleg, all in the exact date and order of performance. I'm posting this separately because these are bootlegs and though all of this is listenable, it is still far from the master quality of SISA. But, it's probably the best quality we're ever going to get.<br />
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Boot Yer Butt Deluxe is designed to fit with Speak In Secret Alphabets, so if you really want a deep exploration of, say, their pre-Light My Fire days or the final concerts before LA Woman, this is the place. Because it fits in with SISA, go ahead and add in including poetry and session recordings. It'll work.<br />
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234 tracks. 3 gigs. 22 1/2 hours long. All carefully chosen and taken from freshly converted FLAC files This is the ultimate collection of The Doors' bootleg recordings.<br />
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Part One: <a href="https://yadi.sk/d/WhEyHHhsULUdDw" target="_blank">YANDEX</a> <a href="https://www116.zippyshare.com/v/ACRBFvgv/file.html" target="_blank">ZIPPY</a><br />
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Part Two: <a href="https://yadi.sk/d/QZQ9oimwB-_H0A" target="_blank">YANDEX</a> <a href="https://www116.zippyshare.com/v/T0H5j0la/file.html" target="_blank">ZIPPY</a><br />
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Part Three: <a href="https://yadi.sk/d/0cQugEw9yxZ2FA" target="_blank">YANDEX</a> <a href="https://www116.zippyshare.com/v/qVVg3w6B/file.html" target="_blank">ZIPPY</a><br />
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Part Four: <a href="https://yadi.sk/d/C9UaqJLLNidotA" target="_blank">YANDEX</a> <a href="https://www116.zippyshare.com/v/9Gj799QS/file.html" target="_blank">ZIPPY</a><br />
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Part Five: <a href="https://yadi.sk/d/g4odwmfZ37-nxw" target="_blank">YANDEX</a> <a href="https://www116.zippyshare.com/v/OGMcVmsX/file.html" target="_blank">ZIPPY</a><br />
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Part Six: <a href="https://yadi.sk/d/lRyPHNl5Y7w4Xg" target="_blank">YANDEX</a> <a href="https://www86.zippyshare.com/v/jiNywKhQ/file.html" target="_blank">ZIPPY</a><br />
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Part Seven: <a href="https://yadi.sk/d/ta4mTL6qTNULiQ" target="_blank">YANDEX</a> <a href="https://www116.zippyshare.com/v/KMgAWCXZ/file.html" target="_blank">ZIPPY</a><br />
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<br />Blank Frankhttp://www.blogger.com/profile/10422157939508053534noreply@blogger.com20tag:blogger.com,1999:blog-1915465523817670126.post-84605593839135933462020-04-22T13:39:00.002-07:002020-05-02T03:49:03.276-07:00The Doors - Speak In Secret Alphabets: The Complete Recordings<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6VGR2BVYqGzbxgyjvy4rGQcltfHEX2wChpAC5ndbtocCqbpslVgF7vzumEV2dKBaS1u2yK7a7kxJE8btvKuNeL65xg6wrtugwkcFBr01Sst45sIIzmtVUlcNcffAKZU13TXaY4UzloRJZ/s1600/394b3f950ddabac9662268d540c59af0.600x600x1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="600" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6VGR2BVYqGzbxgyjvy4rGQcltfHEX2wChpAC5ndbtocCqbpslVgF7vzumEV2dKBaS1u2yK7a7kxJE8btvKuNeL65xg6wrtugwkcFBr01Sst45sIIzmtVUlcNcffAKZU13TXaY4UzloRJZ/s320/394b3f950ddabac9662268d540c59af0.600x600x1.jpg" width="320" /></a></div>
<i>Long story short, these are the complete Doors recordings in order of performance or release date</i><br />
<i>. </i><br />
<i>01 - Studio Master Takes (mostly 40th Anniversary remixes with unique non-LP/single songs added by recording date [if known, if not, best-educated guess])</i><br />
<i><br /></i>
<i>02 - Studio Alternates (alternate unique studio versions not included in parts 1,3,4,5 or 6 by recording date [if known, if not, best-educated guess])</i><br />
<i><br /></i>
<i>03 - Spoken Word (studio recorded or filmed poetry recordings, but also</i><br />
<i>has a demo or two)</i><br />
<i><br /></i>
<i>04 - Singles (original mixes by release date)</i><br />
<i><br /></i>
<i>05 - Stereo LP Masters (original mixes by release date)</i><br />
<i><br /></i>
<i>06 - Mono LP Masters (original mixes by release date)</i><br />
<i><br /></i>
<i>07 - TV Appearances (unique recordings that aren't lipsynced or live concerts by recording (preferred) or air date)</i><br />
<i><br /></i>
<i>08 - Live Multitrack (professionally recorded concerts by recording date)</i><br />
<i><br /></i>
<i>09 - Live Soundboard (live inhouse concert recordings by recording date. Could be amateurs with multiple mikes and a mixing board [like The Matrix])</i><br />
<i><br /></i>
<i>10 - Boot Yer Butt Deluxe (an addendum with the complete bootlegs of those included on BYB, in the best versions I could obtain, set by recording date)In all, there are ten parts with (little or) no repetition. All parts are interchangeable and can fit together in any combination you choose. I hope this will be the final word on the Doors' recordings. I will add to this if more recordings become available. Personally, I like parts one and seven combined!</i><br />
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<i>My good friend Kwai Chang has agreed to write an overview of sorts about this collection. Thank you Kwai, thank you JCC, and thank you to the kind folks at </i><a href="http://mildequator.com/" target="_blank">Mild Equator</a> <i>for their help.</i><br />
<i><br /></i>
Kwai Chang - Okay, let's cut through the tinsel here. Is there ANY way to write about The Doors that will make somebody appreciate what kind of privilege this collection really represents? Let's throw this suggested narrative down the well and see if anything splashes! I wrote this to get readers interested in a story that tells itself completely through music. This story has never been as thorough and entertaining as it is here. Please don't think I can even begin to tell the story of The Doors. All I am trying to do is get you to play ANY part of it. As you know, everything is connected. This will connect with that and versa vice. And, if it bears any resemblance to the fairy tale that Los Angeles has always been, rest assured that it won't have ANYTHING to do with Hollywood production hyperbole. Tear up your S.A.G. cards and fire your agent. This story doesn't use 8"X10" promo shots. It is fully organic and when the music is over, the last slice of The West will have found its real identity and, in that, its true function. That this happened at all falls upon the shoulders of the highest-ranking bohemian ever to hitch-hike 'that-a-way'. Hopefully, this collection will realign the Jim Morrison mystique in a new way that gives him some overdue respect. Should we find that he actually is part clown...then at least we know that the tale was indeed reflective...especially to those who were THERE when it began.<br />
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West...the final frontier: This is the journey of the last modern Ubermensch to emerge from a culture in need of ideas. In need of vision. His five-year mission--to believe in possibility and to go where history has tried to go but could not. To boldly go where culture might never have gone otherwise. To play this drama out on the last sliver of playing field that the world had not yet ruined with tradition and gun-powder...oh, James Tiberius! When a rear admiral goes home at the end of the day...is he really brave enough to stand up to his wife? Even when the prime directive is to set examples...to be a role model that the offspring could believe in...Jim must have been witness to some very upper-middle-class hypocrisy. When the search for verification leads to the Library Of Congress and a heavy lean is placed upon Friedrich Neitzsche then the rear admiral becomes a mockery of those highest hopes he had for his children. He might have even envisioned a family tradition branching out into military limbs of a lineage belonging to a new chain of command.<br />
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Jim Morrison might as well have seen himself as the last William The Conqueror...Lewis And Clark...Ponce De Leon...as he set out from Tallahassee to find enrollment at the film school at the University Of California, Los Angeles--EVEN if he really was THEM! We don't really know the particulars of his journey Westward, but we DO KNOW what he was wearing. The recruitment film short that he starred in at FSU found Jim wearing the two-tone V-neck sweater that would grace so many of his early Doors photographs. It was pre-leather and it suited the segue that was about to commence. It seems ironic that a Beach Boys existence, identity, mentality had already befallen the promised sand of the Golden State...but, then we could argue that Murry Wilson was actually a non-military edition of George Stephen Morrison. But, Southern California clearly needed a real mascot whose representation wasn't dressed up in any stereotypical self-parody of patriarchal guidance. And what it got was already very anti-hero...dressed in clothes from the other side of the mirror. MOST groups take decades to accomplish what The Doors achieved in a blur of five(6) years. They are the only group to ever make me wish I was born a few years earlier than 1960. The Doors were unsuspecting champions who never ever expected the victories that would lay before them. They also didn't deserve the harshness that would befall them by the time it was over. We cannot overstate the brevity of the timing involved here...in addition to location, location, location. This collection puts the group into a perspective that is prismatic and allows for refraction of very simple events that would double-helix into the complicated role that Southern California would assume as their direct result. The West is the best! Get here and we'll do the rest. So, let us start with the sun rising on a casual metropolis that was about to realize the Truth about the striped Beach Boys shirts and how much California Girls don't even go to the beach! Corny ends where reflection begins. Los Angeles needed to BE the last vestige of American Freedom...the only missing component was a persona to demonstrate that it already WAS. World Conquest was about to become finalized and when it was over, L.A. would be the world's trendsetting example...forever hence.<br />
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The Gateway Arch? Since 1967, that's the freeway interchange in Los Angeles where the 101 meets the 110, the 10, the 5...and is the REAL line where East ends and the West begins. It is where the movie changes from B&W to full color! To think that it really started in Florida(perhaps the most frustrated of the 49 other states) at least makes sense. First of all, the weather is almost as nice as Southern California...but, overtly sub-tropical. That means humidity...never-ending UNEXPECTED rain...giant insects/reptiles...a long way to California. If being born on a military installation could ever mean indoctrination for anyone...perhaps it meant that for James Douglas Morrison. His long wait for Destiny to call him West was over and there was nothing in the way except 2,250 miles of rich Smalltown, U.S.A. subculture(individual indigenous lifestyles). This is the timing that EVERYONE was waiting for, and Jim Morrison didn't even know it. It doesn't matter what the calendar said. There's a little vagabond in everyone...especially in a military ascent to higher rank. So, until now, this had been a family matter with liberal amounts of Kerouac and Nietzsche. What else could a poor boy do already without rank as the son of a Rear-Admiral in the United States Navy? Now, the vagabond element would be self-realized and the need for parents would evolve itself into nothing. So, without dissecting motivation or wondering what the scenery might have revealed...James Douglas Morrison headed West in January of 1964. Musical influence is secondary at this point. Los Angeles was in dire need of a symbol to represent its own frustrated predicament...and, he was finally...'en route'.<br />
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Did Jim ever actually hear Rick And The Ravens? Now, there's a predicament. The group was already a honky-tonk version of the Beach Boys and within that parameter, we can hear a basic foundation on which The Doors would build their trademark identity. But, Rick And The Ravens bore no resemblance to it. A few You Make Me Real piano signatures and more hand-claps than drums or guitar. Thankfully, the main Raven(Ray Manzarek) will be redeemed by all of his hard work in The Doors' precursor band. It was the only way to start this. Ray should be commended on his ability to remain confident. He really was the perfect springboard from which Jim Morrison could launch himself. It was going to take time for Jim to catch up to Ray...but it would be an incredible transformation. But, in 1965 when The Doors went to World Pacific Studios to record some proper demos, that transformation had not yet transpired. The six demo tracks confirm little more than the group was still searching for its own trademarks. Somebody is honking on the harmonica with a confidence that is beyond that of the vocalist. And the Rick And The Ravens' honky-tonk beat seems to have slowed to a gallop as if to give the double-track vocals room to develop a texture of its own. That strategy is not realized here even though Morrison seems to have a desired direction for his vocal style. It just hasn't matured enough to be distinctive.<br />
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So, it seems odd that the Ford Motor Company wanted the group to provide the musical landscape for a 25-minute employee training film(Love Thy Customer). Without knowing the logistics that resulted in this production...it is clearly worth acknowledging that The Doors as we know them have found plenty of signature definition within the accompaniment of 'Thy Customer'. The best part is that it is a fresh and new sound that has NOT been heard before. Both Robbie Krieger and John Densmore command their unique respective presences in the musical discourse. What we hear is the real arrival of The Doors...Los Angeles' own rock band. The corny piped-in muzak sounds that open the film are in direct contrast to this new sound and the effect is unmistakable. The social reasons for this might even be related but, it is pure speculation. It is worth mentioning that concurrently, a strange chemical compound was being touted as everything from a religious sacrament to a possible cure for alcoholism...to an artistic enhancer...to mind-manifesting...to mind-bending. The substance was LSD-25 and whatever its actual value or danger...it is important to this story. It was also completely legal at this point in the chronology. That it seemed to go hand in hand with The Doors' reverse vortex arrival on the scene is just the best timing ever to befall a huge musical void and the social dysfunction that was Southern California culture, as well. In the film, Love Thy Customer, we can hear (the first?) real psychedelic musical vision happening organically. Perhaps Ford Motor Company was hip to the sounds because of a clearly new objective strategy in employment efficiency. We just don't know. So, the idea that the L.A. street scene had things to offer is not so far fetched. Was it a new way of thinking? Was there real tangible newness to be found in the seemingly legitimate voice of Youth?<br />
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Well, when we understand the mechanics of star-making machinery, it seems impossible that ANYTHING could be the product of counter-culture, especially when riding the pretense of righteousness and fueled by perfect timing. And yet, that is exactly what we are witnessing here. By May 1966, The Doors were still playing The London Fog...what were the expectations of Paul Rothchild or Jac Holzman or whomever Elektra Records sent to check their potential? We know that The London Fog release of a few years ago, is absolute proof, that The Doors had become a real band. Each member was in full display of their respective chops and that those chops were beyond the typical ambition of all other local acts. Each of the band members were adept in their style and the interplay shared between them was a language all its own. Remember, too, that the music industry was already in the habit of providing The Wrecking Crew template to all things of commercial potential. So, with The Doors...how sweet was the sound heard by scouting label recruiters? The resultant debut album that Paul Rothchild was able to produce at the end of 1966 was absolutely brilliant on nearly every level. Released in January 1967, this is the effort that would propel the group, the music, the genre, the locality, the group unit, and individualism into the highest prominence ever known to Los Angeles. That the first single, Break On Through(To The Other Side), fizzled as the group's first time out...it was still the most perfect selection to usher in the group and the album to the scene. It also defined the absolute objective that The Doors never fully verbalized...but, which the music, was undeniably about. This was an album that proclaimed its own virtues as it was basically a themed affair. That theme being the mystery and hopeful influence that can exist in the psychedelic dynamic...and, ANY other paradigm related to music.<br />
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The music was unique unto itself...it defied any hopes of comparison to all that came before it. It made no use of simple sappy romance...instead honing the Freudian lyrics to a cutting edge made of non-ambiguity. Straight for the heart, this scope was of a consistent aim on any prey to fall into its cross-hairs. All lyrics are specifically lethal in a very living way. The sound of the instruments are all reactionary to the message of the words. This debut could have been titled The Chain Of Command, I Read Too Much, Libido On The Sunset Strip...or a million other relevant inferences to the subject matter within. But, it was called The Doors and on that angle, the group became Los Angeles' own local pride. If the music industry was really in the habit if inventing/cultivating pop music mythology out of any band on its 'way up', what must it have thought of Jim, Ray, Robbie, and John? They were a complete item requiring no fabrication on any level. They were their own creators and had held on long enough to get corporate attention. They wrote their own songs...played their own music...and, were competent enough to set up the equipment and do it LIVE in any venue. Let us reiterate: THIS WAS NOT THE NORM in the Los Angeles radio culture. Now, the only thing missing would be national acceptance and this was accomplished with the second single release.<br />
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Light My Fire was released as a single on April 24, 1967. Recorded eight months earlier, and whittled down from the album's 7:06 to just under 3:00...the timing was again perfect. By the time the single caught fire on the airwaves, enough album sales had occurred to ensure its, and the group's, longevity. The best part was that the song was the last song on side one of the album. This allowed for a saturation level of consumer listening to the first half of the album. The rest of the defining victory was nailed down via live appearances for most of 1967. This might have been the end of the mega-flash as touring is hard work. To hear the group's performance at The Matrix club in San Francisco gives no hint about what they had already accomplished or what greatness still lay before them. Amazingly, the group spent most of their off time at Sunset Sound Recorders from May-August. This in itself is not spectacular...however, the result would dovetail to cement The Doors' role as the pride of Los Angeles...and the best rock and roll act ever to get national airplay in the United States. The worst fate ever to fall upon musical acts is to debut yourself with a masterpiece...tour de force...something so good-- NOTHING will beat it! Sound like anyone we know? In Los Angeles, The Doors might not have noticed all of this critical theory about timing. They were pretty busy in 1967. But, they had some huge shoes to fill. They only had one album. However great it was, they might have already conceded to an inability to better it. Throughout the history of popular music, there have been many masterpiece debuts. But the rarest commodity is a BETTER sophomore effort. And in September of 1967,<br />
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L.A.'s very own rock band, The Doors...cinched immortality with the release of Strange Days. A vanguard offering that was the logical progression of the debut album that was only 36 minutes long. And yet, it was the perfect complement of the first LP and in so doing defines the psychedelic music genre in a very final way. There would be many releases through the '60s and early '70s by other groups...all using the road paved by The Doors. But, the Westward Expansion was over. The real estate didn't allow for it and neither did the genre, the industry protocol, and the Southern California lifestyle/culture. ALL roads would lead back to Venice the same way that ALL things British led back to Liverpool. In The Doors, Los Angeles indeed found a fitting mascot to represent the state of The Golden State. From this moment forward, all musical real estate would be occupied by hints of yore...and all that would be offered as new was really something already done...regardless of the refurbishing that preceded it. The Doors were the real thing. They were so good that nowhere but Los Angeles could have provided them the fertile substrate to realize all that they have given to us. The remainder of their career is anti-climactic. Despite the greatness of their future releases, they would most effectively symbolize the exhale of the year 1967. Certainly, there is the story of how Morrison was ready to throw in the towel after the first album. And, rightly so! If Los Angeles is anything...it is EASILY bored. That hasn't always been the case, but in the life of the last real anti-hero ever to call it home, it was simply a situation where everything has already been said.<br />
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Time to move outward towards bigger ripples. What else is there? We should have gotten the arty Doors on their 3rd LP. The Celebration Of The Lizard was Jim's next point of focus...and yet, Paul Rothchild was still the producer and industry protocol had finally gained a firm grasp of all things Doors! Instead of arty, we got political and we got leftovers. We even got stuff that was sub-par. These are the obstacles to face when you have released a debut masterpiece and an even better follow-up. The music was indeed over and it would take three more LPs to turn out the lights.<br />
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The FINAL redemption was when Paul Rothchild was bored by the early versions of what became the L.A. Woman LP. The band would go on to produce that final effort without him...while he was coddling Janis Joplin's Pearl album. Well, at least we know who wasn't an L.A. Woman. The Doors' last album was recorded at the downstairs rehearsal space of 8512 Santa Monica Blvd in West Hollywood. That was the hub of the group's existence as it was their official designated OFFICE(upstairs) and the only address ever given by Morrison as a California Resident. The building was at the intersection of La Cienega...also the location of the Alta Cienega Hotel(Northwest corner) where Jim often stayed. Further up the street, at the top of La Cienega is the Whiskey A Go-Go(at Sunset Blvd). All of the locations within a five-mile radius of the 'Workshop'. The L.A. Woman album brought the group to a logical finish line musically. It was a return to the Blues that had been their staple back in the beginning when they wanted to be as big as Love. When they weren't yet good enough for the Whiskey A Go-Go. When poetry was just a pastime and NOT yet a paradigm.<br />
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This collection by BlankFrank gives the entire story of the greatest band ever to come from the U.S.A.! You can finally realize how important The Doors were, how important Los Angeles became...and how important creative archiving always will be!<br />
Any questions???<br />
KC<br />
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Part One: Studio Master Takes 1 <a href="https://yadi.sk/d/Ysb8T24D3h4HoQ" target="_blank">Yandex</a><br />
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Part One: Studio Master Takes 2 <a href="https://yadi.sk/d/iuJMSsEyqnNaHg" target="_blank">Yandex</a><br />
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Part Two: Studio Alternates <a href="https://yadi.sk/d/fzxwesZnNkRDDg" target="_blank">Yandex</a><br />
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Part Three: Spoken Word <a href="https://yadi.sk/d/hGIX_-DmEDNaYQ" target="_blank">Yandex</a><br />
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Part Four: Singles <a href="https://yadi.sk/d/rPF_df6EaBWesQ" target="_blank">Yandex</a><br />
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Part Five: Stereo LP Masters <a href="https://yadi.sk/d/fICU9vesFNQ4gQ" target="_blank">Yandex</a><br />
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Part Six: Mono LP Masters <a href="https://yadi.sk/d/HpH7mlKtIbr34Q" target="_blank">Yandex</a><br />
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Part Seven: TV/Radio Appearances <a href="https://yadi.sk/d/NyrLa6Oaqh_OVg" target="_blank">Yandex</a><br />
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Part Eight: Live Multi-track 1 (68-69) <a href="https://yadi.sk/d/8Ggr3z0apzya9A" target="_blank">Yandex</a><br />
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Part Eight: Live Multi-track 2 (1-4 1970) <a href="https://yadi.sk/d/AjeA8dCsFsv1LQ" target="_blank">Yandex</a><br />
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Part Eight: Live Multi-track 3 (5-8 1970) <a href="https://yadi.sk/d/lZGzkLPl6bjmdQ" target="_blank">Yandex</a><br />
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Part Nine: Live Soundboard <a href="https://yadi.sk/d/Wuq_SnWDk2QHqQ" target="_blank">Yandex</a><br />
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Part One: Studio Master Takes 1 <a href="https://www85.zippyshare.com/v/o017azIU/file.html" target="_blank">Zippy</a><br />
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Part One: Studio Master Takes 2 <a href="https://www116.zippyshare.com/v/hSHekkCX/file.html" target="_blank">Zippy</a><br />
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Part Two: Studio Alternates 1 <a href="https://www85.zippyshare.com/v/o017azIU/file.html" target="_blank">Zippy</a><br />
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Part Two: Studio Alternates 2 <a href="https://www85.zippyshare.com/v/C9XSAvLJ/file.html" target="_blank">Zippy</a><br />
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Part Three: Spoken Word <a href="https://www116.zippyshare.com/v/JurPEnmx/file.html" target="_blank">Zippy</a><br />
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Part Four: Singles <a href="https://www85.zippyshare.com/v/8tAdSydL/file.html" target="_blank">Zippy</a><br />
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Part Five: Stereo LP Masters 1 <a href="https://www85.zippyshare.com/v/gBob0SAT/file.html" target="_blank">Zippy</a><br />
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Part Five: Stereo LP Masters 2 <a href="https://www85.zippyshare.com/v/NeRfJsHH/file.html" target="_blank">Zippy</a><br />
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Part Five: Stereo LP Masters 3 <a href="https://www85.zippyshare.com/v/WTaTMPK1/file.html" target="_blank">Zippy</a><br />
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Part Six: Mono LP Masters <a href="https://www85.zippyshare.com/v/eMIE05mL/file.html" target="_blank">Zippy</a><br />
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Part Seven: TV/Radio Appearances <a href="https://www85.zippyshare.com/v/rOXSFchT/file.html" target="_blank">Zippy</a>Blank Frankhttp://www.blogger.com/profile/10422157939508053534noreply@blogger.com48tag:blogger.com,1999:blog-1915465523817670126.post-28676179585604581502020-04-13T09:58:00.001-07:002020-04-13T09:58:18.205-07:00Simon & Garfunkel - The Dangling Conversation (1957-81)<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqomPRge4RPs1nROuL61dLmKxPZXg5a-AzRPR9NeNKH1qqDlYdD2fgtSw9NKV6vNhbzhcYiiYTpbkrIuaVWp1Asx2Ya1fNkyvKhT4t-uyoFDJcmb_S5G2cFRudRe5o1CNg0fA5Qx9vYQlK/s1600/simon-and-garfunkel-the-dangling-conversation-columbia.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqomPRge4RPs1nROuL61dLmKxPZXg5a-AzRPR9NeNKH1qqDlYdD2fgtSw9NKV6vNhbzhcYiiYTpbkrIuaVWp1Asx2Ya1fNkyvKhT4t-uyoFDJcmb_S5G2cFRudRe5o1CNg0fA5Qx9vYQlK/s400/simon-and-garfunkel-the-dangling-conversation-columbia.jpg" width="400" /></a></div>
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The original idea of this set, which I started back in 2017, is to look at Simon and Garfunkel's career from their first recordings to now, all of their output - as if they never broke up. it makes some sense, they used the same producer, same musicians and I suspect they knew pretty well what the other was doing. It'd be impossible not to. Looking at it now, I think their '81 reunion at Central Park serves as a natural break and would also allow me to finally finish this project.<br />
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The first volume contains all of their pre-fame singles, re-compiled from the Purple Chick set. It's nice to have these, but I believe few will be listening to this one often. The good news is on this volume, you'll have all of the pre-S&G 45s in one place.<br />
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Volume two is all of their US singles in mono, as compiled by Prof. Stoned. All I did was re-tag them all with original labels and sleeves. Thanks Prof!<br />
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The last two volumes are the most interesting: all of their single a-sides from 1972-80 along with selected b-sides and other treats. I've spun it and I'm (mostly) pleased with the way it turned out. A few performances from The Concert At Central Park finishes it all up. It's as if they never split!<br />
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All @ 320 and tagged with original sleeves/labels<br />
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<span style="white-space: pre;"> </span><b>The Dangling Conversation Vol 1 - The Pre-Fame Singles (1957-65)</b><span style="white-space: pre;"> </span><br />
1<span style="white-space: pre;"> </span>Tom & Jerry<span style="white-space: pre;"> </span>Hey Schoolgirl (Big 613) [11-57]<span style="white-space: pre;"> </span>2:17<br />
2<span style="white-space: pre;"> </span>Tom & Jerry<span style="white-space: pre;"> </span>Dancin' Wild (Big 613) [11-57]<span style="white-space: pre;"> </span>2:21<br />
3<span style="white-space: pre;"> </span>True Taylor<span style="white-space: pre;"> </span>True Or False (Big 614) [1-58]<span style="white-space: pre;"> </span>2:12<br />
4<span style="white-space: pre;"> </span>True Taylor<span style="white-space: pre;"> </span>Teenage Fool (Big 614) [1-58]<span style="white-space: pre;"> </span>2:50<br />
5<span style="white-space: pre;"> </span>Tom & Jerry<span style="white-space: pre;"> </span>Our Song (Big 616) [2-58]<span style="white-space: pre;"> </span>1:57<br />
6<span style="white-space: pre;"> </span>Tom & Jerry<span style="white-space: pre;"> </span>Two Teenagers (Big 616) [2-58]<span style="white-space: pre;"> </span>2:23<br />
7<span style="white-space: pre;"> </span>Tom & Jerry<span style="white-space: pre;"> </span>That's My Story (Big 618) [5-58]<span style="white-space: pre;"> </span>2:30<br />
8<span style="white-space: pre;"> </span>Tom & Jerry<span style="white-space: pre;"> </span>(Pretty Baby) Don't Say Goodbye (Big 618) [5-58]<span style="white-space: pre;"> </span>2:03<br />
9<span style="white-space: pre;"> </span>Tom & Jerry<span style="white-space: pre;"> </span>Baby Talk (Big 618) [6-58]<span style="white-space: pre;"> </span>2:08<br />
10<span style="white-space: pre;"> </span>Tom & Jerry<span style="white-space: pre;"> </span>Lookin' At You (Ember 1094) [5-59]<span style="white-space: pre;"> </span>1:58<br />
11<span style="white-space: pre;"> </span>Tom & Jerry<span style="white-space: pre;"> </span>I'm Lonesome (Ember 1094) [5-59]<span style="white-space: pre;"> </span>2:01<br />
12<span style="white-space: pre;"> </span>Jerry Landis<span style="white-space: pre;"> </span>Annabelle (MGM 12822) [7-59]<span style="white-space: pre;"> </span>2:01<br />
13<span style="white-space: pre;"> </span>Jerry Landis<span style="white-space: pre;"> </span>Loneliness (MGM 12822) [7-59]<span style="white-space: pre;"> </span>2:15<br />
14<span style="white-space: pre;"> </span>Artie Garr<span style="white-space: pre;"> </span>Beat Love (Warwick 515) [10-59]<span style="white-space: pre;"> </span>2:10<br />
15<span style="white-space: pre;"> </span>Artie Garr<span style="white-space: pre;"> </span>Dream Alone (Warwick 515) [10-59]<span style="white-space: pre;"> </span>2:21<br />
16<span style="white-space: pre;"> </span>Jerry Landis<span style="white-space: pre;"> </span>Just A Boy (Warwick 552) [5-60]<span style="white-space: pre;"> </span>2:11<br />
17<span style="white-space: pre;"> </span>Jerry Landis<span style="white-space: pre;"> </span>Shy (Warwick 552) [5-60]<span style="white-space: pre;"> </span>2:31<br />
18<span style="white-space: pre;"> </span>Jerry Landis<span style="white-space: pre;"> </span>I'd Like To Be (Warwick 588b) [11-60]<span style="white-space: pre;"> </span>2:09<br />
19<span style="white-space: pre;"> </span>Jerry Landis<span style="white-space: pre;"> </span>Play Me A Sad Song (Warwick 619) [5-61]<span style="white-space: pre;"> </span>2:19<br />
20<span style="white-space: pre;"> </span>Jerry Landis<span style="white-space: pre;"> </span>It Means A Lot To Them (Warwick 619) [5-61]<span style="white-space: pre;"> </span>2:09<br />
21<span style="white-space: pre;"> </span>Artie Garr<span style="white-space: pre;"> </span>Private World (Octavia 800) [8-61]<span style="white-space: pre;"> </span>2:50<br />
22<span style="white-space: pre;"> </span>Artie Garr<span style="white-space: pre;"> </span>Please Forgive Me (Octavia 800) [8-61]<span style="white-space: pre;"> </span>2:34<br />
23<span style="white-space: pre;"> </span>Jerry Landis<span style="white-space: pre;"> </span>I'm Lonely (Cam-Am 13) [10-61]<span style="white-space: pre;"> </span>2:16<br />
24<span style="white-space: pre;"> </span>Jerry Landis<span style="white-space: pre;"> </span>I Wish I Weren't In Love (Cam-Am 13) [10-61]<span style="white-space: pre;"> </span>2:02<br />
25<span style="white-space: pre;"> </span>Tico & The Triumphs<span style="white-space: pre;"> </span>Motorcycle (Madison M169) [10-61]<span style="white-space: pre;"> </span>2:07<br />
26<span style="white-space: pre;"> </span>Tico & The Triumphs<span style="white-space: pre;"> </span>I Don't Believe Them (Madison M169) [10-61]<span style="white-space: pre;"> </span>2:05<br />
27<span style="white-space: pre;"> </span>Tom & Jerry<span style="white-space: pre;"> </span>Surrender, Please Surrender (Paramount 1036) [8-62]<span style="white-space: pre;"> </span>2:09<br />
28<span style="white-space: pre;"> </span>Tom & Jerry<span style="white-space: pre;"> </span>Fightin' Mad (Paramount 1036) [8-62]<span style="white-space: pre;"> </span>2:06<br />
29<span style="white-space: pre;"> </span>Jerry Landis<span style="white-space: pre;"> </span>The Lone Teen Ranger (Amy 875) [8-62]<span style="white-space: pre;"> </span>2:19<br />
30<span style="white-space: pre;"> </span>Jerry Landis<span style="white-space: pre;"> </span>Lisa (Amy 875) [8-62]<span style="white-space: pre;"> </span>2:04<br />
31<span style="white-space: pre;"> </span>Paul Kane (Jerry Landis)<span style="white-space: pre;"> </span>Carlos Dominguez (Tribute 128) [8-63]<span style="white-space: pre;"> </span>2:50<br />
32<span style="white-space: pre;"> </span>Paul Kane (Jerry Landis)<span style="white-space: pre;"> </span>He Was My Brother (Tribute 128) [8-63]<span style="white-space: pre;"> </span>3:06<br />
34<span style="white-space: pre;"> </span>Paul Simon<span style="white-space: pre;"> </span>I Am A Rock (CBS UK 201797) [7-65]<span style="white-space: pre;"> </span>2:42<br />
35<span style="white-space: pre;"> </span>Paul Simon<span style="white-space: pre;"> </span>Leaves That Are Green (CBS UK 201797) [7-65]<span style="white-space: pre;"> </span>2:31<br />
<span style="white-space: pre;"> </span><br />
<span style="white-space: pre;"> </span><br />
<span style="white-space: pre;"> </span><b>The Dangling Conversation Vol 2 - The Classic Mono Singles (1965-70)</b><span style="white-space: pre;"> </span><br />
1<span style="white-space: pre;"> </span>Simon & Garfunkel<span style="white-space: pre;"> </span>The Sounds Of Silence (Columbia 4-43396) [9-65]<span style="white-space: pre;"> </span>3:04<br />
2<span style="white-space: pre;"> </span>Simon & Garfunkel<span style="white-space: pre;"> </span>We've Got A Groovey Thing Goin' (Columbia 4-43396) [9-65]<span style="white-space: pre;"> </span>1:59<br />
3<span style="white-space: pre;"> </span>Simon & Garfunkel<span style="white-space: pre;"> </span>Homeward Bound (Columbia 4-43511) [1-66]<span style="white-space: pre;"> </span>2:31<br />
4<span style="white-space: pre;"> </span>Simon & Garfunkel<span style="white-space: pre;"> </span>Leaves That Are Green (Columbia 4-43511) [1-66]<span style="white-space: pre;"> </span>2:22<br />
5<span style="white-space: pre;"> </span>Simon & Garfunkel<span style="white-space: pre;"> </span>I Am A Rock (Columbia 4-43617) [4-66]<span style="white-space: pre;"> </span>2:53<br />
6<span style="white-space: pre;"> </span>Simon & Garfunkel<span style="white-space: pre;"> </span>Flowers Never Bend With The Rainfall (Columbia 4-43617) [4-66]<span style="white-space: pre;"> </span>2:13<br />
7<span style="white-space: pre;"> </span>Simon & Garfunkel<span style="white-space: pre;"> </span>The Dangling Conversation (Columbia 4-43728) [7-66]<span style="white-space: pre;"> </span>2:38<br />
8<span style="white-space: pre;"> </span>Simon & Garfunkel<span style="white-space: pre;"> </span>The Big Bright Green Pleasure Machine (Columbia 4-43728) [7-66]<span style="white-space: pre;"> </span>2:46<br />
9<span style="white-space: pre;"> </span>Simon & Garfunkel<span style="white-space: pre;"> </span>A Hazy Shade Of Winter (Columbia 4-43873) [10-66]<span style="white-space: pre;"> </span>2:20<br />
10<span style="white-space: pre;"> </span>Simon & Garfunkel<span style="white-space: pre;"> </span>For Emily, Whenever I May Find Her (Columbia 4-43873) [10-66]<span style="white-space: pre;"> </span>2:06<br />
11<span style="white-space: pre;"> </span>Simon & Garfunkel<span style="white-space: pre;"> </span>At The Zoo (Columbia 4-44046) [2-67]<span style="white-space: pre;"> </span>2:16<br />
12<span style="white-space: pre;"> </span>Simon & Garfunkel<span style="white-space: pre;"> </span>The 59th Street Bridge Song (Columbia 4-44046) [2-67]<span style="white-space: pre;"> </span>1:50<br />
13<span style="white-space: pre;"> </span>Simon & Garfunkel<span style="white-space: pre;"> </span>Fakin' It (Columbia 4-44232) [7-67]<span style="white-space: pre;"> </span>3:14<br />
14<span style="white-space: pre;"> </span>Simon & Garfunkel<span style="white-space: pre;"> </span>You Don't Know Where Your Interest Lies (Columbia 4-44232) [7-67]<span style="white-space: pre;"> </span>2:23<br />
15<span style="white-space: pre;"> </span>Simon & Garfunkel<span style="white-space: pre;"> </span>Scarborough Fair/Canticle (Columbia 4-44465) [2-68]<span style="white-space: pre;"> </span>3:10<br />
16<span style="white-space: pre;"> </span>Simon & Garfunkel<span style="white-space: pre;"> </span>April Come She Will (Columbia 4-44465) [2-68]<span style="white-space: pre;"> </span>1:51<br />
17<span style="white-space: pre;"> </span>Simon & Garfunkel<span style="white-space: pre;"> </span>Mrs Robinson (Columbia 4-44511) [4-68]<span style="white-space: pre;"> </span>4:06<br />
18<span style="white-space: pre;"> </span>Simon & Garfunkel<span style="white-space: pre;"> </span>Old Friends (Columbia 4-44511) [4-68]<span style="white-space: pre;"> </span>3:59<br />
19<span style="white-space: pre;"> </span>Simon & Garfunkel<span style="white-space: pre;"> </span>The Boxer (Columbia 4-44785) [3-69]<span style="white-space: pre;"> </span>5:12<br />
20<span style="white-space: pre;"> </span>Simon & Garfunkel<span style="white-space: pre;"> </span>Baby Driver (Columbia 4-44785) [3-69]<span style="white-space: pre;"> </span>3:14<br />
21<span style="white-space: pre;"> </span>Simon & Garfunkel<span style="white-space: pre;"> </span>Bridge Over Troubled Water (Columbia 4-45079) [1-70]<span style="white-space: pre;"> </span>4:55<br />
22<span style="white-space: pre;"> </span>Simon & Garfunkel<span style="white-space: pre;"> </span>Keep The Customer Satisfied (Columbia 4-45079) [1-70]<span style="white-space: pre;"> </span>2:39<br />
23<span style="white-space: pre;"> </span>Simon & Garfunkel<span style="white-space: pre;"> </span>Cecilia (Columbia 4-45133) [3-70]<span style="white-space: pre;"> </span>2:40<br />
24<span style="white-space: pre;"> </span>Simon & Garfunkel<span style="white-space: pre;"> </span>The Only Living Boy In New York (Columbia 4-45133) [3-70]<span style="white-space: pre;"> </span>3:59<br />
25<span style="white-space: pre;"> </span>Simon & Garfunkel<span style="white-space: pre;"> </span>El Condor Pasa (If I Could) (Columbia 4-45237) [8-70]<span style="white-space: pre;"> </span>3:09<br />
26<span style="white-space: pre;"> </span>Simon & Garfunkel<span style="white-space: pre;"> </span>Why Don't You Write Me (Columbia 4-45237) [8-70]<span style="white-space: pre;"> </span>2:48<br />
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<span style="white-space: pre;"> </span><b>The Dangling Conversation Vol 3 - Learn How To Fall (1972-75)</b><span style="white-space: pre;"><b> </b> </span><br />
1<span style="white-space: pre;"> </span>Art Garfunkel<span style="white-space: pre;"> </span>Traveling Boy (Single Version) (COL 4-46030) [3-74]<span style="white-space: pre;"> </span>3:43<br />
2<span style="white-space: pre;"> </span>Paul Simon<span style="white-space: pre;"> </span>Duncan (COL 4-45638) [6-72]<span style="white-space: pre;"> </span>4:43<br />
3<span style="white-space: pre;"> </span>Art Garfunkel<span style="white-space: pre;"> </span>Feuilles-Oh / Do Space Men Pass Dead Souls On Their Way To The Moon? (COL 4-45983) [12-73]<span style="white-space: pre;"> </span>3:12<br />
4<span style="white-space: pre;"> </span>Paul Simon<span style="white-space: pre;"> </span>Mother And Child Reunion (COL4-45547) [1-72]<span style="white-space: pre;"> </span>3:08<br />
5<span style="white-space: pre;"> </span>Paul Simon<span style="white-space: pre;"> </span>Peace Like A River (Paul Simon LP) [1-72]<span style="white-space: pre;"> </span>3:17<br />
6<span style="white-space: pre;"> </span>Art Garfunkel<span style="white-space: pre;"> </span>Mary Was An Only Child (COL 4-45926) [8-73]<span style="white-space: pre;"> </span>3:29<br />
7<span style="white-space: pre;"> </span>Paul Simon<span style="white-space: pre;"> </span>Me And Julio Down By The Schoolyard (COL4-45585) [3-72]<span style="white-space: pre;"> </span>2:45<br />
8<span style="white-space: pre;"> </span>Paul Simon<span style="white-space: pre;"> </span>Kodachrome (COL4-45859) [5-73]<span style="white-space: pre;"> </span>3:36<br />
9<span style="white-space: pre;"> </span>Art Garfunkel<span style="white-space: pre;"> </span>I Shall Sing (COL 4-45983) [12-73]<span style="white-space: pre;"> </span>3:38<br />
10<span style="white-space: pre;"> </span>Art Garfunkel<span style="white-space: pre;"> </span>All I Know (COL 4-45926) [8-73]<span style="white-space: pre;"> </span>3:51<br />
11<span style="white-space: pre;"> </span>Paul Simon (With The Dixie Hummingbirds)<span style="white-space: pre;"> </span>Loves Me Like A Rock (COL4-45907) [7-73]<span style="white-space: pre;"> </span>3:34<br />
12<span style="white-space: pre;"> </span>Paul Simon<span style="white-space: pre;"> </span>Learn How To Fall (COL4-45907) [7-73]<span style="white-space: pre;"> </span>2:48<br />
13<span style="white-space: pre;"> </span>Art Garfunkel<span style="white-space: pre;"> </span>Woyaya (COL 3-10020) [9-74]<span style="white-space: pre;"> </span>3:20<br />
14<span style="white-space: pre;"> </span>Paul Simon<span style="white-space: pre;"> </span>American Tune (COL4-45900) [11-73]<span style="white-space: pre;"> </span>3:45<br />
15<span style="white-space: pre;"> </span>Art Garfunkel<span style="white-space: pre;"> </span>I Only Have Eyes For You (COL 3-10190) [8-75]<span style="white-space: pre;"> </span>3:43<br />
16<span style="white-space: pre;"> </span>Paul Simon<span style="white-space: pre;"> </span>Something So Right (UK CBS 2822) [11-74]<span style="white-space: pre;"> </span>4:37<br />
17<span style="white-space: pre;"> </span>Art Garfunkel<span style="white-space: pre;"> </span>Second Avenue (COL 3-10020) [9-74]<span style="white-space: pre;"> </span>2:53<br />
18<span style="white-space: pre;"> </span>Paul Simon & Phoebe Snow With The Jessie Dixson Singers<span style="white-space: pre;"> </span>Gone At Last (3-10197) [8-75]<span style="white-space: pre;"> </span>3:41<br />
19<span style="white-space: pre;"> </span>Art Garfunkel<span style="white-space: pre;"> </span>Old Man (COL 4-46030) [3-74]<span style="white-space: pre;"> </span>3:26<br />
20<span style="white-space: pre;"> </span>Paul Simon<span style="white-space: pre;"> </span>Take Me To The Mardi Gras (3-10197) [8-75]<span style="white-space: pre;"> </span>3:31<br />
21<span style="white-space: pre;"> </span>Paul Simon & Art Garfunkel<span style="white-space: pre;"> </span>The Breakup (Paul Simon 1964-1993) [1975]<span style="white-space: pre;"> </span>2:19<br />
<span style="white-space: pre;"> </span><br />
<span style="white-space: pre;"> </span><br />
<span style="white-space: pre;"> </span><b>The Dangling Conversation Vol 4 - Reunion (1975-81)</b><span style="white-space: pre;"> </span><br />
1<span style="white-space: pre;"> </span>Simon & Garfunkel<span style="white-space: pre;"> </span>My Little Town (COL3-10230) [10-75]<span style="white-space: pre;"> </span>3:52<br />
2<span style="white-space: pre;"> </span>Art Garfunkel<span style="white-space: pre;"> </span>Rag Doll (COL3-10230) [10-75]<span style="white-space: pre;"> </span>3:07<br />
3<span style="white-space: pre;"> </span>Paul Simon<span style="white-space: pre;"> </span>You're Kind (COL3-10230) [10-75]<span style="white-space: pre;"> </span>3:20<br />
4<span style="white-space: pre;"> </span>Art Garfunkel<span style="white-space: pre;"> </span>Break Away (COL3-10273) [12-75]<span style="white-space: pre;"> </span>3:37<br />
5<span style="white-space: pre;"> </span>Paul Simon<span style="white-space: pre;"> </span>50 Ways To Leave Your Lover (COL3-10270) [12-75]<span style="white-space: pre;"> </span>3:37<br />
6<span style="white-space: pre;"> </span>Art Garfunkel<span style="white-space: pre;"> </span>Disney Girls (COL3-10273) [12-75]<span style="white-space: pre;"> </span>4:33<br />
7<span style="white-space: pre;"> </span>Paul Simon<span style="white-space: pre;"> </span>Still Crazy After All These Years (COL3-10332) [4-76]<span style="white-space: pre;"> </span>3:27<br />
8<span style="white-space: pre;"> </span>Art Garfunkel<span style="white-space: pre;"> </span>Crying In My Sleep (COL3-10608) [9-77]<span style="white-space: pre;"> </span>4:06<br />
9<span style="white-space: pre;"> </span>Paul Simon<span style="white-space: pre;"> </span>Slip Slidin' Away (COL3-10630) [9-77]<span style="white-space: pre;"> </span>4:44<br />
10<span style="white-space: pre;"> </span>Art Garfunkel With James Taylor And Paul Simon<span style="white-space: pre;"> </span>(What A) Wonderful World (COL3-10676) [1-78]<span style="white-space: pre;"> </span>3:32<br />
11<span style="white-space: pre;"> </span>Paul Simon<span style="white-space: pre;"> </span>Late In The Evening (WBS49511) [3-78]<span style="white-space: pre;"> </span>4:01<br />
12<span style="white-space: pre;"> </span>Art Garfunkel<span style="white-space: pre;"> </span>In A Little While (I'll Be On My Way) (COL3-10933) [3-79]<span style="white-space: pre;"> </span>3:27<br />
13<span style="white-space: pre;"> </span>Art Garfunkel<span style="white-space: pre;"> </span>Since I Don't Have You (COL3-10999) [5-79]<span style="white-space: pre;"> </span>3:39<br />
14<span style="white-space: pre;"> </span>Paul Simon<span style="white-space: pre;"> </span>Stranded In A Limousine (COL3-10711) [3-78]<span style="white-space: pre;"> </span>3:11<br />
15<span style="white-space: pre;"> </span>Art Garfunkel<span style="white-space: pre;"> </span>Bright Eyes (COL1-11050) [7-79]<span style="white-space: pre;"> </span>4:00<br />
16<span style="white-space: pre;"> </span>Paul Simon<span style="white-space: pre;"> </span>One-Trick Pony (WBS49601) [10-80]<span style="white-space: pre;"> </span>3:54<br />
17<span style="white-space: pre;"> </span>Paul Simon<span style="white-space: pre;"> </span>Oh, Marion (WBS49675) [2-81]<span style="white-space: pre;"> </span>4:01<br />
18<span style="white-space: pre;"> </span>Simon & Garfunkel<span style="white-space: pre;"> </span>A Heart In New York (The Concert In Central Park) [8-81]<span style="white-space: pre;"> </span>2:46<br />
19<span style="white-space: pre;"> </span>Simon & Garfunkel<span style="white-space: pre;"> </span>America (The Concert In Central Park) [8-81]<span style="white-space: pre;"> </span>4:45<br />
20<span style="white-space: pre;"> </span>Simon & Garfunkel<span style="white-space: pre;"> </span>Old Friends (The Concert In Central Park) [8-81]<span style="white-space: pre;"> </span>2:56<br />
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<a href="https://yadi.sk/d/_sTAJ4N-Hdoxmg" target="_blank">yandex</a><br />
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Parts 1-2 <a href="https://www76.zippyshare.com/v/DaNwciLA/file.html" target="_blank">Zippy</a><br />
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Parts 3-4 <a href="https://www76.zippyshare.com/v/Foaje9Ko/file.html" target="_blank">Zippy</a>Blank Frankhttp://www.blogger.com/profile/10422157939508053534noreply@blogger.com28tag:blogger.com,1999:blog-1915465523817670126.post-14552967950812138832020-04-07T10:49:00.001-07:002020-04-07T14:00:51.677-07:00Dim All The Lights - Donna Summer Singles Collection (1968-2012)<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCmLx8GKu4rozjpUq5O6tq_x2MqoNjQ83lUmek-RDfh3OTijK71XrUqMdoYNHiAOEBIhvrOu8q2G3p02mGF_Lkz-VEDYql2Bf8deHFbih3dsE5VXwANAO68KGbNoyQQVGrayiwueKPc209/s1600/donna-summer-dim-all-the-lights-1979-21.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="798" data-original-width="800" height="398" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCmLx8GKu4rozjpUq5O6tq_x2MqoNjQ83lUmek-RDfh3OTijK71XrUqMdoYNHiAOEBIhvrOu8q2G3p02mGF_Lkz-VEDYql2Bf8deHFbih3dsE5VXwANAO68KGbNoyQQVGrayiwueKPc209/s400/donna-summer-dim-all-the-lights-1979-21.jpg" width="400" /></a></div>
You won't have to guess hard to see how I've been spending my month in quarantine. Funny thing is I really didn't know where to post this, so I figured I'd put this in a category I've never posted in.<br />
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For me, Donna Summer has always been a singer that transcended her genre. Like a very few others, like Hank Williams Sr, Patsy Cline or Bob Marley, Donna rose about these limitations and defied classification. Oh, you can be sure that I hated most disco back in the day. So mindless. So superficial. So in your face every day. Now my attitude about Disco has softened, but my love and respect for Donna has never abated. Just check out "Can't We Just Sit Down (And Talk It Over)". Originally the A-Side to "I Feel Love" (before it was switched), it is one of the finest vocals ever. Your comments are welcome! Disco is what put her on the map, but her talent is what kept her in the game.<br />
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This set was also one of the hardest to put together. Dance music is by its nature a remixer's world - many of these tracks can only be found on the original first-pressing vinyl singles. Different countries often had different mixes. reissue singles usually used the standard LP version. On a few occasions, there was no option but to recreate it. But whenever possible, I checked it against a YouTube or needle drop. Speaking of needle drops, there's a few here, especially in the very early tracks. As far I can tell, these have never seen a digital release.<br />
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So here is every Donna Summer single throughout her entire career, Both "A" and "B" sides, all (truthfully, nearly all) in their original 7" mixes. It's been a challenging project, but it has also been rewarding. It came out pretty good, IMO. Very listenable and hardly any drag. A nice mix of rarities and familiar, with much of the well-known stuff presented in an untypical way I hope you give it try! All @ 320 and tagged with original labels or sleeves.<br />
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<span style="white-space: pre;"> </span><b>Dim All The Lights Vol 1: Let's Work Together (1968-75)</b><br />
1<span style="white-space: pre;"> </span>Donna Gaines und Ensemble<span style="white-space: pre;"> </span>Wassermann (Aquarius) (German Single) [1968]<br />
2<span style="white-space: pre;"> </span>Bernd Redecker, Gudrun Kramer, Donna Gaines<span style="white-space: pre;"> </span>Lasst den Sonnenschein (German Single) [1968]<br />
3<span style="white-space: pre;"> </span>Donna Gains<span style="white-space: pre;"> </span>If You Walkin' Alone (German Single) [11-69]<br />
4<span style="white-space: pre;"> </span>Donna Gains<span style="white-space: pre;"> </span>Can't Understand (German Single) [11-69]<br />
5<span style="white-space: pre;"> </span>Donna Gaines<span style="white-space: pre;"> </span>Sally Go 'Round The Roses (UK Single) [5-71]<br />
6<span style="white-space: pre;"> </span>Donna Gaines<span style="white-space: pre;"> </span>So Said the Man (UK Single) [5-71]<br />
7<span style="white-space: pre;"> </span>Donna Gaines<span style="white-space: pre;"> </span>The Hostage (UK Single) [10-74]<br />
8<span style="white-space: pre;"> </span>Donna Gaines<span style="white-space: pre;"> </span>Let's Work Together Now (UK Single) [10-74]<br />
9<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Full of Emptiness (German B-Side) [12-74]<br />
10<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Denver Dream (French Single) [1974]<br />
11<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Somethings In The Wind (French Single) [1974]<br />
12<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Lady Of The Night (German Single) [3-75]<br />
13<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Wounded (German Single) [3-75]<br />
14<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Love To Love You (Single Version) [4-75]<br />
15<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Need-A-Man Blues (LP Version) [4-75]<br />
16<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Love To Love You Baby (Part II) (Long Single B-Side ) [1975]<br />
17<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Virgin Mary (Dutch Single) [9-75]<br />
18<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Pandora's Box (Dutch B-Side Single Edit) [9-75]<br />
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<span style="white-space: pre;"> </span><br />
<span style="white-space: pre;"> </span><b>Dim All The Lights Vol 2: Could It Be Magic (1976-77)</b><br />
19<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Could It Be Magic (BF Single Edit) [4-76]<br />
20<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Whispering Waves (US/UK B-Side) [4-76]<br />
21<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Come With Me (Euro B-Side) [6-76]<br />
22<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Try Me, I Know We Can Make It (BF Single Edit) [6-76]<br />
22<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Wasted (BF Single Edit) [6-76]<br />
24<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Winter Melody (Single Version) [12-76]<br />
25<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Spring Affair (Single Version) [12-76]<br />
26<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Can't We Just Sit Down (And Talk It Over) [6-77]<br />
27<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>I Feel Love (Single Version) [6-77]<br />
28<span style="white-space: pre;"> </span>Paul Jabara with Special Guest Donna Summer<span style="white-space: pre;"> </span>Shut Out (Single Version) [7-77]<br />
29<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Theme From The Deep (Down Deep Inside) [8-77]<br />
30<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>I Remember Yesterday (Part 1) [9-77]<br />
31<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>I Remember Yesterday (Part 2) [9-77]<br />
32<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Love's Unkind (German Single) [11-77]<br />
33<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Black Lady (German Single) [11-77]<br />
34<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>I Love You (Single Version) [11-77]<br />
35<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Once Upon A Time (BF Single Edit) [11-77]<br />
36<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Fairy Tale High (BF German Single Edit) [12-77]<br />
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<br />
<span style="white-space: pre;"> </span><b>Dim All The Lights Vol 3: Heaven Knows (1978-79)</b><br />
37<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Rumour Has It (Single Version) [3-78]<br />
38<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Say Something Nice [3-78]<br />
39<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Last Dance (Single Version) [4-78]<br />
40<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>With Your Love (Single Version) [4-78]<br />
41<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Back In Love Again (German Single) [5-78]<br />
42<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>A Man Like You (German Single) [5-78]<br />
43<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Mac Arthur Park (Single Version) [9-78]<br />
44<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Once Upon a Time (Live Version) [9-78]<br />
45<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Heaven Knows [12-78]<br />
46<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Only One Man [12-78]<br />
47<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Hot Stuff (Single Version) [4-79]<br />
48<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Journey To The Center Of Your Heart (Single Version) [4-79]<br />
49<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Bad Girls (Single Version) [5-79]<br />
50<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>On My Honor [5-79]<br />
51<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Dim All The Lights (Single Version) [8-79]<br />
52<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>There Will Always Be A You [8-79]<br />
53<span style="white-space: pre;"> </span>Barbra Streisand / Donna Summer<span style="white-space: pre;"> </span>No More Tears (Enough Is Enough) (Single Version) [10-79]<br />
54<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>My Baby Understands [10-79]<br />
55<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>On The Radio (Single Version) [11-79]<br />
56<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Love Will Always Find You [11-79]<br />
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<br />
<span style="white-space: pre;"> </span><b>Dim All The Lights Vol 4: Grand Illusion (1980-82)</b><br />
57<span style="white-space: pre;"> </span>Paul Jabara and Donna Summer<span style="white-space: pre;"> </span>Never Lose Your Sense of Humour (UK Single Version) [3-80]<br />
58<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Sunset People (Single Version) [6-80]<br />
59<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Our Love (Single Version) [6-80]<br />
60<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Walk Away (US Single Version) [8-80]<br />
61<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>The Wanderer [9-80]<br />
62<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Stop Me [9-80]<br />
63<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Cold Love (Single Version) [11-80]<br />
64<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Grand Illusion [11-80]<br />
65<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Who Do You Think You're Foolin' (Single Version) [2-81]<br />
66<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Running For Cover [2-81]<br />
67<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Looking Up (Japanese Single) [4-81]<br />
68<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Who Do You Think You're Foolin' (Japanese Single) [4-81]<br />
69<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Love Is In Control (Finger On The Trigger) (Single Version) [6-82]<br />
70<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Sometimes Like Butterflies [6-82]<br />
71<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>State Of Independence (Single Version) [9-82]<br />
72<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Love Is Just A Breath Away [9-82]<br />
73<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>The Woman In Me [12-82]<br />
74<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Livin' In America [12-82]<br />
75<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Protection (Japanese-Euro Single) [12-82]<br />
76<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>(If It) Hurts Just A Little (Euro B-Side) [12-82]<br />
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<br />
<span style="white-space: pre;"> </span><b>Dim All The Lights Vol 5: Face The Music (1983-85)</b><br />
77<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>She Works Hard For The Money [4-83]<br />
78<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>I Do Believe (I Fell In Love) [4-83]<br />
79<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Unconditional Love (Single Version) [8-83]<br />
80<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Woman (Single Version) [8-83]<br />
81<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Stop Look And Listen (Single Version) [1-84]<br />
82<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Tokyo [1-84]<br />
83<span style="white-space: pre;"> </span>Donna Summer With Matthew Ward<span style="white-space: pre;"> </span>Love Has a Mind Of Its Own (Single Version) [4-84]<br />
84<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>People, People [4-84]<br />
85<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>There Goes My Baby [7-84]<br />
86<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Maybe It's Over [7-84]<br />
87<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Supernatural Love (Single Remix) [10-84]<br />
88<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Face The Music (US B-SIde) [10-84]<br />
89<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Suzanna (Euro B-SIde) [10-84]<br />
90<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Eyes (Single Remix Edit) [5-85]<br />
91<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>It's Not The Way [5-85]<br />
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<br />
<span style="white-space: pre;"> </span><b>Dim All The Lights Vol 6: Breakaway (1987-89)<span style="white-space: pre;"> </span></b><br />
92<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Dinner With Gershwin (Single Edit) [8-87]<br />
93<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Dinner With Gershwin (Instrumental) [8-87]<br />
94<span style="white-space: pre;"> </span>Donna Summer with Mickey Thomas<span style="white-space: pre;"> </span>Only The Fool Survives (Single Edit) [11-87]<br />
95<span style="white-space: pre;"> </span>Donna Summer with Mickey Thomas<span style="white-space: pre;"> </span>Love Shock [11-87]<br />
96<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>All Systems Go (Single Edit) [1-88]<br />
97<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Bad Reputation [1-88]<br />
98<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>This Time I Know It's For Real [2-89]<br />
99<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Whatever Your Heart Desires [2-89]<br />
100<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>I Don't Wanna Get Hurt (Single Remix) [5-89]<br />
101<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>I Don't Wanna Get Hurt (Instrumental) [5-89]<br />
102<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Loves About To Change My Heart (Single Mix) [8-89]<br />
103<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Loves About To Change My Heart (Instrumental) [8-89]<br />
104<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Breakaway (Single Remix / Edit) [8-89]<br />
105<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Thinkin' Bout My Baby (US B-Side) [8-89]<br />
106<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Love Is In Control (Finger On The Trigger) (Remixed Euro B-Side) [8-89]<br />
107<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>When Love Takes Over You (UK Single Remix) [11-89]<br />
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<span style="white-space: pre;"> </span><br />
<span style="white-space: pre;"> </span><b>Dim All The Lights Vol 7: Carry On (1990-99)</b><br />
108<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>State Of Independence (1990 Single Version) [11-90]<br />
109<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Love Is Just A Breath Away [11-90]<br />
110<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>When Love Cries (Radio Remix) [1991]<br />
111<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>What Is It You [1991]<br />
112<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Work That Magic (ISA Full Length Remix) [11-91]<br />
113<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Let There Be Peace [11-91]<br />
114<span style="white-space: pre;"> </span>Donna Summer & Giorgio Moroder<span style="white-space: pre;"> </span>Carry On (Original Mix) [1992]<br />
115<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>La Vie En Rose (French Promo) [1993]<br />
116<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Melody of Love (Wanna Be Loved) (Original Version) [1994]<br />
117<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>The Christmas Song [1994]<br />
118<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Any Way At All [1994]<br />
119<span style="white-space: pre;"> </span>Bruce Roberts & Donna Summer<span style="white-space: pre;"> </span>Whenever There Is Love [11-96]<br />
120<span style="white-space: pre;"> </span>Bruce Roberts & Donna Summer<span style="white-space: pre;"> </span>Whenever There Is Love (Instrumental Version) [11-96]<br />
121<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>I Will Go With You (Con Te Partiro) (Radio Edit) [1999]<br />
122<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Love On & On (Hex Hector Single Remix) [1999]<br />
123<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Love Is The Healer [1999]<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3Obgcb4YS5GnWbAUHjH8JXJf8ISvqzstcIRaPjsDdH0bVRLgibddpghyphenhyphenMDzEXkTVzOAChbEMF1nmTrgJqPw6PoEP9P6Z2lkrl8L6XJ9ByPp6ZbhcgD5XUjSd-jOFYXfLfTW2_rnWDtksP/s1600/Fame_%2528The_Game%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="280" data-original-width="280" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3Obgcb4YS5GnWbAUHjH8JXJf8ISvqzstcIRaPjsDdH0bVRLgibddpghyphenhyphenMDzEXkTVzOAChbEMF1nmTrgJqPw6PoEP9P6Z2lkrl8L6XJ9ByPp6ZbhcgD5XUjSd-jOFYXfLfTW2_rnWDtksP/s1600/Fame_%2528The_Game%2529.jpg" /></a></div>
<span style="white-space: pre;"> </span><br />
<span style="white-space: pre;"> </span><b>Dim All The Lights Vol 8: Fame - The Game (2000-12)</b><br />
124<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>The Power Of One [7-00]<br />
125<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>You're So Beautiful (Tony Moran Radio Edit) [2003]<br />
126<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Dream-A-Lot's Theme (I Will Live For Love) [2004]<br />
127<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Power Of Love (Album Version) [2005]<br />
128<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>I Got Your Love (Original Radio Edit) [12-05]<br />
129<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>I'm A Fire (Solitaire Radio Edit) [3-08]<br />
130<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Stamp Your Feet [4-08]<br />
131<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>It's Only Love (Digiral Single) [6-08]<br />
132<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>Fame (The Game) [11-08]<br />
133<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>To Paris With Love (Original Version) [8-10]<br />
134<span style="white-space: pre;"> </span>Donna Summer<span style="white-space: pre;"> </span>That's The Way [2012]<br />
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<a href="https://yadi.sk/d/hURoWCt46NrHEA" target="_blank">YANDEX</a>Blank Frankhttp://www.blogger.com/profile/10422157939508053534noreply@blogger.com17tag:blogger.com,1999:blog-1915465523817670126.post-1372252257111138732020-04-02T00:25:00.003-07:002020-04-30T13:45:46.416-07:00 Where The Hell Am I -The Steely Dan US-UK Singles<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUHCvIlVKMbqiGaS8hrqzqnzDQnI3Tyww1uoEpHx0ZEWdmKxc9SObnEh-v1Eu6JLSauS6zhhIHCujw_gyIJa4hRD33qgCZD5feMy_msUaSBcClSjppK5wR0FZ7wbazNr105DavBGv3dQvk/s1600/steely-dan-kid-charlemagne-abc-3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="798" data-original-width="800" height="398" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUHCvIlVKMbqiGaS8hrqzqnzDQnI3Tyww1uoEpHx0ZEWdmKxc9SObnEh-v1Eu6JLSauS6zhhIHCujw_gyIJa4hRD33qgCZD5feMy_msUaSBcClSjppK5wR0FZ7wbazNr105DavBGv3dQvk/s400/steely-dan-kid-charlemagne-abc-3.jpg" width="400" /></a></div>
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<br />
Back in 2017, I put the first version of this very quickly to help remember Walter Becker's passing. I've had this on the upgrade list for about a year and today's the day it got finally completed. For those who got it or remember it back in September 2017, here are the changes: "Hey 19" is now the "single" version, but I had to edit it myself as the actual single version still hasn't appeared anywhere. Also, I'm including UK-only tracks have been added, as well as unique promos. Finishing up, I added a quad promo EP with actual quad mixes folded down (thank you Lupine Assassin!). Finally, I tagged each track with original artwork. It's a bit over 2 CDs long, @320 and there's quite a few here that are not currently commercially available. I'd like to see SD put out a set like this, including the quad promo as a separate disc. I'd buy it.<br />
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1<span style="white-space: pre;"> </span>Dallas [6-72]<span style="white-space: pre;"> </span>3:15<br />
2<span style="white-space: pre;"> </span>Sail The Waterway [6-72]<span style="white-space: pre;"> </span>3:04<br />
3<span style="white-space: pre;"> </span>Do It Again (Single Edit) [10-72]<span style="white-space: pre;"> </span>4:13<br />
4<span style="white-space: pre;"> </span>Fire In The Hole [10-72]<span style="white-space: pre;"> </span>3:28<br />
5<span style="white-space: pre;"> </span>Reelin' In The Years [2-73]<span style="white-space: pre;"> </span>4:37<br />
6<span style="white-space: pre;"> </span>Only A Fool Would Say That [2-73]<span style="white-space: pre;"> </span>2:58<br />
7<span style="white-space: pre;"> </span>Showbiz Kids (45 Version) [7-73]<span style="white-space: pre;"> </span>4:26<br />
8<span style="white-space: pre;"> </span>Razor Boy [7-73]<span style="white-space: pre;"> </span>3:12<br />
9<span style="white-space: pre;"> </span>My Old School [10-73]<span style="white-space: pre;"> </span>5:47<br />
10<span style="white-space: pre;"> </span>Pearl Of The Quarter [10-73]<span style="white-space: pre;"> </span>3:49<br />
11<span style="white-space: pre;"> </span>King Of The World (Countdown To Ecstasy Jukebox EP) [1973]<span style="white-space: pre;"> </span>5:04<br />
12<span style="white-space: pre;"> </span>With A Gun (US Quad Promo EP) [1974]<span style="white-space: pre;"> </span>2:16<br />
13<span style="white-space: pre;"> </span>Rikki Don't Lose That Number (US Quad Promo EP) [1974]<span style="white-space: pre;"> </span>4:29<br />
14<span style="white-space: pre;"> </span>Barrytown (US Quad Promo EP) [1974]<span style="white-space: pre;"> </span>3:20<br />
15<span style="white-space: pre;"> </span>Pretzel Logic (US Quad Promo EP) [1974]<span style="white-space: pre;"> </span>4:29<br />
16<span style="white-space: pre;"> </span>East St. Louis Toodle-oo [1974]<span style="white-space: pre;"> </span>2:50<br />
17<span style="white-space: pre;"> </span>Rikki Don't Lose That Number (45 Version) [4-74]<span style="white-space: pre;"> </span>4:01<br />
18<span style="white-space: pre;"> </span>Any Major Dude Will Tell You [4-74]<span style="white-space: pre;"> </span>3:08<br />
19<span style="white-space: pre;"> </span>Pretzel Logic [9-74]<span style="white-space: pre;"> </span>4:33<br />
20<span style="white-space: pre;"> </span>Through With Buzz [9-74]<span style="white-space: pre;"> </span>1:34<br />
21<span style="white-space: pre;"> </span>Black Friday [5-75]<span style="white-space: pre;"> </span>3:41<br />
22<span style="white-space: pre;"> </span>Throw Back The Little Ones [5-75]<span style="white-space: pre;"> </span>3:15<br />
23<span style="white-space: pre;"> </span>Bad Sneakers [8-75]<span style="white-space: pre;"> </span>3:20<br />
24<span style="white-space: pre;"> </span>Chain Lightning [8-75]<span style="white-space: pre;"> </span>3:01<br />
25<span style="white-space: pre;"> </span>Kid Charlemagne [6-76]<span style="white-space: pre;"> </span>4:39<br />
26<span style="white-space: pre;"> </span>Green Earrings [6-76]<span style="white-space: pre;"> </span>4:05<br />
27<span style="white-space: pre;"> </span>The Fez [10-76]<span style="white-space: pre;"> </span>4:01<br />
28<span style="white-space: pre;"> </span>Sign In Stranger [10-76]<span style="white-space: pre;"> </span>4:24<br />
29<span style="white-space: pre;"> </span>Haitian Divorce (UK A-Side) [11-76]<span style="white-space: pre;"> </span>5:51<br />
30<span style="white-space: pre;"> </span>Peg [11-77]<span style="white-space: pre;"> </span>3:57<br />
31<span style="white-space: pre;"> </span>I Got The News [11-77]<span style="white-space: pre;"> </span>5:07<br />
32<span style="white-space: pre;"> </span>Deacon Blues (45 Version) [3-78]<span style="white-space: pre;"> </span>6:39<br />
33<span style="white-space: pre;"> </span>Home At Last [3-78]<span style="white-space: pre;"> </span>5:36<br />
34<span style="white-space: pre;"> </span>FM (No Static At All) (45 Version) [5-78]<span style="white-space: pre;"> </span>3:49<br />
35<span style="white-space: pre;"> </span>FM (Reprise) [5-78]<span style="white-space: pre;"> </span>2:54<br />
36<span style="white-space: pre;"> </span>Josie [8-78]<span style="white-space: pre;"> </span>4:31<br />
37<span style="white-space: pre;"> </span>Black Cow [8-78]<span style="white-space: pre;"> </span>5:10<br />
38<span style="white-space: pre;"> </span>Hey Nineteen (BF Single Edit) [11-80]<span style="white-space: pre;"> </span>4:31<br />
39<span style="white-space: pre;"> </span>Bodhisattva [Live] [11-80]<span style="white-space: pre;"> </span>7:45<br />
40<span style="white-space: pre;"> </span>Babylon Sisters (UK A-Side) [2-81]<span style="white-space: pre;"> </span>5:51<br />
41<span style="white-space: pre;"> </span>Time Out Of Mind [3-81]<span style="white-space: pre;"> </span>4:13<br />
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Blank Frankhttp://www.blogger.com/profile/10422157939508053534noreply@blogger.com17tag:blogger.com,1999:blog-1915465523817670126.post-66605952546491888772020-03-25T11:40:00.001-07:002020-04-30T13:54:28.762-07:00Queen - The Ultimate Singles Collection (BF Edition)<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTQ3mPRV7EQstDwu3QVDMXiqTTu9uEeaN66zw77ciEFkq9NMVVSn9ZXqmtv1jUmqkemjQgl7YfbGTfx3ojBkSyuYQiFxv9174yYzNr7dds-odzMMUIl2YEy23MCtq8X-gJnbYKR_5Snrok/s1600/queen-bicycle-race-1978-6.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="790" data-original-width="800" height="395" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTQ3mPRV7EQstDwu3QVDMXiqTTu9uEeaN66zw77ciEFkq9NMVVSn9ZXqmtv1jUmqkemjQgl7YfbGTfx3ojBkSyuYQiFxv9174yYzNr7dds-odzMMUIl2YEy23MCtq8X-gJnbYKR_5Snrok/s400/queen-bicycle-race-1978-6.jpg" width="400" /></a></div>
Someone asked me a few days ago for some Queen and I found that my Queen collection needed upgrading. I like Queen and respect them even more, but I seldom listen to them. They are (IMO) masters of managing their brand. Is it right that they make hundreds of millions of $$ by careful management and marketing their back catalog? I dunno. I just remember that when these came out back in the day, their albums alternated between really good and run of the mill.<br />
<br />
Nevertheless, I took the four singles box sets and compiled them into one playlist, tagging each track with artwork. After doing a little research, I found that their box sets had some omissions and inaccuracies. I added in the missing singles and I still wasn't satisfied with the results.<br />
<br />
I considered whether to expand it to solo singles and also expand it to today. The solo singles made it, but the collection ended it where it should: when John Deacon finally threw in the towel and also the last of Freddie Mercury's singles were issued.<br />
<br />
So in this set you'll find every Queen single and EP through the '90s. As well, all solo singles/EPs are included. Very few guest appearances are included because it wasn't really the work of Queen or of its members. All of these are correct single versions. A few were very hard to find. Each track is tagged with original art, both "A" and "B". Every track is @320 and many were freshly converted from FLAC files<br />
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<br /></div>
The was probably more work than it was worth. We'll see. I'm not always the best judge of what people like. Truthfully, most of these projects I make for myself and some friends on a private forum. As I said earlier, I'm personally not the biggest fan so I guess this set wasn't for me. \But I do I hope you all enjoy it!!<br />
<br />
1<span style="white-space: pre;"> </span>Smile<span style="white-space: pre;"> </span>Step On Me (Original Version ) [1969]<br />
2<span style="white-space: pre;"> </span>Smile<span style="white-space: pre;"> </span>Earth (Original Version) [1969]<br />
3<span style="white-space: pre;"> </span>Larry Lurex<span style="white-space: pre;"> </span>I Can Hear Music [6-73]<br />
4<span style="white-space: pre;"> </span>Larry Lurex<span style="white-space: pre;"> </span>Goin' Back [6-73]<br />
5<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Keep Yourself Alive [7-73]<br />
6<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Son And Daughter [7-73]<br />
7<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Liar (US Single Edit) [2-74]<br />
8<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Doing All Right (US B-Side) [2-74]<br />
9<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Seven Seas Of Rhye [2-74]<br />
10<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>See What A Fool I've Been [2-74]<br />
11<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>The Loser in the End (Japanese B-Side) [10-74]<br />
12<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Killer Queen [10-74]<br />
13<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Flick Of The Wrist [10-74]<br />
14<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Now I'm Here [1-75]<br />
15<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Lily Of The Valley (Single Edit) [1-75]<br />
16<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Bohemian Rhapsody [10-75]<br />
17<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>I'm In Love With My Car [10-75]<br />
18<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>You're My Best Friend [6-76]<br />
19<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>39 [6-76]<br />
20<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Somebody To Love [11-76]<br />
21<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>White Man [11-76]<br />
22<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Tie Your Mother Down (Dutch) [3-77]<br />
23<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>You And I (Dutch) [3-77]<br />
24<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Drowse (US B-Side) [3-77]<br />
25<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Teo Torriatte (Let Us Cling Together) (Japanese Single Edit) [3-77]<br />
26<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Good Old Fashioned Loverboy [5-77]<br />
27<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Death On Two Legs (Dedicated To...) [5-77]<br />
28<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Tenement Funster [5-77]<br />
29<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>White Queen (As It Began) [5-77]<br />
30<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Long Away (US Single A-Side) [6-77]<br />
31<span style="white-space: pre;"> </span>Roger Taylor<span style="white-space: pre;"> </span>I Wanna Testify [8-77]<br />
32<span style="white-space: pre;"> </span>Roger Taylor<span style="white-space: pre;"> </span>Turn On The TV [8-77]<br />
33<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>We Are The Champions [10-77]<br />
34<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>We Will Rock You [10-77]<br />
35<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Spread Your Wings [2-78]<br />
36<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Sheer Heart Attack [2-78]<br />
37<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>It's Late (US Single Edit) [4-78]<br />
38<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Bicycle Race [10-78]<br />
39<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Fat Bottomed Girls [10-78]<br />
40<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Don't Stop Me Now [1-79]<br />
41<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>In Only Seven Days [1-79]<br />
42<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>More Of That Jazz (US B-Side) [1-79]<br />
43<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Mustapha (German Single) [4-79]<br />
44<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Dead On Time (German Single) [4-79]<br />
45<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Jealousy (US Single) [4-79]<br />
46<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Fun It (US Single) [4-79]<br />
47<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Love Of My Life (Live) [6-79]<br />
48<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Now I'm Here (Live) [6-79]<br />
49<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Crazy Little Thing Called Love [10-79]<br />
50<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>We Will Rock You (Live) [10-79]<br />
51<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Save Me [1-80]<br />
52<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Let Me Entertain You [1-80]<br />
53<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Play The Game [5-80]<br />
54<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>A Human Body [5-80]<br />
55<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Another One Bites The Dust [8-80]<br />
56<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Dragon Attack [8-80]<br />
57<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Don't Try Suicide (US B-SIde) [8-80]<br />
58<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Need Your Loving Tonight (US SIngle) [11-80]<br />
59<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Rock It (Prime Jive) (US SIngle) [11-80]<br />
60<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Flash's Theme A/K/A Flash [11-80]<br />
61<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Footbal Fight [11-80]<br />
62<span style="white-space: pre;"> </span>Roger Taylor<span style="white-space: pre;"> </span>Future Management [3-81]<br />
63<span style="white-space: pre;"> </span>Roger Taylor<span style="white-space: pre;"> </span>Laugh Or Cry [3-81]<br />
64<span style="white-space: pre;"> </span>Roger Taylor<span style="white-space: pre;"> </span>My Country (Single Edit) [6-81]<br />
65<span style="white-space: pre;"> </span>Roger Taylor<span style="white-space: pre;"> </span>Fun In Space [6-81]<br />
66<span style="white-space: pre;"> </span>Queen & David Bowie<span style="white-space: pre;"> </span>Under Pressure [10-81]<br />
67<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Soul Brother [10-81]<br />
68<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Body Language [4-82]<br />
69<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Life Is Real (Song For Lennon) [4-82]<br />
70<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Las Palabras De Amor (The Words Of Love) [6-82]<br />
71<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Cool Cat [6-82]<br />
72<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Calling All Girls (US) [7-82]<br />
73<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Put Out The Fire (US) [7-82]<br />
74<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Back Chat (Remix) [7-82]<br />
75<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Staying Power [7-82]<br />
76<span style="white-space: pre;"> </span>Brian May + Friends<span style="white-space: pre;"> </span>Star Fleet (Edited Single Version) [10-83]<br />
77<span style="white-space: pre;"> </span>Brian May + Friends<span style="white-space: pre;"> </span>Son Of Star Fleet [10-83]<br />
78<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Radio Ga Ga [1-84]<br />
79<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>I Go Crazy [1-84]<br />
80<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>I Want To Break Free [4-84]<br />
81<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Machines (or 'Back To Humans') [4-84]<br />
82<span style="white-space: pre;"> </span>Roger Taylor<span style="white-space: pre;"> </span>Man On Fire [6-84]<br />
83<span style="white-space: pre;"> </span>Roger Taylor<span style="white-space: pre;"> </span>Killing Time [6-84]<br />
84<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>It's A Hard Life [7-84]<br />
85<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Is This The World We Created ...? [7-84]<br />
86<span style="white-space: pre;"> </span>Roger Taylor<span style="white-space: pre;"> </span>Strange Frontier [7-84]<br />
87<span style="white-space: pre;"> </span>Roger Taylor<span style="white-space: pre;"> </span>I Cry For You (single remix) [7-84]<br />
88<span style="white-space: pre;"> </span>Freddie Mercury<span style="white-space: pre;"> </span>Love Kills (Original Single Version) [9-84]<br />
89<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Hammer To Fall (Single Edit) [9-84]<br />
90<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Tear It Up [9-84]<br />
91<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Thank God It's Christmas [11-84]<br />
92<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Man On The Prowl [11-84]<br />
93<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Keep Passing The Open Windows [11-84]<br />
94<span style="white-space: pre;"> </span>Freddie Mercury<span style="white-space: pre;"> </span>I Was Born To Love You [4-85]<br />
95<span style="white-space: pre;"> </span>Freddie Mercury<span style="white-space: pre;"> </span>Stop All The Fighting (Non-Album B-Side) [4-85]<br />
96<span style="white-space: pre;"> </span>Freddie Mercury<span style="white-space: pre;"> </span>Made In Heaven [7-85]<br />
97<span style="white-space: pre;"> </span>Freddie Mercury<span style="white-space: pre;"> </span>She Blows Hot & Cold (Non-Album B-Side) [7-85]<br />
98<span style="white-space: pre;"> </span>Freddie Mercury<span style="white-space: pre;"> </span>Living On My Own [9-85]<br />
99<span style="white-space: pre;"> </span>Freddie Mercury<span style="white-space: pre;"> </span>My Love Is Dangerous [9-85]<br />
100<span style="white-space: pre;"> </span>Freddie Mercury<span style="white-space: pre;"> </span>Love Me Like There's No Tomorrow [11-85]<br />
101<span style="white-space: pre;"> </span>Freddie Mercury<span style="white-space: pre;"> </span>Let's Turn It On [11-85]<br />
102<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>One Vision (Single Edit) [11-85]<br />
103<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Blurred Vision [11-85]<br />
104<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Princes Of The Universe (US Single) [3-86]<br />
105<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>A Kind Of Magic [3-86]<br />
106<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>A Dozen Red Roses For My Darling [3-86]<br />
107<span style="white-space: pre;"> </span>Freddie Mercury<span style="white-space: pre;"> </span>Time [5-86]<br />
108<span style="white-space: pre;"> </span>Freddie Mercury<span style="white-space: pre;"> </span>Time (Instrumental Version) [5-86]<br />
109<span style="white-space: pre;"> </span>The Immortals (John Deacon)<span style="white-space: pre;"> </span>No Turning Back (Single Version) [5-86]<br />
110<span style="white-space: pre;"> </span>The Immortals (John Deacon)<span style="white-space: pre;"> </span>No Turning Back (Chocs-Away Mix) [5-86]<br />
111<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>One Year Of Love (France) [6-86]<br />
112<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Gimme The Prize (France) [6-86]<br />
113<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Friends Will Be Friends [6-86]<br />
114<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Pain Is So Close To Pleasure (Single Version) [8-86]<br />
115<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Don't Lose Your Head [8-86]<br />
116<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Who Wants To Live Forever (Single Version) [9-86]<br />
117<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Forever (Piano Version) [9-86]<br />
118<span style="white-space: pre;"> </span>Freddie Mercury<span style="white-space: pre;"> </span>The Great Pretender (Single Version) [2-87]<br />
119<span style="white-space: pre;"> </span>Freddie Mercury<span style="white-space: pre;"> </span>Exercises In Free Love (Non-Album B-Side) [2-87]<br />
120<span style="white-space: pre;"> </span>Freddie Mercury<span style="white-space: pre;"> </span>Hold On (German Promo) [1987]<br />
121<span style="white-space: pre;"> </span>Meat Loaf With Brian May<span style="white-space: pre;"> </span>A Time For Heroes (Single Version) [1987]<br />
122<span style="white-space: pre;"> </span>The Cross<span style="white-space: pre;"> </span>Cowboys And Indians (Single Edit) [9-87]<br />
123<span style="white-space: pre;"> </span>The Cross<span style="white-space: pre;"> </span>Love Lies Bleeding (She's A Wicked, Wily Waitress) (Single Remix) [9-87]<br />
124<span style="white-space: pre;"> </span>Freddie Mercury and Montserrat Caballe<span style="white-space: pre;"> </span>Barcelona (Single Version) [10-87]<br />
125<span style="white-space: pre;"> </span>Freddie Mercury and Montserrat Caballe<span style="white-space: pre;"> </span>Exercises In Free Love (Single Version) [10-87]<br />
126<span style="white-space: pre;"> </span>The Cross<span style="white-space: pre;"> </span>Shove It [1-88]<br />
127<span style="white-space: pre;"> </span>The Cross<span style="white-space: pre;"> </span>Rough Justice [1-88]<br />
128<span style="white-space: pre;"> </span>The Cross<span style="white-space: pre;"> </span>Heaven For Everyone (7'' Version) (Roger Taylor Vocal) [3-88]<br />
129<span style="white-space: pre;"> </span>The Cross<span style="white-space: pre;"> </span>Heaven For Everyone (7'' Version) (Freddie Mercury Vocal) [3-88]<br />
130<span style="white-space: pre;"> </span>The Cross<span style="white-space: pre;"> </span>Love On A Tightrope (Like an Animal) [3-88]<br />
131<span style="white-space: pre;"> </span>The Cross<span style="white-space: pre;"> </span>Manipulator (Single Version) [7-88]<br />
132<span style="white-space: pre;"> </span>The Cross<span style="white-space: pre;"> </span>Stand Up For Love [7-88]<br />
133<span style="white-space: pre;"> </span>Freddie Mercury and Montserrat Caballe<span style="white-space: pre;"> </span>The Golden Boy [10-88]<br />
134<span style="white-space: pre;"> </span>Freddie Mercury and Montserrat Caballe<span style="white-space: pre;"> </span>The Fallen Priest [10-88]<br />
135<span style="white-space: pre;"> </span>Freddie Mercury and Montserrat Caballe<span style="white-space: pre;"> </span>How Can I Go On (Single Version) [1-89]<br />
136<span style="white-space: pre;"> </span>Freddie Mercury and Montserrat Caballe<span style="white-space: pre;"> </span>Overture Piccante [1-89]<br />
137<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>I Want It All (Single Version) [5-89]<br />
138<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Hang On In There [5-89]<br />
139<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Breakthru [6-89]<br />
140<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Stealin' [6-89]<br />
141<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>The Invisible Man [8-89]<br />
142<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Hijack My Heart [8-89]<br />
143<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Scandal [10-89]<br />
144<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>My Life Has Been Saved [10-89]<br />
145<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>The Miracle [11-89]<br />
146<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Stone Cold Crazy (Live) [11-89]<br />
148<span style="white-space: pre;"> </span>The Cross<span style="white-space: pre;"> </span>Power To Love (Single Version) [1990]<br />
149<span style="white-space: pre;"> </span>The Cross<span style="white-space: pre;"> </span>Passion For Trash [1990]<br />
150<span style="white-space: pre;"> </span>The Cross<span style="white-space: pre;"> </span>Liar (Single Version) [1990]<br />
151<span style="white-space: pre;"> </span>The Cross<span style="white-space: pre;"> </span>In Charge Of My Heart (Single Version) [1990]<br />
152<span style="white-space: pre;"> </span>The Cross<span style="white-space: pre;"> </span>Man On Fire (Live) [1990]<br />
153<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Innuendo [1-91]<br />
154<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Bijou [1-91]<br />
155<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>I’m Going Slightly Mad [3-91]<br />
156<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span><br />
157<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>The Hitman (B-Side) [3-91]<br />
158<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Headlong [5-91]<br />
159<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Mad The Swine (New Mix) (US B-Side) [5-91]<br />
160<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>All God’s People [5-91]<br />
161<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>I Can't Live With You (US Promo) [1991]<br />
162<span style="white-space: pre;"> </span>The Cross<span style="white-space: pre;"> </span>New Dark Ages (Single Edit) [8-91]<br />
163<span style="white-space: pre;"> </span>The Cross<span style="white-space: pre;"> </span>Ain't Put Nothing Down (Long Version) [8-91]<br />
164<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>These Are The Days Of Our Lives (US Single) [9-91]<br />
165<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>The Show Must Go On [10-91]<br />
166<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Queen Talks [10-91]<br />
167<span style="white-space: pre;"> </span>The Cross<span style="white-space: pre;"> </span>Life Changes (Single Edit) [1991]<br />
168<span style="white-space: pre;"> </span>The Cross<span style="white-space: pre;"> </span>Put It All Down To Love [1991]<br />
169<span style="white-space: pre;"> </span>The Cross<span style="white-space: pre;"> </span>Heartland [1991]<br />
170<span style="white-space: pre;"> </span>Brian May<span style="white-space: pre;"> </span>Driven By You [11-91]<br />
171<span style="white-space: pre;"> </span>Brian May<span style="white-space: pre;"> </span>Just One Life [11-91]<br />
172<span style="white-space: pre;"> </span>Brian May<span style="white-space: pre;"> </span>Too Much Love Will Kill You [8-92]<br />
173<span style="white-space: pre;"> </span>Brian May<span style="white-space: pre;"> </span>I'm Scared [8-92]<br />
174<span style="white-space: pre;"> </span>Freddie Mercury<span style="white-space: pre;"> </span>In My Defence (Ron Nevison Mix) [11-92]<br />
175<span style="white-space: pre;"> </span>Freddie Mercury<span style="white-space: pre;"> </span>Love Kills (Wolf Euro Version) [11-92]<br />
176<span style="white-space: pre;"> </span>Brian May<span style="white-space: pre;"> </span>Back To The Light [11-92]<br />
177<span style="white-space: pre;"> </span>Brian May<span style="white-space: pre;"> </span>Nothin' But Blue (Guitar Version) [11-92]<br />
177<span style="white-space: pre;"> </span>George Michael And Queen<span style="white-space: pre;"> </span>Somebody To Love (Five Live EP) [4-93]<br />
178<span style="white-space: pre;"> </span>George Michael And Queen<span style="white-space: pre;"> </span>Killer (Five Live EP) [4-93]<br />
179<span style="white-space: pre;"> </span>George Michael And Queen<span style="white-space: pre;"> </span>Papa Was A Rollin' Stone (Five Live EP) [4-93]<br />
180<span style="white-space: pre;"> </span>George Michael And Queen With Lisa Stansfield<span style="white-space: pre;"> </span>These Are The Days Of Our Lives (Five Live EP) [4-93]<br />
181<span style="white-space: pre;"> </span>George Michael And Queen<span style="white-space: pre;"> </span>Calling You (Five Live EP) [4-93]<br />
182<span style="white-space: pre;"> </span>George Michael And Queen<span style="white-space: pre;"> </span>Dear Friends (Five Live EP) [4-93]<br />
183<span style="white-space: pre;"> </span>Freddie Mercury<span style="white-space: pre;"> </span>Living On My Own (Radio Mix) [1993]<br />
184<span style="white-space: pre;"> </span>Freddie Mercury<span style="white-space: pre;"> </span>Living On My Own (Album Mix) [1993]<br />
185<span style="white-space: pre;"> </span>Brian May<span style="white-space: pre;"> </span>Last Horizon (Radio Edit) [12-93]<br />
186<span style="white-space: pre;"> </span>The Brian May Band<span style="white-space: pre;"> </span>39 - Let Your Heart Rule Your Head (Live Version) [12-93]<br />
187<span style="white-space: pre;"> </span>Roger Taylor<span style="white-space: pre;"> </span>Nazis 1994 (Single Version) [5-94]<br />
188<span style="white-space: pre;"> </span>Roger Taylor<span style="white-space: pre;"> </span>Nazis 1994 (Radio Mix) [5-94]<br />
189<span style="white-space: pre;"> </span>Freddie Mercury, Brian May, Eddie Howell<span style="white-space: pre;"> </span>Man From Manhattan (Original) (The Man From Manhattan EP) [1994]<br />
190<span style="white-space: pre;"> </span>Freddie Mercury, Brian May, Eddie Howell<span style="white-space: pre;"> </span>Hallowed Ground (The Man From Manhattan EP) [1994]<br />
191<span style="white-space: pre;"> </span>Freddie Mercury, Brian May, Eddie Howell<span style="white-space: pre;"> </span>Drink Her Away (The Man From Manhattan EP) [1994]<br />
192<span style="white-space: pre;"> </span>Freddie Mercury, Brian May, Eddie Howell<span style="white-space: pre;"> </span>Man From Manhattan (Revisited) (The Man From Manhattan EP) [1994]<br />
193<span style="white-space: pre;"> </span>Roger Taylor And Yoshiki<span style="white-space: pre;"> </span>Foreign Sand (Single Version) [9-94]<br />
194<span style="white-space: pre;"> </span>Roger Taylor And Yoshiki<span style="white-space: pre;"> </span>You Had To Be There [9-94]<br />
195<span style="white-space: pre;"> </span>Roger Taylor<span style="white-space: pre;"> </span>Happiness [11-94]<br />
196<span style="white-space: pre;"> </span>Roger Taylor<span style="white-space: pre;"> </span>Ride The Wild Wind [11-94]<br />
197<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Heaven For Everyone (Single Version) [10-95]<br />
198<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>It’s A Beautiful Day [10-95]<br />
199<span style="white-space: pre;"> </span>Brian May with Carmine Appice's Guitar Zeus<span style="white-space: pre;"> </span>Nobody Knew (Black White House) (Radio Version) [1995]<br />
200<span style="white-space: pre;"> </span>Brian May with Carmine Appice's Guitar Zeus<span style="white-space: pre;"> </span>Nobody Knew (Black White House) (Long Version) [1995]<br />
201<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>A Winter’s Tale [12-95]<br />
202<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Rock In Rio Blues [12-95]<br />
203<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Too Much Love Will Kill You (Single Edit) [2-96]<br />
204<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>I Was Born To Love You [2-96]<br />
205<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Let Me Live [6-96]<br />
206<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>We Will Rock You (Live) [6-96]<br />
207<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>We Are The Champions (Live) [6-96]<br />
208<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>You Don’t Fool Me (Edit) (Holland) [3-96]<br />
209<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>You Don’t Fool Me (Album Version) (Holland) [3-96]<br />
210<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>No-One But You (Only The Good Die Young) [1-98]<br />
211<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>We Will Rock You (The Rick Rubin ‘Ruined’ Remix) [1-98]<br />
212<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>The Prize (Instrumental Remix for ‘The Eye’) [1-98]<br />
213<span style="white-space: pre;"> </span>Brian May<span style="white-space: pre;"> </span>Why Don't We Try Again [8-98]<br />
214<span style="white-space: pre;"> </span>Brian May<span style="white-space: pre;"> </span>Only Make Believe [8-98]<br />
215<span style="white-space: pre;"> </span>Brian May<span style="white-space: pre;"> </span>F.B.I. [8-98]<br />
216<span style="white-space: pre;"> </span>Brian May<span style="white-space: pre;"> </span>On My Way Up [8-98]<br />
217<span style="white-space: pre;"> </span>Roger Taylor<span style="white-space: pre;"> </span>Pressure On (Single Edit) [9-98]<br />
218<span style="white-space: pre;"> </span>Roger Taylor<span style="white-space: pre;"> </span>People On Streets (Mashed) [9-98]<br />
219<span style="white-space: pre;"> </span>Roger Taylor<span style="white-space: pre;"> </span>Tonight (Dub Sangria) [9-98]<br />
220<span style="white-space: pre;"> </span>Brian May<span style="white-space: pre;"> </span>Another World [1998]<br />
221<span style="white-space: pre;"> </span>Brian May<span style="white-space: pre;"> </span>Hot Patootie [1998]<br />
222<span style="white-space: pre;"> </span>Queen & Wyclef Jean (feat. Pras And Free)<span style="white-space: pre;"> </span>Another One Bites The Dust (New LP Version) [10-98]<br />
223<span style="white-space: pre;"> </span>Queen & Wyclef Jean (feat. Pras And Free)<span style="white-space: pre;"> </span>Another One Bites The Dust (Team 1 Black Rock Star Radio Edit) [10-98]<br />
224<span style="white-space: pre;"> </span>Brian May<span style="white-space: pre;"> </span>''The Business'' (Rock on Cozy Mix) [1998]<br />
225<span style="white-space: pre;"> </span>Brian May<span style="white-space: pre;"> </span>Maybe Baby [1998]<br />
226<span style="white-space: pre;"> </span>Roger Taylor<span style="white-space: pre;"> </span>Surrender (Radio Mix) [3-99]<br />
227<span style="white-space: pre;"> </span>Roger Taylor<span style="white-space: pre;"> </span>London Town - C'mon Down (Single Edit) [3-99]<br />
228<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Under Pressure Rah Mix (Radio Edit) [12-99]<br />
229<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Under Pressure (Mike Spencer Remix) [12-99]<br />
230<span style="white-space: pre;"> </span>Queen<span style="white-space: pre;"> </span>Under Pressure (Live At Knebworth) [12-99]<br />
231<span style="white-space: pre;"> </span>Freddie Mercury and Montserrat Caballe<span style="white-space: pre;"> </span>Guide Me Home (Radio Edit) [2000]<br />
232<span style="white-space: pre;"> </span>Freddie Mercury and Montserrat Caballe<span style="white-space: pre;"> </span>Guide Me Home, How Can I Go On (Demo Version) [2000]<br />
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<a href="https://www86.zippyshare.com/v/HC5IraHe/file.html" target="_blank">Part One Zippy </a> <a href="https://yadi.sk/d/ynFWIe9UGk9ToA" target="_blank">Yandex</a></div>
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<a href="https://www86.zippyshare.com/v/JOFWUi9N/file.html" target="_blank">Part Two Zippy</a> <a href="https://yadi.sk/d/6c4BflmWfo4qtA" target="_blank">Yandex</a></div>
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<a href="https://www86.zippyshare.com/v/g4te3SAJ/file.html" target="_blank">Part Three Zippy</a> <a href="https://yadi.sk/d/x62ldY8UmV4T-A" target="_blank">Yandex</a></div>
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<a href="https://www86.zippyshare.com/v/uHy1Rmvt/file.html" target="_blank">Part Four Zippy</a> <a href="https://yadi.sk/d/-Uakcl7UGxOCJA" target="_blank">Yandex</a></div>
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<a href="https://www86.zippyshare.com/v/PHc4d8y2/file.html" target="_blank">Part Five Zippy</a> <a href="https://yadi.sk/d/mFNkbanqKCsS6g" target="_blank">Yandex</a> </div>
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Blank Frankhttp://www.blogger.com/profile/10422157939508053534noreply@blogger.com28tag:blogger.com,1999:blog-1915465523817670126.post-36190422009954755592020-03-15T04:57:00.005-07:002020-03-27T08:33:34.081-07:00The Jimi Hendrix Masters Part Two: Live<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjf4Oyv1ImlT1FaMPlvYIZGa5DvmDlsAzmZxoS4VN84iD-zas9fqgBAzVLdqq3O3v2u5Ey-cZHkXMR5VYlBEbR65nncSxz0QoM9X8xi-dkCNhQ_tOPnC9x6p0TZvM0pR5odrYArIn7VwU7C/s1600/jimi-hendrix-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="542" data-original-width="900" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjf4Oyv1ImlT1FaMPlvYIZGa5DvmDlsAzmZxoS4VN84iD-zas9fqgBAzVLdqq3O3v2u5Ey-cZHkXMR5VYlBEbR65nncSxz0QoM9X8xi-dkCNhQ_tOPnC9x6p0TZvM0pR5odrYArIn7VwU7C/s400/jimi-hendrix-1.jpg" width="400" /></a></div>
<br />
Here's part two and the completion of the project of organizing Jimi's officially recorded output. Now the fan can finally make sense of and find context for his complete career.<br />
<br />
One of the personal benefits for me in compiling these projects is that it sets me off onto an exploration of the subject. Most often, I don't know where it will lead, but very often, my understanding of the project has considerably changed by the time it's posted. In this case - the live masters - it's not how much has been released. It's how haphazardly it has been and continues to be released - as you will soon see.<br />
<br />
Here are some notes about how this was compiled. I followed the same format as the studio set and any or all parts will mesh together:<br />
<br />
19700530-01- Blue Suede Shoes [Rehearsal] (In The West LP)<br />
[Year][Month][Date]-[performance order] - Song Title (Original Release)<br />
<br />
Part Nine - Live Polydor/Reprise (1966-74)<br />
Part Ten - Live Alan Douglas (1975-95)<br />
Part Eleven - Live Experience Hendrix (1997-Pres) (BF Additions are here too!)<br />
Part Twelve - Live Dagger Records<br />
Part Thirteen - Live Session Man<br />
<br />
I followed record releases, but where possible I used one source. Let me illustrate using one day as an example. You'll see what I mean about Jimi being ill-served by those charged with his recorded legacy<br />
<b>Part Nine - Live Polydor/Reprise (1966-74)</b><br />
19700530-01- Blue Suede Shoes [Rehearsal] (In The West LP)<br />
19700530-03- Johnny B. Goode (First Show) (In The West LP)<br />
19700530-15- Lover Man (In The West LP)<br />
19700530-22- Purple Haze (Soundtrack Recordings from the Film)<br />
<br />
Add in <b>Part Ten - Live Alan Douglas (1975-95)</b><br />
19700530-01- Blue Suede Shoes [Rehearsal] (In The West LP)<br />
19700530-03- Johnny B. Goode (First Show) (In The West LP)<br />
19700530-07- Freedom [First Show] (Jimi Plays Berkeley CD Single)<br />
19700530-10- Ezy Ryder [First Show] (Band of Gypsys 2 LP)<br />
19700530-15- Lover Man (In The West LP)<br />
19700530-16- Stone Free (Band of Gypsys 2 LP)<br />
19700530-17- Hey Joe (The Jimi Hendrix Concerts CD)<br />
19700530-19- Machine Gun (Johnny B. Goode LP)<br />
19700530-22- Purple Haze (Soundtrack Recordings from the Film)<br />
<br />
And you'd think adding <b>Part Eleven - Live Experience Hendrix (1997-Pres) </b>would complete the Berkeley recordings, right? Wrong!<br />
19700530-01- Blue Suede Shoes [Rehearsal] (In The West LP)<br />
19700530-03- Johnny B. Goode (First Show) (In The West LP)<br />
19700530-07- Freedom [First Show] (Jimi Plays Berkeley CD Single)<br />
19700530-07- Red House [First Show] (West Coast Seattle Boy CD)<br />
19700530-10- Ezy Ryder [First Show] (Band of Gypsys 2 LP)<br />
19700530-12- Introduction (Live at Berkeley: 2nd Show CD)<br />
19700530-13- Pass It On (Straight Ahead) (Live at Berkeley: 2nd Show CD)<br />
19700530-14- Hey Baby (New Rising Sun) (Live at Berkeley: 2nd Show CD)<br />
19700530-15- Lover Man (In The West LP)<br />
19700530-16- Stone Free (Band of Gypsys 2 LP)<br />
19700530-17- Hey Joe (The Jimi Hendrix Concerts CD)<br />
19700530-18- I Don't Live Today (Live at Berkeley: 2nd Show CD)<br />
19700530-19- Machine Gun (Johnny B. Goode LP)<br />
19700530-20- Foxey Lady (Live at Berkeley: 2nd Show CD)<br />
19700530-21- Star-Spangled Banner (Live at Berkeley: 2nd Show CD)<br />
19700530-22- Purple Haze (Soundtrack Recordings from the Film)<br />
19700530-23- Voodoo Child (Slight Return) (Live at Berkeley: 2nd Show CD)<br />
<br />
because both shows were recorded with very little song overlap, it's clear both were intended for a concert film/multi-record set. The first show has already trickled out over four different releases. So on certain occasions, such as this, the Band Of Gypsys concerts, the Winterland Concerts, and Woodstock, I completed these with BF Additions. That way, major concerts have complete shows. There's not a lot of them. They were added when I thought it was called for; to fill in details that are missing from important commercial releases.<br />
<br />
<b>With BF Additions</b>:<br />
19700530-01- Blue Suede Shoes [Rehearsal] (In The West LP)<br />
19700530-02- Fire [First Show] (BF Addition)<br />
19700530-03- Johnny B. Goode (First Show) (In The West LP)<br />
19700530-04- Hear My Train A'Comin' [First Show] (BF Addition)<br />
19700530-05- Foxy Lady [First Show] (BF Addition)<br />
19700530-06- Machine Gun [First Show] (BF Addition)<br />
19700530-07- Freedom [First Show] (Jimi Plays Berkeley CD Single)<br />
19700530-08- Red House [First Show] (West Coast Seattle Boy CD)<br />
19700530-09- Message to Love [First Show] (BF Addition)<br />
19700530-10- Ezy Ryder [First Show] (Band of Gypsys 2 LP)<br />
19700530-11- Voodoo Chile (Slight Return) [First Show] (BF Addition)<br />
19700530-12- Introduction (Live at Berkeley: 2nd Show CD)<br />
19700530-13- Pass It On (Straight Ahead) (Live at Berkeley: 2nd Show CD)<br />
19700530-14- Hey Baby (New Rising Sun) (Live at Berkeley: 2nd Show CD)<br />
19700530-15- Lover Man (In The West LP)<br />
19700530-16- Stone Free (Band of Gypsys 2 LP)<br />
19700530-17- Hey Joe (The Jimi Hendrix Concerts CD)<br />
19700530-18- I Don't Live Today (Live at Berkeley: 2nd Show CD)<br />
19700530-19- Machine Gun (Johnny B. Goode LP)<br />
19700530-20- Foxey Lady (Live at Berkeley: 2nd Show CD)<br />
19700530-21- Star-Spangled Banner (Live at Berkeley: 2nd Show CD)<br />
19700530-22- Purple Haze (Soundtrack Recordings from the Film)<br />
19700530-23- Voodoo Child (Slight Return) (Live at Berkeley: 2nd Show CD)<br />
Now both shows are complete and the first show is a fine performance! Why has only half of it been released?<br />
<br />
Also importantly, I used the same source for a group of concerts, so wherever possible, they can be enjoyed with consistent mixes. So that the above 19700530-15- Lover Man (In The West LP), 19700530-16- Stone Free (Band of Gypsys 2 LP), 19700530-17- Hey Joe (The Jimi Hendrix Concerts CD), 19700530-19- Machine Gun (Johnny B. Goode LP), and 19700530-22- Purple Haze (Soundtrack Recordings from the Film) are all sourced from Experience Hendrix's Live at Berkeley: 2nd Show CD. I've found that in most cases, the more current the mix, the more likely it is to have better sound.<br />
<br />
The exceptions are the Band Of Gypsys LP, because these are the just about the only recordings mixed and edited by Jimi himself and Live at Monterey because the Experience Hendrix version is dull sounding. I used the 1986 Alan Douglas produced CD.<br />
<br />
It's likely that there will be a few errors. If you find any please note it in the comments and I'll get 'em fixed!<br />
<br />
Part Nine - Live Polydor/Reprise (1966-74) Part One <a href="https://www105.zippyshare.com/v/ZuMuTBSG/file.html" target="_blank">ZIPPY</a> <a href="https://yadi.sk/d/F2qYeQVYkz3_Xw" target="_blank">YANDEX</a><br />
Part Nine - Live Polydor/Reprise (1966-74) Part Two <a href="https://www105.zippyshare.com/v/Q3Tee5Uh/file.html" target="_blank">ZIPPY</a> <a href="https://yadi.sk/d/eGvLDz0bfZZ9oA" target="_blank">YANDEX</a><br />
Part Ten - Live Alan Douglas (1975-95) Part One <a href="https://www105.zippyshare.com/v/kQc8ia9s/file.html" target="_blank">ZIPPY</a> <a href="https://yadi.sk/d/Blw30Bke1zrNuA" target="_blank">YANDEX</a><br />
Part Ten - Live Alan Douglas (1975-95) Part Two <a href="https://www105.zippyshare.com/v/Ofk4oqrC/file.html" target="_blank">ZIPPY</a> <a href="https://yadi.sk/d/pb_0LOuBw8mlxA" target="_blank">YANDEX</a><br />
Part Ten - Live Alan Douglas (1975-95) Part Three <a href="https://www105.zippyshare.com/v/lJC5KIWs/file.html" target="_blank">ZIPPY</a> <a href="https://yadi.sk/d/6crLOVPFPQzUxg" target="_blank">YANDEX</a><br />
Part Eleven - Live Experience Hendrix (1997-Pres) Part One <a href="https://www105.zippyshare.com/v/xhNTnvdo/file.html" target="_blank">ZIPPY</a> <a href="https://yadi.sk/d/CDCtYOP7TGGKCA" target="_blank">YANDEX</a><br />
Part Eleven - Live Experience Hendrix (1997-Pres) Part Two <a href="https://www105.zippyshare.com/v/paR02g7N/file.html" target="_blank">ZIPPY</a> <a href="https://yadi.sk/d/1W-V5FTYGXzskg" target="_blank">YANDEX</a><br />
Part Eleven - Live Experience Hendrix (1997-Pres) Part Three <a href="https://www105.zippyshare.com/v/PraANgXW/file.html" target="_blank">ZIPPY</a> <a href="https://yadi.sk/d/yuYTkHGdGabfog" target="_blank">YANDEX</a><br />
Part Eleven - Live Experience Hendrix (1997-Pres) Part Four <a href="https://www105.zippyshare.com/v/xICcQTXu/file.html" target="_blank">ZIPPY</a> <a href="https://yadi.sk/d/5XjBGdmYVZQx_Q" target="_blank">YANDEX</a><br />
Part Eleven - Live Experience Hendrix (1997-Pres) Part Five <a href="https://www28.zippyshare.com/v/VrHh9fL4/file.html" target="_blank">ZIPPY</a> <a href="https://yadi.sk/d/OB1yiKSGQ9h7Bw" target="_blank">YANDEX</a><br />
Part Eleven - Live Experience Hendrix (1997-Pres) Part Six <a href="https://www105.zippyshare.com/v/Pkki6LaC/file.html" target="_blank">ZIPPY</a> <a href="https://yadi.sk/d/SSafPh2r1md48g" target="_blank">YANDEX</a><br />
(BF Additions are here too!)<br />
Part Twelve - Live Dagger Records Part One <a href="https://www105.zippyshare.com/v/Crc9ZrZn/file.html" target="_blank">ZIPPY</a> <a href="https://yadi.sk/d/3aIB6LJFRTgBVw" target="_blank">YANDEX</a><br />
Part Twelve - Live Dagger Records Part two <a href="https://www105.zippyshare.com/v/5FMfp9hp/file.html" target="_blank">ZIPPY</a> <a href="https://yadi.sk/d/Gle95tJYzLR2mw" target="_blank">YANDEX</a><br />
Part Thirteen - Live Session Man <a href="https://www105.zippyshare.com/v/suBKMSTY/file.html" target="_blank">ZIPPY</a> <a href="https://yadi.sk/d/1v1-wlJ5UFecaQ" target="_blank">YANDEX</a><br />
<br />Blank Frankhttp://www.blogger.com/profile/10422157939508053534noreply@blogger.com14tag:blogger.com,1999:blog-1915465523817670126.post-65229670285582509422020-03-09T13:18:00.001-07:002020-04-30T13:56:32.763-07:00The Jimi Hendrix Masters Part One: Studio<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOfGcjXO8z7caaGB4Fm15SlQguaKZ9sspRosJnluMR2IIyQJBWHVQ8Y0KsVXvHDu0XIxPVO_ECoedAn7TEN3u3vxzS_A_p0WMK25enuin9LhLHY-Dk4BM5N-JLEmir1vGlfTiaoMaDWslU/s1600/ELL+Blog.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="198" data-original-width="256" height="307" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOfGcjXO8z7caaGB4Fm15SlQguaKZ9sspRosJnluMR2IIyQJBWHVQ8Y0KsVXvHDu0XIxPVO_ECoedAn7TEN3u3vxzS_A_p0WMK25enuin9LhLHY-Dk4BM5N-JLEmir1vGlfTiaoMaDWslU/s400/ELL+Blog.jpg" width="400" /></a></div>
This is a project that I'm really excited to create and happy to share - (nearly) all of Hendrix's officially released studio recordings presented in chronological order in such a way that the listener can go in as deep as they like. Special care has been taken to present these in the highest possible quality. Original singles are in mono as well as most of AYE. Axis uses the rare 1985 CD that Prof. Stoned loves, and it is really good. Electric LL is from a Blu-Spec disc and the rest have been carefully chosen. It's @320, each track is tagged with original release art.<br />
<br />
So let me try to explain how this work - I'm posting eight parts that are as follows:<br />
01 - Studio Masters Polydor-Reprise (1966-74)<br />
02 - Studio Masters Alan Douglas (1975-95)<br />
03 - Studio Masters Experience Hendrix 1 (Unique Songs) (1997-Now)<br />
04 - Studio Masters Experience Hendrix 2 (Jams & Alternates)<br />
05 - Studio Masters Dagger Records<br />
06 - Radio and TV<br />
07 - Session Man<br />
08 - Produced By Jimi<br />
<br />
I'm working on the live stuff now and it will mesh together with this set.<br />
<br />
Check out how this works! Here's April 1969 as an example:<br />
<b>01 - Studio Masters Master Polydor-Reprise</b><br />
19690401-01- Midnight (War Heroes LP)<br />
<br />
<br />
Add <b>02 - Studio Masters Alan Douglas</b><br />
19690401-01- Midnight (War Heroes LP)<br />
19690414-05- Young-Hendrix Jam (Nine To The Universe LP)<br />
19690422-01- Mannish Boy (Jimi Hendrix: Blues)<br />
19690424-07- Drone Blues (Nine To The Universe LP)<br />
<br />
<br />
and then <b>03 - Studio Masters Experience Hendrix 1 (Unique Songs)</b><br />
19690401-01- Midnight (War Heroes LP)<br />
19690407-03- Lullaby For The Summer (Valleys Of Neptune CD)<br />
19690414-01- Stone Free (The Jimi Hendrix Experience Box Set)<br />
19690414-02- Ships Passing Through The Night (Valleys Of Neptune CD)<br />
19690414-05- Young-Hendrix Jam (Nine To The Universe LP)<br />
19690422-01- Mannish Boy (Jimi Hendrix: Blues)<br />
19690424-06- Crash Landing (People, Hell And Angels CD)<br />
19690424-07- Drone Blues (Nine To The Universe LP)<br />
<br />
<br />
...<b>04 - Studio Masters Experience Hendrix 2 (Jams & Alternates)</b><br />
19690401-01- Midnight (War Heroes LP)<br />
19690407-03- Lullaby For The Summer (Valleys Of Neptune CD)<br />
19690414-01- Stone Free (The Jimi Hendrix Experience Box Set)<br />
19690414-02- Ships Passing Through The Night (Valleys Of Neptune CD)<br />
19690414-05- Young-Hendrix Jam (Nine To The Universe LP)<br />
19690422-01- Mannish Boy (Jimi Hendrix: Blues)<br />
19690422-02- Mannish Boy (Both Sides of the Sky CD)<br />
19690424-06- Crash Landing (People, Hell And Angels CD)<br />
19690424-07- Drone Blues (Nine To The Universe LP)<br />
(OK, not much changed here!)<br />
<br />
the rest of official studio <b>Part 05 - Studio Masters Dagger Records</b><br />
19690401-01- Midnight (War Heroes LP)<br />
19690403-01- Trash Man (Dagger - Hear My Music)<br />
19690407-01- Hear My Train A-Comin' (Valleys Of Neptune CD)<br />
19690407-03- Lullaby For The Summer (Valleys Of Neptune CD)<br />
19690409-02- Hear My Train a Comin' (Both Sides of the Sky CD)<br />
19690414-01- Stone Free (The Jimi Hendrix Experience Box Set)<br />
19690414-02- Ships Passing Through The Night (Valleys Of Neptune CD)<br />
19690414-05- Young-Hendrix Jam (Nine To The Universe LP)<br />
19690414-06- Young-Hendrix (West Coast Seattle Boy Box Set)<br />
19690421-02- Room Full Of Mirrors (The Jimi Hendrix Experience Box Set)<br />
19690422-01- Mannish Boy (Jimi Hendrix: Blues)<br />
19690422-02- Mannish Boy (Both Sides of the Sky CD)<br />
19690424-01- Bleeding Heart (Valleys Of Neptune CD)<br />
19690424-07- Drone Blues (Nine To The Universe LP)<br />
19690424-08- Drone Blues, Driving South (Dagger - Hear My Music)<br />
<br />
See how the different parts fit? Imagine what it's like when it's all finished! So what I have done so far is to put the different parts into my smartphone and added the folders I wanted into a playlist. For me, it's worked really well. If you're using a PC and something like Foobar2000, just add the folders you want and click on the Track Title Tab to reorder them all together correctly. I've tested different Apps/Programs and have been able to make it work without trouble. Personally, I'm diggin' parts 1-3 put together. I've reconfigured this in a few different ways. It'll be even more interesting once the live part is completed.<br />
<br />
Most importantly, all of Hendrix's are all put together in order, as it was created. a whole lot of clarity and new insights here. I don't know why no one ever tried it. An MSWord document is included in the first folder. Jimi often worked on a track over many studio sessions. The date selected is (I believe) when recording the track was completed.<br />
<br />
I hope you like it, as you can probably tell, I'm pretty excited about it.<br />
Yandex!<br />
<a href="https://yadi.sk/d/vNlljIi1kayb8A" target="_blank">01 - Studio Masters Polydor-Reprise (1966-74) Part 1</a><br />
<a href="https://yadi.sk/d/IyH6kEKZ6gMnrA" target="_blank">01 - Studio Masters Polydor-Reprise (1966-74) Part 2</a><br />
<a href="https://yadi.sk/d/5jBpSFaWPVK2Rw" target="_blank">02 - Studio Masters Alan Douglas (1975-95)</a><br />
<a href="https://yadi.sk/d/970P1P6PapNX_Q" target="_blank">03 - Studio Masters Experience Hendrix 1 (Unique Songs) Part 1</a><br />
<a href="https://yadi.sk/d/-MKPGJHh2XCQ5w" target="_blank">03 - Studio Masters Experience Hendrix 1 (Unique Songs) Part 2</a><br />
<a href="https://yadi.sk/d/Fd82Nl-b6jnzRw" target="_blank">04 - Studio Masters Experience Hendrix 2 (Jams & Alternates)</a><br />
<a href="https://yadi.sk/d/PhzER1tNwTYOmg" target="_blank">05 - Studio Masters Dagger Records</a><br />
<a href="https://yadi.sk/d/Ep9oKIlkjvPvww" target="_blank">06 - Radio and TV (Revised)</a><br />
<a href="https://yadi.sk/d/WW7kSdbhsOldrQ" target="_blank">07 - Session Man</a><br />
<a href="https://yadi.sk/d/LLRMNAwGZZPMlw" target="_blank">08 - Produced By Jimi Yandex</a><br />
<br />
Zippy!<br />
<a href="https://www84.zippyshare.com/v/RPKDZX3m/file.html" target="_blank">01 - Studio Masters Polydor-Reprise (Part 1)</a><br />
<a href="https://www84.zippyshare.com/v/Zh3Au1V4/file.html" target="_blank">01 - Studio Masters Polydor-Reprise (Part 2)</a><br />
<a href="https://www23.zippyshare.com/v/DbvGRsWv/file.html" target="_blank">02 - Studio Masters Alan Douglas</a><br />
<a href="https://www84.zippyshare.com/v/HA8OrH9l/file.html" target="_blank">03 - Studio Masters Experience Hendrix 1 (Part 1) </a><br />
<a href="https://www84.zippyshare.com/v/tZARpqPY/file.html" target="_blank">03 - Studio Masters Experience Hendrix 1 (Part 2)</a><br />
<a href="https://www23.zippyshare.com/v/TSAISWGY/file.html" target="_blank">04 - Studio Masters Experience Hendrix 2 (Part 1)</a><br />
<a href="https://www23.zippyshare.com/v/7ZWJzUNu/file.html" target="_blank">04 - Studio Masters Experience Hendrix 2 (Part 2)</a><br />
<a href="https://www23.zippyshare.com/v/eH4UmzGL/file.html" target="_blank">05 - Studio Masters Dagger Records (Part 1)</a><br />
<a href="https://www39.zippyshare.com/v/SAbv77bo/file.html" target="_blank">05 - Studio Masters Dagger Records (Part 2)</a><br />
<a href="https://www105.zippyshare.com/v/TyKHMLqh/file.html" target="_blank">06 - Radio and TV (Revised)</a><br />
<a href="https://www23.zippyshare.com/v/ZMWk7mlW/file.html" target="_blank">07 - Session Man (Part 1)</a><br />
<a href="https://www23.zippyshare.com/v/amj6sJkU/file.html" target="_blank">07 - Session Man (Part 2)</a><br />
<a href="https://www23.zippyshare.com/v/iFzKqkEJ/file.html" target="_blank">08 - Produced By Jimi</a><br />
<br />
<br />
<br />Blank Frankhttp://www.blogger.com/profile/10422157939508053534noreply@blogger.com54tag:blogger.com,1999:blog-1915465523817670126.post-43724386434761968252020-03-02T10:21:00.005-08:002020-04-30T13:51:33.203-07:00Elvis Costello - Forty-Five: The Singles & EPs 1977-2010<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgH2nzwBsjJPMVP3xppgS7t8chjV3sKC-TfJylH5WjYtCxTbhpuaWRHPSEP4YSfmxvwD_W1buwo20dH8PGrlotI4urG0mRkNcVBOrk7zgZcngfZeeSTKCLnIpU0XeFMUqZ370dMTimHZAc_/s1600/I+Want+You+Edsel+PS+A.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1485" data-original-width="1471" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgH2nzwBsjJPMVP3xppgS7t8chjV3sKC-TfJylH5WjYtCxTbhpuaWRHPSEP4YSfmxvwD_W1buwo20dH8PGrlotI4urG0mRkNcVBOrk7zgZcngfZeeSTKCLnIpU0XeFMUqZ370dMTimHZAc_/s400/I+Want+You+Edsel+PS+A.jpg" width="395" /></a></div>
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A long time ago on these pages or similar, I posted EC's Singles 1-2-3 with the bonus tracks separated into a fourth folder. Here's an update to that attempt to correct my mistakes from that old post, omissions from the Singles 1-2-3 box sets and expand it to Elvis' most recent singles/EPs with new material. My criteria is to include all of his unique songs released on 7/10/12" vinyl, CD 3s/CD5s or digital download. To ensure that set is listenable, 12-inch remixes, most live bonus tracks or song duplications were left off. One of these days, I'll make a companion that includes these plus film soundtracks, tributes, and collaborations.<br />
<br />
As usual, each is tagged with original cover/labels and made to be played as one long playlist. She's 10 hours, 182 tracks and about 1.4 gigs. And she's got her share of hard-to-find goodies here!<br />
<br />
I have a tough time thinking of anyone who has consistently put out such great material for so many years seemingly so effortlessly. Because he has been around for so long, I believe he's been consistently overlooked and under-rated.<br />
<br />
Dedicated to Myrez, with whom I shared a love of EC and The Attractions for 40+ years<br />
<br />
1<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>Less Than Zero (Original UK Single Version) [3-77]<br />
2<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>Radio Sweetheart (UK Single Version) [3-77]<br />
3<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>Alison (UK Single) [5-77]<br />
4<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>Welcome To The Working Week (UK Single) [5-77]<br />
5<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>(The Angel Wanna Wear) Red Shoes (UK Single) [7-77]<br />
6<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>Mystery Dance (UK Single) [7-77]<br />
7<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>Watching The Detectives (UK Single Version) [10-77]<br />
8<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Blame It On Cain (Live) (UK Single Version) [10-77]<br />
9<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Mystery Dance Llive) (UK Single Version) [10-77]<br />
10<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>Alison (US Single Version) [10-77]<br />
11<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Miracle Man (Live) (US Single Version) [10-77]<br />
12<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>(i Don't Want To Go To ) Chelsea (UK Single) [3-78]<br />
13<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>You Belong To Me (UK Single) [3-78]<br />
14<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>Stranger In The House (UK Single) [3-78]<br />
15<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Neat, Neat, Neat (Live Mix 2) (UK Single) [3-78]<br />
16<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Pump It Up (UK Single) [4-78]<br />
17<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Big Tears (UK Single) [4-78]<br />
18<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>This Year's Girl (US Single) [5-78]<br />
19<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Radio, Radio (UK Single) [10-78]<br />
20<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Tiny Steps (UK Single) [10-78]<br />
21<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Talking In The Dark (UK Promo Single) [12-78]<br />
22<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Wednesday Week (UK Promo Single) [12-78]<br />
23<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Accidents Will Happen (UK/US Live At Hollywood High EP) [1-79]<br />
24<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Alison (UK/US Live At Hollywood High EP) [1-79]<br />
25<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Watching The Detectives (UK/US Live At Hollywood High EP) [1-79]<br />
26<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Accidents Will Happen (US Single) [1-79]<br />
27<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Sunday's Best (US Single) [1-79]<br />
28<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Oliver's Army (UK Single) [2-79]<br />
29<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>My Funny Valentine (UK Single) [2-79]<br />
30<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>(What's So Funny 'Bout) Peace, Love And Understanding (US Promo Single) [2-79]<br />
31<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>I Can't Stand Up For Falling Down (UK/US Single) [2-80]<br />
32<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Girls Talk (UK/US Single) [2-80]<br />
33<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Secondary Modern (US EP) [4-80]<br />
34<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>King Horse (US EP) [4-80]<br />
35<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>High Fidelity (UK Single) [4-80]<br />
36<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Getting Mighty Crowded (UK Single) [4-80]<br />
37<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Clowntime Is Over No.2 (UK 12" Single) [4-80]<br />
38<span style="white-space: pre;"> </span>George Jones with Elvis Costello<span style="white-space: pre;"> </span>Stranger In The House (UK Single) [5-80]<br />
39<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>New Amsterdam (UK EP) [6-80]<br />
40<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Dr. Luther's Assistant (UK EP) [6-80]<br />
41<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Ghost Train (UK EP) [6-80]<br />
42<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Just A Memory (UK EP) [6-80]<br />
43<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Clubland (UK Single) [12-80]<br />
44<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Clean Money (UK Single) [12-80]<br />
45<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Hoover Factory (UK Single) [12-80]<br />
46<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>From A Whisper To A Scream (UK Single) [4-81]<br />
47<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Watch Your Step (US Single) [4-81]<br />
48<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Luxembourg (UK/US Single B-Side) [4-81]<br />
49<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Good Year For The Roses (UK/US Single) [10-81]<br />
50<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Your Angel Steps Out Of Heaven (UK/US Single) [10-81]<br />
51<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Sweet Dreams (UK Single) [12-81]<br />
52<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Psycho (Live Mix 1) (UK Single) [10-81]<br />
53<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>I'm Your Toy (Live Mix 2) (UK Single) [4-82]<br />
54<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Cry Cry Cry (Alternate Vocal) (UK Single) [4-82]<br />
55<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Wondering (Alternate Vocal) (UK Single) [4-82]<br />
56<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>You Little Fool (UK Single) [6-82]<br />
57<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Big Sister (UK Single) [6-82]<br />
58<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>The Stamping Ground (UK Single) [6-82]<br />
59<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Man Out Of Time (UK/US Single) [8-82]<br />
60<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Town Cryer (Alternate Version) (UK/US Single) [8-82]<br />
61<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>From Head To Toe (UK Single) [9-82]<br />
62<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>The World Of Broken Hearts (UK Single) [9-82]<br />
63<span style="white-space: pre;"> </span>Elvis Costello and The Attractions With The Royal Guard Horns<span style="white-space: pre;"> </span>Party Party (UK Single) [11-82]<br />
64<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Imperial Bedroom (UK Single) [11-82]<br />
65<span style="white-space: pre;"> </span>The Imposter<span style="white-space: pre;"> </span>Pills And Soap (UK Single) [5-83]<br />
66<span style="white-space: pre;"> </span>The Imposter<span style="white-space: pre;"> </span>Pills And Soap (Extended Version) (UK Single) [5-83]<br />
67<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Everyday I Write The Book (UK/US Single) [7-83]<br />
68<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Heathen Town (UK/US Single) [7-83]<br />
69<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Night Time (UK 12" Single) [7-83]<br />
70<span style="white-space: pre;"> </span>Elvis Costello and The Attractions With The TKO Horns<span style="white-space: pre;"> </span>Let Them All Talk (UK/US Single) [9-83]<br />
71<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>The Flirting Kind (UK B-Side Single) [9-83]<br />
72<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Shipbuilding (US B-Side Single) [12-83]<br />
73<span style="white-space: pre;"> </span>The Imposter<span style="white-space: pre;"> </span>Peace In Our Time (UK Single) [4-84]<br />
74<span style="white-space: pre;"> </span>The Imposter<span style="white-space: pre;"> </span>Withered And Died (UK Single) [4-84]<br />
75<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>I Wanna Be Loved (UK/US Single) [6-84]<br />
76<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Turning The Town Red (UK Single B-Side) [6-84]<br />
77<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Love Field (US B-Side Single) [9-84]<br />
78<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>The Only Flame In Town (UK/US Single) [7-84]<br />
79<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>The Comedians (UK/US Single) [7-84]<br />
80<span style="white-space: pre;"> </span>Elvis Costello with Nick Lowe<span style="white-space: pre;"> </span>Baby It's You (US 12" B-Side Single) [6-84]<br />
81<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Green Shirt (UK Single) [4-85]<br />
82<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Beyond Belief (UK Single) [4-85]<br />
83<span style="white-space: pre;"> </span>The Coward Brothers<span style="white-space: pre;"> </span>The People's Limousine (UK Single) [7-85]<br />
84<span style="white-space: pre;"> </span>The Coward Brothers<span style="white-space: pre;"> </span>They'll Never Take Her Love From Me (UK Single) [4-85]<br />
85<span style="white-space: pre;"> </span>The Costello Show Featuring The Confederates<span style="white-space: pre;"> </span>Don't Let Me Be Misunderstood (UK/US Single) [1-86]<br />
86<span style="white-space: pre;"> </span>The Costello Show Featuring The Attractions<span style="white-space: pre;"> </span>Baby's Got A Brand New Hairdo (UK/US Single) [1-86]<br />
87<span style="white-space: pre;"> </span>The Costello Show (Featuring Elvis Costello)<span style="white-space: pre;"> </span>Lovable (US Single) [5-86]<br />
88<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Get Yourself Another Fool (Ryko Mix) (US Single) [5-86]<br />
89<span style="white-space: pre;"> </span>Jimmy Cliff with Elvis Costello & The Attractions<span style="white-space: pre;"> </span>Seven Day Weekend (US Single) [6-86]<br />
90<span style="white-space: pre;"> </span>Elvis Costello and the Attractions<span style="white-space: pre;"> </span>Tokyo Storm Warning (Part 1) (UK/US Single) [8-86]<br />
91<span style="white-space: pre;"> </span>Elvis Costello and the Attractions<span style="white-space: pre;"> </span>Tokyo Storm Warning (Part 2) (UK/US Single) [8-86]<br />
92<span style="white-space: pre;"> </span>Elvis Costello and the Attractions<span style="white-space: pre;"> </span>Black Sails In The Sunset (UK 12" B-Side) [8-86]<br />
93<span style="white-space: pre;"> </span>Elvis Costello and the Attractions<span style="white-space: pre;"> </span>I Want You (UK Single) [11-86]<br />
94<span style="white-space: pre;"> </span>Elvis Costello and the Attractions<span style="white-space: pre;"> </span>I Hope You're Happy Now (Accoustic) (UK Single) [11-86]** Revised**<br />
95<span style="white-space: pre;"> </span>The Costello Show<span style="white-space: pre;"> </span>Blue Chair (UK Single Version) [1987]<br />
96<span style="white-space: pre;"> </span>The Costello Show<span style="white-space: pre;"> </span>American Without Tears No.2 (Twilight Version) (UK Single) [1987]<br />
97<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>Shoes Without Heels (UK 12" B-Side) [1987]<br />
98<span style="white-space: pre;"> </span>The MacManus Gang<span style="white-space: pre;"> </span>A Town Called Big Nothing (Really Big Nothing) (UK Single) [5-87]<br />
99<span style="white-space: pre;"> </span>The MacManus Gang<span style="white-space: pre;"> </span>Return To Big Nothing (UK Single) [5-87]<br />
100<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>Veronica (UK CD Single) [2-89]<br />
101<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>You're No Good (UK CD Single) [2-89]<br />
102<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>Coal-Train Robberies (UK CD Single) [2-89]<br />
103<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>The Room Nobody Lives In (UK CD Single) [2-89]<br />
104<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>Baby Plays Around (UK EP) [5-89]<br />
105<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>Poisoned Rose (UK EP) [5-89]<br />
106<span style="white-space: pre;"> </span>Elvis Costello and the Attractions<span style="white-space: pre;"> </span>Almost Blue (UK EP) [5-89]<br />
107<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>Deep Dark Truthful Mirror (German 3" CD) [1989]<br />
108<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>Point Of No Return (German 3" CD) [1989]<br />
109<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>...This Town... (Euro Single) [1989]<br />
110<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>The Ugly Things (Euro Single) [1989]<br />
111<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>The Other Side of Summer (UK Single) [4-91]<br />
112<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>Couldn't Call It Unexpected No. 4 (UK Single) [4-91]<br />
113<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>So Like Candy (UK EP) [10-91]<br />
114<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>Veronica (Demo) (UK EP) [10-91]<br />
115<span style="white-space: pre;"> </span>Elvis Costello And The Rude Five<span style="white-space: pre;"> </span>Hurry Down Doomsday (The Bugs Are Taking Over) (Unplugged Version) (UK EP) [10-91]<br />
116<span style="white-space: pre;"> </span>Elvis Costello And The Rude Five<span style="white-space: pre;"> </span>Couldn't Call It Unexpected No. 4 (Live) (UK EP) [10-91]<br />
117<span style="white-space: pre;"> </span>Elvis Costello and the Brodsky Quartet<span style="white-space: pre;"> </span>Jacksons, Monk and Rowe (EU CD Single) [2-93]<br />
118<span style="white-space: pre;"> </span>Elvis Costello and the Brodsky Quartet<span style="white-space: pre;"> </span>This Sad Burlesque (EU CD Single) [2-93]<br />
119<span style="white-space: pre;"> </span>Elvis Costello & The Attractions<span style="white-space: pre;"> </span>Sulky Girl (Single Version) (Euro Sulky Girl CD5) [2-94]<br />
120<span style="white-space: pre;"> </span>Elvis Costello & The Attractions<span style="white-space: pre;"> </span>Idiophone (Euro Sulky Girl CD5) [2-94]<br />
121<span style="white-space: pre;"> </span>Elvis Costello & The Attractions<span style="white-space: pre;"> </span>A Drunken Man's Praise Of Sobriety (Euro Sulky Girl CD5) [2-94]<br />
122<span style="white-space: pre;"> </span>Elvis Costello & The Attractions<span style="white-space: pre;"> </span>13 Steps Lead Down (UK Single) [4-94]<br />
123<span style="white-space: pre;"> </span>Elvis Costello & The Attractions<span style="white-space: pre;"> </span>Do You Know What I'm Saying? (UK Single) [4-94]<br />
124<span style="white-space: pre;"> </span>Elvis Costello & The Attractions<span style="white-space: pre;"> </span>Basement Kiss (Euro 13 Steps Lead Down CD5) [4-94]<br />
125<span style="white-space: pre;"> </span>Elvis Costello & The Attractions<span style="white-space: pre;"> </span>Puppet Girl (Euro 13 Steps Lead Down CD5) [4-94]<br />
126<span style="white-space: pre;"> </span>Elvis Costello & The Attractions<span style="white-space: pre;"> </span>We Despise You (Euro 13 Steps Lead Down CD5) [4-94]<br />
127<span style="white-space: pre;"> </span>Elvis Costello & The Attractions<span style="white-space: pre;"> </span>You Tripped At Every Step (UK You Tripped At Every Step CD5) [6-94]<br />
128<span style="white-space: pre;"> </span>Elvis Costello & The Attractions<span style="white-space: pre;"> </span>Step Inside Love (UK You Tripped At Every Step CD5) [6-94]<br />
129<span style="white-space: pre;"> </span>Elvis Costello & The Attractions<span style="white-space: pre;"> </span>You've Got To Hide Your Love Away (UK You Tripped At Every Step CD5) [6-94]<br />
130<span style="white-space: pre;"> </span>Elvis Costello & The Attractions<span style="white-space: pre;"> </span>Sticks And Stones (UK You Tripped At Every Step CD5) [6-94]<br />
131<span style="white-space: pre;"> </span>Elvis Costello & The Attractions<span style="white-space: pre;"> </span>London's Brilliant Parade (UK CD EP) [11-94]<br />
132<span style="white-space: pre;"> </span>Elvis Costello & The Attractions<span style="white-space: pre;"> </span>The Loved Ones (UK CD EP) [11-94]<br />
133<span style="white-space: pre;"> </span>Elvis Costello & The Attractions<span style="white-space: pre;"> </span>Pouring Water On A Drowning Man (Spainish Promo CD Single) [1995]<br />
134<span style="white-space: pre;"> </span>Elvis Costello & The Attractions<span style="white-space: pre;"> </span>Hidden Charms (Spainish Promo CD Single) [1995]<br />
135<span style="white-space: pre;"> </span>Elvis Costello & The Attractions<span style="white-space: pre;"> </span>Days (Spainish Promo CD Single) [1995]<br />
136<span style="white-space: pre;"> </span>Elvis Costello & The Attractions<span style="white-space: pre;"> </span>It's Time (LP Version) [4-96]<br />
137<span style="white-space: pre;"> </span>Elvis Costello & The Attractions<span style="white-space: pre;"> </span>Life Shrinks (It's Time CD5) [4-96]<br />
138<span style="white-space: pre;"> </span>Elvis Costello & The Attractions<span style="white-space: pre;"> </span>Brilliant Disguise (It's Time CD5) [4-96]<br />
139<span style="white-space: pre;"> </span>Elvis Costello & The Attractions<span style="white-space: pre;"> </span>Little Atoms (German The July Singles) [7-96]<br />
140<span style="white-space: pre;"> </span>Elvis Costello & The Attractions<span style="white-space: pre;"> </span>Almost Ideal Eyes (German The July Singles) [7-96]<br />
141<span style="white-space: pre;"> </span>Elvis Costello & The Attractions<span style="white-space: pre;"> </span>The Other End Of The Telescope (German The July Singles) [7-96]<br />
142<span style="white-space: pre;"> </span>Elvis Costello & The Attractions<span style="white-space: pre;"> </span>Basement Kiss (German The July Singles) [7-96]<br />
143<span style="white-space: pre;"> </span>Elvis Costello & The Attractions<span style="white-space: pre;"> </span>Complicated Shadows (German The July Singles) [7-96]<br />
144<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>Distorted Angel (German The July Singles) [7-96]<br />
145<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>All This Useless Beauty (German The July Singles) [7-96]<br />
146<span style="white-space: pre;"> </span>Elvis Costello and The Attractions<span style="white-space: pre;"> </span>You Bowed Down (US CD Single) [9-96]<br />
147<span style="white-space: pre;"> </span>The Chieftains with Anúna & Elvis Costello<span style="white-space: pre;"> </span>Long Journey Home (Dutch Single) [3-98]<br />
148<span style="white-space: pre;"> </span>Elvis Costello & Burt Bacharach<span style="white-space: pre;"> </span>I Still Have That Other Girl (Euro CD Single) [11-98]<br />
149<span style="white-space: pre;"> </span>Elvis Costello & Burt Bacharach<span style="white-space: pre;"> </span>This House Is Empty Now (Euro CD Single) [11-98]<br />
150<span style="white-space: pre;"> </span>Elvis Costello & Burt Bacharach<span style="white-space: pre;"> </span>The Sweetest Punch (Euro CD Single) [11-98]<br />
151<span style="white-space: pre;"> </span>Elvis Costello & Burt Bacharach<span style="white-space: pre;"> </span>Toledo (LP Version) [UK Toledo CD Single 1) [4-99]<br />
152<span style="white-space: pre;"> </span>Elvis Costello & Steve Nieve<span style="white-space: pre;"> </span>Tears At The Birthday Party [UK Toledo CD Single 1) [4-99]<br />
153<span style="white-space: pre;"> </span>Elvis Costello & Steve Nieve<span style="white-space: pre;"> </span>Inch By Inch / Fever (Live) [UK Toledo CD Single 1) [4-99]<br />
154<span style="white-space: pre;"> </span>Elvis Costello w/Steve Nieve<span style="white-space: pre;"> </span>Such Unlikely Lovers (Live) [UK Toledo CD Single 2) [4-99]<br />
155<span style="white-space: pre;"> </span>Elvis Costello w/Steve Nieve<span style="white-space: pre;"> </span>Baby Plays Around (Live) [UK Toledo CD Single 1) [4-99]<br />
156<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>She (UK She CD Single) [7-99]<br />
157<span style="white-space: pre;"> </span>Elvis Costello & Burt Bacharach<span style="white-space: pre;"> </span>Painted From Memory (UK She CD Single) [7-99]<br />
158<span style="white-space: pre;"> </span>Elvis Costello & Burt Bacharach<span style="white-space: pre;"> </span>What's Her Name Today? (UK She CD Single) [7-99]<br />
159<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>Tear Off Your Own Head (Euro CD EP) [4-03]<br />
160<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>The Imposter Vs The Floodtide (Dust And Petals) (Euro CD EP) [4-03]<br />
161<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>Revolution Doll (Euro CD EP) [4-03]<br />
162<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>When I Was Cruel (No. 1) (Euro CD EP) [4-03]<br />
163<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>Smile (Original Version) (Japanese CD Single) [5-02]<br />
164<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>Smile (Ballad Version) (Japanese CD Single) [5-02]<br />
165<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>45 (UK CD Single) [9-02]<br />
166<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>Peroxide Side (Blunt Cut) (UK CD Single) [9-02]<br />
167<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>My Mood Swings (UK CD Single) [9-02]<br />
168<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>Still (UK BBC Promo CD EP) [9-2003]<br />
169<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>Fallen (UK BBC Promo CD EP) [9-2003]<br />
170<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>Someone Took the Words Away (UK BBC Promo CD EP) [9-2003]<br />
171<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>When It Sings (UK BBC Promo CD EP) [9-2003]<br />
172<span style="white-space: pre;"> </span>Elvis Costello & The Imposters<span style="white-space: pre;"> </span>Monkey To Man (US/Euro CD Single) [10-04]<br />
173<span style="white-space: pre;"> </span>Elvis Costello & The Imposters<span style="white-space: pre;"> </span>The Monkey (US/Euro CD Single) [10-04]<br />
174<span style="white-space: pre;"> </span>Elvis Costello & The Imposters<span style="white-space: pre;"> </span>Love That Burns (Live) (US/Euro CD Single) [10-04]<br />
175<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>Welcome To The Working Week [Demo Version] (US Promo Single) [2007]<br />
176<span style="white-space: pre;"> </span>Elvis Costello and the Attractions<span style="white-space: pre;"> </span>Lovers Walk (US Promo Single) [2007]<br />
177<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>Complicated Shadows (US Single) [4-09]<br />
178<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>Dirty Rotten Shame (US Single) [4-09]<br />
179<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>Poor Borrowed Dress (US National Ransack EP) [2010]<br />
180<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>A Condemned Man (US National Ransack EP) [2010]<br />
181<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>Big Boys Cry (US National Ransack EP) [2010]<br />
182<span style="white-space: pre;"> </span>Elvis Costello<span style="white-space: pre;"> </span>I Don't Wanna Go Home (US National Ransack EP) [2010]<br />
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Part One: <a href="https://yadi.sk/d/PCDqeNmWi9Cnsw" target="_blank">Yandex</a><br />
<a href="https://www110.zippyshare.com/v/FeUGi6NA/file.html" target="_blank">Zippy</a><br />
<br />
Part Two: <a href="https://yadi.sk/d/bRubJawdcVXDuA" target="_blank">Yandex Revised</a><br />
<a href="https://www28.zippyshare.com/v/0Q2GKsJH/file.html" target="_blank">Zippy Revised</a><br />
<br />
Part Three: <a href="https://yadi.sk/d/LcFwNqn5zviInA" target="_blank">Yandex</a><br />
<a href="https://www110.zippyshare.com/v/4O0I3qSX/file.html" target="_blank">Zippy</a><br />
<br />Blank Frankhttp://www.blogger.com/profile/10422157939508053534noreply@blogger.com19tag:blogger.com,1999:blog-1915465523817670126.post-89586405497986946812020-02-24T02:50:00.000-08:002020-04-30T13:52:52.558-07:00Elton John - I'm Still Standing /The Complete UK-US Singles 1965-2020<div class="separator" style="clear: both; text-align: center;">
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Never in a million years did I think that I'd compile a set like this, but an odd turn of events lead me to this - I was upgrading my EJ collection when I found a nearly complete set of 45 needle drops along with later CD singles/EPs. That and the fact my fiance was on an EJ binge led me to put this together. Once finished, I found that most of it was quite a good listen and makes a pretty strong case that EJ is indeed more than just his 70's-80's hits and the occasional duet or soundtrack. I hope that you'll give it a listen, especially the last four volumes. It came out much better than expected. There are a bunch of really rare and hard to find tracks here as well. Elton should consider making one of his own. He deserves better than the endless repackages of the same old hits.<br />
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My rules for compiling this was about the same as last year's Bowie 52 Years set - all UK/US commercially released singles in the order of date with no duplication. All songs needed to have active involvement from Elton - if he only played or sang backup, it wasn't included. I did make some exceptions - some of the really early singles had his involvement because he was a band member, not a leader yet. Even in the few songs he doesn't sing on, you can hear what he was adding to the band. I really wanted to tell his complete story. It's all @320, 324 Tracks split into 15 CD-sized volumes, each tagged with original artwork.<br />
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Note: The early US Uni singles were mono, often with dedicated mixes. If I was able, I defaulted to those. Also, I'm guilty of creating a promo edit of Tiny Dancer. I prefer it. I hope you agree!<br />
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The later years became problematic as 45s went into CDs and especially when CDs went into downloads and back to vinyl. Nevertheless, I tried to compile a collection that used all of the correct single versions and if a clean digital version wasn't available, I used needle drops. Please let me know what you think and also please tell me if there is anything that is wrong or missing. I do plan to continue adding on the last volume and adding future volumes as his career progresses<br />
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<b>I'm Still Standing: The Complete UK/US Singles 1965-71 (Disc 01)</b><span style="white-space: pre;"> </span><br />
1<span style="white-space: pre;"> </span>Bluesology<span style="white-space: pre;"> </span>Come Back Baby (Mono Single Version) [1965]<br />
2<span style="white-space: pre;"> </span>Bluesology<span style="white-space: pre;"> </span>Getting Tougher Than Tough [1965]<br />
3<span style="white-space: pre;"> </span>Bluesology<span style="white-space: pre;"> </span>Mr. Frantic (Mono Single Version) [2-66]<br />
4<span style="white-space: pre;"> </span>Bluesology<span style="white-space: pre;"> </span>Everyday I Have the Blues (Mono Single Version) [2-66]<br />
5<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>I've Been Loving You (Mono Single Version) [3-68]<br />
6<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Here's To The Next Time (Mono Single Version) [3-68]<br />
7<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Lady Samantha (Mono Single Version) [1-69]<br />
8<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>It's Me That You Need (Mono Single Version) [1-69]<br />
9<span style="white-space: pre;"> </span>Bread & Beer Band<span style="white-space: pre;"> </span>Dick Barton Theme (The Devil's Gallop) (Mono Single Version) [2-69]<br />
10<span style="white-space: pre;"> </span>Bread & Beer Band<span style="white-space: pre;"> </span>Breakdown Blues (Mono Single Version) [2-69]<br />
11<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>It's Me That You Need (Mono Single Version) [5-69]<br />
12<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Just Like Strange Rain (Mono Single Version) [5-69]<br />
13<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Border Song (Stereo Single Version) [3-70]<br />
14<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Bad Side Of The Moon (Stereo Single Version) [3-70]<br />
15<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>From Denver To LA (Stereo Single Version) (5-70)<br />
16<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Rock And Roll Madonna (Stereo Single Version) [6-70]<br />
17<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Grey Seal (Stereo Single Version) [6-70]<br />
18<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Take Me To The Pilot (US Mono Single Version) [10-70]<br />
18<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Your Song (US Mono Single Version) [10-70]<br />
19<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Into The Old Man's Shoes (UK Stereo Single Version) [10-70]<br />
21<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Friends (Mono Single Version) [3-71]<br />
22<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Honey Roll (Mono Single Version) [3-71]<br />
23<span style="white-space: pre;"> </span>Mr Bloe<span style="white-space: pre;"> </span>71-75 New Oxford (Mono Single Version) [6-71]<br />
24<span style="white-space: pre;"> </span>Mr Bloe<span style="white-space: pre;"> </span>Get Out (Mono Single Version) [6-71]<br />
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<span style="white-space: pre;"> </span><b>I'm Still Standing: The Complete UK/US Singles 1971-73 (Disc 02)</b><span style="white-space: pre;"><b> </b> </span><br />
25<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Levon (Mono Single Version) [12-71]<br />
26<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Goodbye (Mono Single Version) [12-71]<br />
27<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Tiny Dancer (US Stereo Promo Short Version) (BF Edit) [2-72]<br />
28<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Razor Face (Stereo) [2-72]<br />
29<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Rocket Man (I Think It's Going to Be a Long, Long Time) (Stereo) [3-72]<br />
30<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Susie (Dramas) (Stereo US B-Side) [3-72]<br />
31<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Holiday Inn (Stereo UK B-Side) [3-72]<br />
32<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Honky Cat (Stereo) [7-72]<br />
33<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Slave (Stereo) [7-72]<br />
34<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Crocodile Rock (Stereo) [10-72]<br />
35<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Elderberry Wine (Stereo) [10-72]<br />
36<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Daniel (Stereo) [1-73]<br />
37<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Skyline Pigeon (Stereo) [1-73]<br />
38<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Saturday Night's Alright For Fighting (Stereo) [7-73]<br />
39<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Jack Rabbit (Stereo) [7-73]<br />
40<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Whenever You're Ready (We'll Go Steady Again) (Stereo) [7-73]<br />
41<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Goodbye Yellow Brick Road (Stereo) [10-73]<br />
42<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Screw You (Young Man's Blues) (Stereo) [10-73]<br />
43<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Step Into Christmas (Stereo) [11-73]<br />
44<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Ho! Ho! Ho! (Who'd Be A Turkey At Christmas) (Stereo) [11-73]<br />
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<b>I'm Still Standing: The Complete UK/US Singles 1974-75 (Disc 03)</b><span style="white-space: pre;"><b> </b> </span><br />
45<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Candle in the Wind [2-74]<br />
46<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Bennie and the Jets [2-74]<br />
47<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Harmony [2-74]<br />
48<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Don't Let The Sun Go Down On Me [5-74]<br />
49<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Sick City [5-74]<br />
50<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>The Bitch Is Back [9-74]<br />
51<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Cold Highway [9-74]<br />
52<span style="white-space: pre;"> </span>John Lennon with the Plastic Ono Nuclear Band<span style="white-space: pre;"> </span>Whatever Gets You Through The Night [9-74]<br />
53<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Lucy In The Sky With Diamonds (Single Version) [11-74]<br />
54<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>One Day At A Time [11-74]<br />
55<span style="white-space: pre;"> </span>The Elton John Band<span style="white-space: pre;"> </span>Philadelphia Freedom [2-75]<br />
56<span style="white-space: pre;"> </span>The Elton John Band Featuring John Lennon And The Muscle Shoals Horns<span style="white-space: pre;"> </span>I Saw Her Standing There [2-75]<br />
57<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Someone Saved My Life Tonight [6-75]<br />
58<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>House of Cards [6-75]<br />
59<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Island Girl [9-75]<br />
60<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Sugar On The Floor [9-75]<br />
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<b>I'm Still Standing: The Complete UK/US Singles 1976-77 (Disc 04)</b><span style="white-space: pre;"> </span><br />
61<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Grow Some Funk Of Your Own [1-76]<br />
62<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>I Feel Like A Bullet (In The Gun Of Robert Ford) [1-76]<br />
63<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Pinball Wizard [3-76]<br />
64<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Love Song (with Lesley Duncan) (Promo Short Edit) [4-76]<br />
65<span style="white-space: pre;"> </span>Elton John & Kiki Dee<span style="white-space: pre;"> </span>Don't Go Breaking My Heart [7-76]<br />
66<span style="white-space: pre;"> </span>Elton John & Kiki Dee<span style="white-space: pre;"> </span>Snow Queen [7-76]<br />
67<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Sorry Seems To Be The Hardest Word [11-76]<br />
68<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Shoulder Holster [11-76]<br />
69<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Bite Your Lip (Get Up And Dance) (45 Edit) [1-77]<br />
70<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Chameleon [1-77]<br />
71<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Crazy Water [2-77]<br />
72<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>The Goaldiggers Song [4-77]<br />
73<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Jimmy, Brian, Elton & Eric [4-77]<br />
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<b>I'm Still Standing: The Complete UK/US Singles 1978-80 (Disc 05)</b><span style="white-space: pre;"> </span><br />
74<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Ego [4-78]<br />
75<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Flinstone Boy [4-78]<br />
76<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Part-Time Love [11-78]<br />
77<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>I Cry at Night [11-78]<br />
78<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Song For Guy [45 Edit 11-78]<br />
79<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Lovesick [11-78]<br />
80<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Are You Ready For Love (Part 1) [4-79]<br />
81<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Are You Ready For Love (Part 2) [4-79]<br />
82<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Mama Can't Buy You Love [5-79]<br />
83<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Three Way Love Affair [5-79]<br />
84<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Victim Of Love (UK Single Version) [7-79]<br />
85<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Strangers [7-79]<br />
86<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Johnny B.Goode (Sinjgle Edit) [12-79]<br />
87<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Georgia [12-79]<br />
88<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Thunder in the Night (Single Edit) [12-79]<br />
89<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Little Jeannie [4-80]<br />
90<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Conquer The Sun [4-80]<br />
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<b>I'm Still Standing: The Complete UK/US Singles 1980-81 (Disc 06)</b><span style="white-space: pre;"><b> </b> </span><br />
91<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Sartorial Eloquence [7-80]<br />
92<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>White Man Danger [7-80]<br />
93<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Cartier [7-80]<br />
94<span style="white-space: pre;"> </span>Elton John & France Gail<span style="white-space: pre;"> </span>Les Aveaux [10-80]<br />
95<span style="white-space: pre;"> </span>Elton John & France Gall<span style="white-space: pre;"> </span>Donner Pour Donner [10-80]<br />
96<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Dear God [11-80]<br />
97<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Tactics [11-80]<br />
98<span style="white-space: pre;"> </span>Elton John Band with John Lennon<span style="white-space: pre;"> </span>I Saw Her Standing There (Live) [3-81]<br />
99<span style="white-space: pre;"> </span>Elton John Band with John Lennon<span style="white-space: pre;"> </span>Whatever Gets You Through The Night (Live) [3-81]<br />
100<span style="white-space: pre;"> </span>Elton John Band with John Lennon<span style="white-space: pre;"> </span>Lucy In The Sky With Diamonds (Live) [3-81]<br />
101<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Nobody Wins [4-81]<br />
102<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Fools In Fashion [4-81]<br />
103<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Just Like Belgium [7-81]<br />
104<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Can't Get Over Getting Over Losing You [7-81]<br />
105<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Chloe [7-81]<br />
106<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Tortured [7-81]<br />
107<span style="white-space: pre;"> </span>Elton John & Kiki Dee<span style="white-space: pre;"> </span>Loving You is Sweeter Than Ever (Single Version) [11-81]<br />
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<b>I'm Still Standing: The Complete UK/US Singles 1982-83 (Disc 07)</b><span style="white-space: pre;"><b> </b> </span><br />
108<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Blue Eyes [3-82]<br />
109<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Hey Papa Legba [3-82]<br />
110<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Empty Garden (Hey Hey Johnny) (Single Edit) [5-82]<br />
111<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Take Me Down To The Ocean [3-82]<br />
112<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Princess (Single Edit) [9-82]<br />
113<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>The Retreat [9-82]<br />
114<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>All Quiet On The Western Front (45 Edit) [11-82]<br />
115<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Ball & Chain (45 Edit) [11-82]<br />
116<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Where Have The Good Times Gone (Remix) [11-82]<br />
117<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>I'm Still Standing [4-83]<br />
118<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Love So Cold [4-83]<br />
119<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>I Guess That's Why They Call it the Blues [4-83]<br />
120<span style="white-space: pre;"> </span>Lord Choc Ice<span style="white-space: pre;"> </span>Choc Ice Goes Mental [4-83]<br />
121<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>I'm Still Standing (UK Extended Version) [7-83]<br />
122<span style="white-space: pre;"> </span>Lord Choc Ice<span style="white-space: pre;"> </span>Earn While You Learn [7-83]<br />
123<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Kiss The Bride (Single Edit) [10-83]<br />
124<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Dreamboat (Single Edit) [10-83]<br />
125<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Cold As Christmas (In the Middle of the Year) [11-83]<br />
126<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Crystal [11-83]<br />
127<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Sad Songs (Say So Much) (Single Version) [5-84]<br />
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<b>I'm Still Standing: The Complete UK/US Singles 1984-85 (Disc 08)</b><span style="white-space: pre;"> </span><br />
128<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>A Simple Man [5-84]<br />
129<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Passengers (Remix) [8-84]<br />
130<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Lonely Boy (Previously Unreleased) [8-84]<br />
131<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Who Wears These Shoes? (New Edited Version) [10-84]<br />
132<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Tortured (Previously Unavailable) [10-84]<br />
133<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>In Neon [11-84]<br />
134<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Tactics [11-84]<br />
135<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Breaking Hearts (Ain't What It Used to Be) [2-85]<br />
136<span style="white-space: pre;"> </span>Elton John & Millie Jackson<span style="white-space: pre;"> </span>Act Of War Part One (Single Remix) [6-84]<br />
137<span style="white-space: pre;"> </span>Elton John & Millie Jackson<span style="white-space: pre;"> </span>Act Of War Part 2 [6-84]<br />
138<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Nikita (Single Version) [9-85]<br />
139<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>The Man Who Never Died [9-85]<br />
140<span style="white-space: pre;"> </span>Dionne Warwick / Elton John / Gladys Knight / Stevie Wonder<span style="white-space: pre;"> </span>That's What Friends Are For [10-85]<br />
141<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Wrap Her Up (Single Version) [11-85]<br />
142<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Restless (Live) [11-85]<br />
143<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Too Low For Zero (live at Wembley Stadium, 1984) [11-85]<br />
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<b>I'm Still Standing: The Complete UK/US Singles 1986-88 (Disc 09)</b><span style="white-space: pre;"> </span><br />
144<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Cry To Heaven (Single Edit) [2-86]<br />
145<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Candy By The Pound [2-86]<br />
146<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Heartache All Over The World [9-86]<br />
147<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Highlander [9-86]<br />
148<span style="white-space: pre;"> </span>Elton John & Cliff Richard<span style="white-space: pre;"> </span>Slow Rivers [11-86]<br />
149<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Billy And The Kids [11-86]<br />
150<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Lord Of The Flies [11-86]<br />
151<span style="white-space: pre;"> </span>Jennifer Rush & Elton John<span style="white-space: pre;"> </span>Flames Of Paradise [5-87]<br />
152<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Your Song (live) [9-87]<br />
153<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Don't Let The Sun Go Down On Me (live) [9-87]<br />
154<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Candle In The Wind (live) [10-87]<br />
155<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Sorry Seems To Be The Hardest Word (live) [10-87]<br />
156<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Take Me To The Pilot (live Single Edit) [5-88]<br />
157<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Tonight (live Single Edit) [2-88]<br />
158<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>I Don't Wanna Go On With You Like That [5-88]<br />
159<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Rope Around a Fool [5-88]<br />
160<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Town of Plenty [8-88]<br />
161<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Whipping Boy [8-88]<br />
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<b>I'm Still Standing: The Complete UK/US Singles 1988-92 (Disc 10)</b><span style="white-space: pre;"> </span><br />
162<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>A Word In Spanish [9-88]<br />
163<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Heavy Traffic [9-88]<br />
164<span style="white-space: pre;"> </span>Aretha Franklin & Elton John<span style="white-space: pre;"> </span>Through The Storm [4-89]<br />
165<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Healing Hands (7'' Version) [8-89]<br />
166<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Dancing in the End Zone [8-89]<br />
167<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Sacrifice [10-89]<br />
168<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Love Is a Cannibal [10-89]<br />
169<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Club At The End Of The Street (US Single Version) [4-90]<br />
170<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Give Peace A Chance [4-90]<br />
171<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>You Gotta Love Someone [10-90]<br />
172<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Medicine Man [10-90]<br />
173<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Easier To Walk Away [12-90]<br />
174<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>I Swear I Heard The Night Talking [12-90]<br />
175<span style="white-space: pre;"> </span>Elton John & George Michael<span style="white-space: pre;"> </span>Don't Let The Sun Go Down On Me [11-91]<br />
176<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>The One [5-92]<br />
177<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Suit of Wolves [5-92]<br />
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<b>I'm Still Standing: The Complete UK/US Singles 1992-95 (Disc 11)</b><span style="white-space: pre;"> </span><br />
178<span style="white-space: pre;"> </span>Elton John & Eric Clapton<span style="white-space: pre;"> </span>Runaway Train [7-92]<br />
179<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Understanding Women (Extended Remix) [7-92]<br />
180<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>The Last Song [10-92]<br />
181<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>The Man Who Never Died (Remix) [10-92]<br />
182<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Simple Life (Edit) [3-93]<br />
183<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>The North [3-93]<br />
184<span style="white-space: pre;"> </span>Elton John & Kiki Dee<span style="white-space: pre;"> </span>True Love [11-93]<br />
185<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>The Show Must Go On (Recorded live at Wembley, London 1992) [11-93]<br />
186<span style="white-space: pre;"> </span>Elton John & RuPaul<span style="white-space: pre;"> </span>Don't Go Breaking My Heart [2-94]<br />
187<span style="white-space: pre;"> </span>Elton John & Marcella Detroit<span style="white-space: pre;"> </span>Ain't Nothing But The Real Thing [5-94]<br />
188<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Can You Feel The Love Tonight [6-94]<br />
189<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Can You Feel The Love Tonight (Instrumental) [6-94]<br />
190<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Circle of Life [8-94]<br />
191<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Believe [2-95]<br />
192<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>The One (Live) [2-95]<br />
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<b>I'm Still Standing: The Complete UK/US Singles 1996-98 (Disc 12)</b><span style="white-space: pre;"> </span><br />
193<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Made In England (Edit) [5-95]<br />
194<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Lucy In The Sky With Diamonds (Live -1974) (1995 Remix) [5-95]<br />
195<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Blessed [1995]<br />
196<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Latitude [1995]<br />
197<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Please [1996]<br />
198<span style="white-space: pre;"> </span>Elton John & Luciano Pavarotti<span style="white-space: pre;"> </span>Live Like Horses (Studio Version) [12-96]<br />
199<span style="white-space: pre;"> </span>Elton John & Luciano Pavarotti<span style="white-space: pre;"> </span>Live Like Horses (Live Finale Version) [12-96]<br />
200<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>You Can Make History (Young Again) [10-96]<br />
201<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Something About The Way You Look Tonight [9-97]<br />
202<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>No Valentines [9-97]<br />
203<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>I Know Why I'm In Love [9-97]<br />
204<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Candle In The Wind 1997 [9-97]<br />
205<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Recover Your Soul (single remix) [4-98]<br />
206<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Big Man In A Little Suit [4-98]<br />
207<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>I Know Why I'm In Love [4-98]<br />
208<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>If The River Can Bend (BF Single Edit) [1998]<br />
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<b>I'm Still Standing: The Complete UK/US Singles 1999-04 (Disc 13)</b><span style="white-space: pre;"> </span><br />
209<span style="white-space: pre;"> </span>Elton John and LeAnn Rimes<span style="white-space: pre;"> </span>Written In The Stars [2-99]<br />
210<span style="white-space: pre;"> </span>Elton John, Heather Headley and Sherrie Scott<span style="white-space: pre;"> </span>A Step Too Far [1999]<br />
211<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Someday Out Of The Blue (Theme From El Dorado) [2000]<br />
212<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Friends Never Say Goodbye [2000]<br />
213<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>I Want Love [2001]<br />
214<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>The North Star [2001]<br />
215<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>This Train Don't Stop There Anymore [2001]<br />
216<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Did Anybody Sleep With Joan Of Arc [2001]<br />
217<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Original Sin [4-02]<br />
218<span style="white-space: pre;"> </span>Elton John & Alessandro Safina<span style="white-space: pre;"> </span>Your Song [2002]<br />
219<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Your Song (instrumental) [2002]<br />
220<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Are You Ready For Love (Radio Edit) [2003]<br />
221<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Three Way Love Affair [2003]<br />
222<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>The Heart Of Every Girl [2003]<br />
223<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>All That I'm Allowed (I'm Thankful) [2004]<br />
224<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Nice And Slow [2004]<br />
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<b>I'm Still Standing: The Complete UK/US Singles 2005-13 (Disc 14)</b><span style="white-space: pre;"> </span><br />
225<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Turn The Lights Out When You Leave (Radio Edit) [2005]<br />
226<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Things Only Get Better With Love [2005]<br />
227<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Electricity [7-05]<br />
228<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Bite Your Lip (Get Up And Dance) (Live '04) [2005]<br />
229<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>The Bridge [2006]<br />
230<span style="white-space: pre;"> </span>Pet Shop Boys feat. Elton John<span style="white-space: pre;"> </span>In Private (Tomcraft 7'' Mix) [7-2006]<br />
231<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Tinderbox [2006]<br />
232<span style="white-space: pre;"> </span>The Killers feat. Elton John & Neil Tennant<span style="white-space: pre;"> </span>Joseph, Better You Than Me [12-08]<br />
233<span style="white-space: pre;"> </span>Ironik feat. Chipmunk & Elton John<span style="white-space: pre;"> </span>Tiny Dancer (Hold Me Closer) (Radio Edit) [2009]<br />
234<span style="white-space: pre;"> </span>Elton John & Leon Russel<span style="white-space: pre;"> </span>Hey Ahab [10-10]<br />
235<span style="white-space: pre;"> </span>Elton John & Leon Russel<span style="white-space: pre;"> </span>If It Wasn't For Bad [10-10]<br />
236<span style="white-space: pre;"> </span>Elton John & Leon Russel<span style="white-space: pre;"> </span>A Dream Come True [10-10]<br />
237<span style="white-space: pre;"> </span>Elton John vs Pnau<span style="white-space: pre;"> </span>Sad [2012]<br />
238<span style="white-space: pre;"> </span>Elton John vs Pnau<span style="white-space: pre;"> </span>Good Morning To The Night [2012]<br />
239<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Home Again [2013]<br />
240<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Can't Stay Alone Tonight [2013]<br />
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<b>I'm Still Standing: The Complete UK/US Singles 2015-20 (Disc 15)</b><span style="white-space: pre;"><b> </b> </span><br />
241<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Mexican Vacation (Kids In the Candelelight) [2014]<br />
242<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Voyeur [2014]<br />
243<span style="white-space: pre;"> </span>Bright Light Bright Light and Elton John<span style="white-space: pre;"> </span>I Wish We Were Leaving (Promo Single) [2014]<br />
244<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Wonderful Crazy Night [2015]<br />
245<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Looking Up (Promo Single) [2015]<br />
246<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Blue Wonderful [2015]<br />
247<span style="white-space: pre;"> </span>Bright Light Bright Light feat. Elton John<span style="white-space: pre;"> </span>Symmetry Of Two Hearts [2016]<br />
248<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>A Good Heart [2016]<br />
249<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>In the Name of You [2016]<br />
250<span style="white-space: pre;"> </span>Elton John & Jack White<span style="white-space: pre;"> </span>2 Fingers Of Whiskey [2017]<br />
251<span style="white-space: pre;"> </span>Bright Light Bright Light feat. Elton John<span style="white-space: pre;"> </span>Running Back to You (Junotrix Remix) [Radio Edit] [2017]<br />
252<span style="white-space: pre;"> </span>Elton John & Taron Egerton<span style="white-space: pre;"> </span>(I'm Gonna) Love Me Again [2019]<br />
253<span style="white-space: pre;"> </span>Elton John<span style="white-space: pre;"> </span>Never Too Late [7-19]<br />
254<span style="white-space: pre;"> </span>Ozzy Osbourne (Feat. Elton John)<span style="white-space: pre;"> </span>Ordinary Man [1-20]<br />
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Parts 1-2 <a href="https://yadi.sk/d/ReWDfUw0t4ay9g" target="_blank">Yandex</a><br />
<a href="https://www88.zippyshare.com/v/UbLcUOL4/file.html" target="_blank">Zippy</a><br />
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Parts 3-4-5 <a href="https://yadi.sk/d/8Omd7GgbSk7gpw" target="_blank">Yandex</a><br />
<a href="https://www88.zippyshare.com/v/GD3H1bA6/file.html" target="_blank">Zippy</a><br />
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Parts 6-7 <a href="https://yadi.sk/d/--mlQNkAm5hi3g" target="_blank">Yandex</a><br />
<a href="https://www88.zippyshare.com/v/y04KrfQB/file.html" target="_blank">Zippy</a><br />
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Parts 8-9 <a href="https://yadi.sk/d/H9aKiF7CMlM0Pw" target="_blank">Yandex</a><br />
<a href="https://www88.zippyshare.com/v/S55TPI45/file.html" target="_blank">Zippy</a><br />
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Parts 10-11-12 <a href="https://yadi.sk/d/HjVd7F_d5gtjXQ" target="_blank">Yandex</a><br />
<a href="https://www88.zippyshare.com/v/8DZ9RrJl/file.html" target="_blank">Zippy</a><br />
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Parts 13-14-15 <a href="https://yadi.sk/d/2plYypR6dVtlYQ" target="_blank">Yandex</a><br />
<a href="https://www88.zippyshare.com/v/X9bToPuz/file.html" target="_blank">Zippy</a><br />
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<br />Blank Frankhttp://www.blogger.com/profile/10422157939508053534noreply@blogger.com26tag:blogger.com,1999:blog-1915465523817670126.post-50770931480851787572020-02-13T02:38:00.001-08:002020-02-15T04:56:59.987-08:00Jethro Tull - With You There To Help Me: The Singles and EPs 1967-99<div class="separator" style="clear: both; text-align: center;">
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Another Tull compilation? There have been too damn many box sets and greatest hits collections that recycle the same material. Further, with the Steven Wilson deluxe reissues they take a deep dive into each album. Sometimes it seems too deep, at least for me. This collection evens out both and creates an even-handed view of their career through 1999, including some material that even Steven Wilson missed. By putting the focus on the singles and EPs, Ian Anderson's and Jethro Tull's career comes into perspective.<br />
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This comp may actually "wind-up" in Ian's hands: I scored front row tix for Mr. Anderson and his current crew and I hope to share this with him via a flash drive after the show. The last time I saw him was 3 of the 4 nights they played at the Forum during the Passion Play tour in '73. I celebrated by taking different drugs each night I went. Those were the days!<br />
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So, I really tried to get the actual single mixes/edits and when I couldn't, I researched and did the best I could to recreate them. you'd think that with the Steven Wilson reissues, it'd be easy to find them all, but that definitely wasn't the case. So when you see these as "BF Edit or some such with "BF" in it, I had to get creative. When the comp enters the CD era, I included all of those tracks included on the CD Eps. Is it too long? Did I forget anything? Please let me know what you think! All @320 with original labels/sleeves embedded! I also went through and put stars [**] next to the tracks that are not currently commercially available on CD.<br />
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Please note on 15 February part three (only), has been upgraded with 2 tracks and added ten more total added. Thanks a bunch Colin!<br />
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Dedicated to my old friend James Thomas!<br />
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1<span style="white-space: pre;"> </span>Sunshine Day (UK Mono Single Version) [2-68]<span style="white-space: pre;"> </span><br />
2<span style="white-space: pre;"> </span>Aeroplane (UK Mono Single Version) [2-68]<span style="white-space: pre;"> </span><br />
3<span style="white-space: pre;"> </span>A Song for Jeffrey (UK Mono Single Version) [9-68]<span style="white-space: pre;"> </span><br />
4<span style="white-space: pre;"> </span>One for John Gee (UK Mono Single Version) [9-68]<span style="white-space: pre;"> </span><br />
5<span style="white-space: pre;"> </span>Love Story (UK Mono Single Version) [11-68]<span style="white-space: pre;"> </span><br />
6<span style="white-space: pre;"> </span>A Christmas Song (UK Mono Single Version) [11-68]<span style="white-space: pre;"> </span><br />
7<span style="white-space: pre;"> </span>Living In The Past (UK Mono Single Version) [5-69]<span style="white-space: pre;"> </span><br />
8<span style="white-space: pre;"> </span>Driving Song (UK Mono Single Version) [5-69]<span style="white-space: pre;"> </span><br />
9<span style="white-space: pre;"> </span>Bouree (Netherlands Single) [10-69]<span style="white-space: pre;"> </span><br />
10<span style="white-space: pre;"> </span>Look Into The Sun (Netherlands Single) [10-69]<span style="white-space: pre;"> </span><br />
11<span style="white-space: pre;"> </span>Sweet Dream (UK Mono Single Version) [10-69]<span style="white-space: pre;"> </span><br />
12<span style="white-space: pre;"> </span>17 (UK Mono Single Version) [10-69] **<span style="white-space: pre;"> </span><br />
13<span style="white-space: pre;"> </span>Back To The Family (US Sweet Dream Mono Single B-Side) [1-70]<span style="white-space: pre;"> </span><br />
14<span style="white-space: pre;"> </span>The Teacher (UK Mono Single Version) [1-70]<span style="white-space: pre;"> </span><br />
15<span style="white-space: pre;"> </span>The Witch's Promise (Mono Euro Single Version) [1-70]<span style="white-space: pre;"> </span><br />
16<span style="white-space: pre;"> </span>Inside (UK Mono Single Edit) [5-70]<span style="white-space: pre;"> </span><br />
17<span style="white-space: pre;"> </span>Alive And Well And Living In (UK Mono Single Version) [5-70]<span style="white-space: pre;"> </span><br />
18<span style="white-space: pre;"> </span>Teacher (US Single Version Not Speed Corrected) [3-70]<span style="white-space: pre;"> </span>**<br />
19<span style="white-space: pre;"> </span>A Time For Everything (US Inside Mono B-Side) [6-70]<span style="white-space: pre;"> </span>**<br />
20<span style="white-space: pre;"> </span>Lick Your Fingers Clean (Withdrawn UK Single) [1971]<span style="white-space: pre;"> </span><br />
21<span style="white-space: pre;"> </span>Up To Me (Withdrawn UK Single) [1971]<span style="white-space: pre;"> </span><br />
22<span style="white-space: pre;"> </span>Hymn 43 (US Mono Single) [6-71]<span style="white-space: pre;"> </span>**<br />
23<span style="white-space: pre;"> </span>Mother Goose (US Mono Single) [6-71] **<span style="white-space: pre;"> </span><br />
24<span style="white-space: pre;"> </span>Locomotive Breath (US Single Version BF Edit) [12-71] **<br />
25<span style="white-space: pre;"> </span>Wind-Up (US Single Version BF Edit) [12-71] **<br />
26<span style="white-space: pre;"> </span>Life Is A Long Song (UK EP) [9-71]<span style="white-space: pre;"> </span><br />
27<span style="white-space: pre;"> </span>Up The 'Pool (UK EP) [9-71]<span style="white-space: pre;"> </span><br />
28<span style="white-space: pre;"> </span>Dr. Bogenbroom (UK EP) [9-71]<span style="white-space: pre;"> </span><br />
29<span style="white-space: pre;"> </span>For Later (UK EP) [9-71]<span style="white-space: pre;"> </span><br />
30<span style="white-space: pre;"> </span>Nursie (UK EP) [9-71]<span style="white-space: pre;"> </span><br />
31<span style="white-space: pre;"> </span>Living In The Past (US Stereo Single) [10-72]<span style="white-space: pre;"> </span><br />
32<span style="white-space: pre;"> </span>Christmas Song (US Stereo Single) [10-72]<span style="white-space: pre;"> </span><br />
33<span style="white-space: pre;"> </span>Thick As A Brick (Part One) (French Single Edit) [1972]<span style="white-space: pre;"> </span>**<br />
34<span style="white-space: pre;"> </span>Thick As A Brick (Part Two) (French Single Edit) [1972]<span style="white-space: pre;"> </span><br />
35<span style="white-space: pre;"> </span>A Passion Play (Edit 8) (US Single Edit) [4-73]<span style="white-space: pre;"> </span>**<br />
36<span style="white-space: pre;"> </span>A Passion Play (Edit 9) (US Single Version) [4-73] **<span style="white-space: pre;"> </span><br />
37<span style="white-space: pre;"> </span>A Passion Play (Edit 10) (US Single Edit) [9-73] **<span style="white-space: pre;"> </span><br />
38<span style="white-space: pre;"> </span>A Passion Play (Edit 6) (US Single Edit) [9-73]<span style="white-space: pre;"> </span>**<br />
39<span style="white-space: pre;"> </span>Bungle In The Jungle (US/UK Single) [9-74]<span style="white-space: pre;"> </span><br />
40<span style="white-space: pre;"> </span>Back-Door Angels (US/UK Single) [9-74]<span style="white-space: pre;"> </span><br />
41<span style="white-space: pre;"> </span>Skating Away On The Thin Ice Of The New Day (US Single Edit) [2-75]<span style="white-space: pre;"> </span><br />
42<span style="white-space: pre;"> </span>Sealion (US Single) [2-75]<span style="white-space: pre;"> </span><br />
43<span style="white-space: pre;"> </span>Minstrel In The Gallery (US/UK Single Edit) [8-75]<span style="white-space: pre;"> </span><br />
44<span style="white-space: pre;"> </span>Summerday Sands (US/UK Single) [8-75]<span style="white-space: pre;"> </span><br />
45<span style="white-space: pre;"> </span>Requiem (UK Living In The Past B-Side) [1-76]<span style="white-space: pre;"> </span><br />
46<span style="white-space: pre;"> </span>Too Old To Rock'n'Roll Too Young To Die (Edited Version) (US Single) [4-76] **<span style="white-space: pre;"> </span><br />
47<span style="white-space: pre;"> </span>Bad-Eyed And Loveless (US Single B-Side) [4-76]<span style="white-space: pre;"> </span><br />
48<span style="white-space: pre;"> </span>Rainbow Blues (UK Single B-Side) [3-76]<span style="white-space: pre;"> </span><br />
49<span style="white-space: pre;"> </span>Ring Out, Solstice Bells (UK EP) [11-76]<span style="white-space: pre;"> </span><br />
50<span style="white-space: pre;"> </span>March, The Mad Scientist (UK EP) [11-76]<span style="white-space: pre;"> </span><br />
51<span style="white-space: pre;"> </span>Pan Dance (UK EP) [11-76]<span style="white-space: pre;"> </span><br />
52<span style="white-space: pre;"> </span>The Whistler (UK/US Single) [2-77]<span style="white-space: pre;"> </span><br />
53<span style="white-space: pre;"> </span>Strip Cartoon (UK/US Single) [2-77]<span style="white-space: pre;"> </span><br />
54<span style="white-space: pre;"> </span>Moths (UK Single) [3-78]<span style="white-space: pre;"> </span><br />
55<span style="white-space: pre;"> </span>Beltane (UK Single Withdrawn) [3-78]<span style="white-space: pre;"> </span><br />
56<span style="white-space: pre;"> </span>A Stitch In Time (UK Long Single Version) [10-78] <span style="white-space: pre;"> </span><br />
57<span style="white-space: pre;"> </span>Sweet Dream (Live) (UK BF Single Edit) [10-78]<span style="white-space: pre;"> </span>**<br />
58<span style="white-space: pre;"> </span>North Sea Oil (UK Single) [10-79]<span style="white-space: pre;"> </span><br />
59<span style="white-space: pre;"> </span>Elegy (UK Single) [10-79]<span style="white-space: pre;"> </span><br />
60<span style="white-space: pre;"> </span>Home (US Single) [1979]<span style="white-space: pre;"> </span><br />
61<span style="white-space: pre;"> </span>Warm Sporran (US Single) [1979]<span style="white-space: pre;"> </span><br />
62<span style="white-space: pre;"> </span>King Henry's Madrigal (UK Single B-Side) [10-79]<span style="white-space: pre;"> </span><br />
63<span style="white-space: pre;"> </span>Working John, Working Joe (UK Single BF Edit) [10-80] **<br />
64<span style="white-space: pre;"> </span>Fylingdale Flyer (UK Single) [10-80]<span style="white-space: pre;"> </span><br />
65<span style="white-space: pre;"> </span>Fallen On Hard Times (UK Single) [5-82]<span style="white-space: pre;"> </span><br />
66<span style="white-space: pre;"> </span>Broadsword (UK Single BF Edit) [5-82]<span style="white-space: pre;"> </span>**<br />
67<span style="white-space: pre;"> </span>Watching Me Watching You (German B-Side) [4-82]<span style="white-space: pre;"> </span><br />
68<span style="white-space: pre;"> </span>Pussy Willow (UK Single B-Side) [7-82}<span style="white-space: pre;"> </span><br />
69<span style="white-space: pre;"> </span>Beastie (German B-Side) [9-82]<span style="white-space: pre;"> </span><br />
70<span style="white-space: pre;"> </span>Fly By Night [11-83]<span style="white-space: pre;"> </span><br />
71<span style="white-space: pre;"> </span>End Game (UK Single) [11-83]<span style="white-space: pre;"> </span><br />
72<span style="white-space: pre;"> </span>Lap Of Luxury (UK Single) [9-84]<span style="white-space: pre;"> </span><br />
73<span style="white-space: pre;"> </span>Astronomy (UK Single) [9-84]<span style="white-space: pre;"> </span><br />
74<span style="white-space: pre;"> </span>Bouree (US Single BF Edit) [1985] **<span style="white-space: pre;"> </span><br />
75<span style="white-space: pre;"> </span>Elegy (US Single) [1985]<span style="white-space: pre;"> </span><br />
76<span style="white-space: pre;"> </span>Coronach (UK Single) [6-86]<span style="white-space: pre;"> </span><br />
77<span style="white-space: pre;"> </span>Jack Frost And The Hooded Crow (UK Single) [6-86]<span style="white-space: pre;"> </span><br />
78<span style="white-space: pre;"> </span>Steel Monkey (UK/US Single) [9-87]<span style="white-space: pre;"> </span><br />
79<span style="white-space: pre;"> </span>Down At The End Of Your Road (UK/US Single) [9-87]<span style="white-space: pre;"> </span><br />
80<span style="white-space: pre;"> </span>Said She Was A Dancer (UK Single) [1-88]<span style="white-space: pre;"> </span><br />
81<span style="white-space: pre;"> </span>Dogs In The Midwinter (UK Single BF Edit) [1-88] **<span style="white-space: pre;"> </span><br />
82<span style="white-space: pre;"> </span>Thick As A Brick (US Live Promo Version BF Edit) [1988]<span style="white-space: pre;"> </span>**<br />
83<span style="white-space: pre;"> </span>Stormy Monday Blues (Part Of The Machine CD EP) [1989]<span style="white-space: pre;"> </span><br />
84<span style="white-space: pre;"> </span>Minstrel In The Gallery (Part Of The Machine CD EP) [1989]<span style="white-space: pre;"> </span><br />
85<span style="white-space: pre;"> </span>Farm On The Freeway (Part Of The Machine CD EP) [1989]<span style="white-space: pre;"> </span><br />
86<span style="white-space: pre;"> </span>Part Of The Machine (Edit) (Part Of The Machine CD EP) [1989] **<span style="white-space: pre;"> </span><br />
87<span style="white-space: pre;"> </span>Kissing Willie (German Single) [1989]<span style="white-space: pre;"> </span><br />
88<span style="white-space: pre;"> </span>Heavy Water (German Single) [1989]<span style="white-space: pre;"> </span><br />
89<span style="white-space: pre;"> </span>Another Christmas Song (UK Another Christmas CD EP) [1989]<span style="white-space: pre;"> </span><br />
90<span style="white-space: pre;"> </span>Christmas Song (UK Another Christmas CD EP) [1989]<span style="white-space: pre;"> </span><br />
91<span style="white-space: pre;"> </span>Cheap Day Return / Mother Goose (UK Another Christmas CD EP) [1989]<span style="white-space: pre;"> </span><br />
92<span style="white-space: pre;"> </span>Locomotive Breath (UK Another Christmas CD EP) [1989]<span style="white-space: pre;"> </span><br />
93<span style="white-space: pre;"> </span>This Is Not Love (UK CD Single) [8-91]<span style="white-space: pre;"> </span><br />
94<span style="white-space: pre;"> </span>Night In The Wilderness (UK CD Single) [8-91]<span style="white-space: pre;"> </span><br />
95<span style="white-space: pre;"> </span>Jump Start (Live) (UK CD Single) [8-91]<span style="white-space: pre;"> </span><br />
96<span style="white-space: pre;"> </span>Still Loving You Tonight (Euro CD Single) [9-91]<span style="white-space: pre;"> </span><br />
97<span style="white-space: pre;"> </span>Rocks On The Road (Album Version) (Rocks On The Road CD EP #1) [3-92]<span style="white-space: pre;"> </span><br />
98<span style="white-space: pre;"> </span>Jack A Lynn (Home Demo, 1981) (Rocks On The Road CD EP #1) [3-92] **<span style="white-space: pre;"> </span><br />
99<span style="white-space: pre;"> </span>Tall Thin Girl (Recorded At WMMR FM, Philadelphia, August 21, 1991) (Rocks On The Road CD EP #1) [3-92] **<span style="white-space: pre;"> </span><br />
100<span style="white-space: pre;"> </span>Fat Man (Live On Rockline, KLOS-FM, Los Angeles, August 26, 1991) (Rocks On The Road CD EP #1) [3-92]<span style="white-space: pre;"> **</span><br />
101<span style="white-space: pre;"> </span>Rocks On The Road (Recorded At WMMR FM, Philadelphia, August 21, 1991) (Rocks On The Road CD EP #2) [3-92]<span style="white-space: pre;"> </span><br />
102<span style="white-space: pre;"> </span>Bouree (Recorded At WMMR FM, Philadelphia, August 21, 1991) (Rocks On The Road CD EP #2) [3-92] **<span style="white-space: pre;"> </span><br />
103<span style="white-space: pre;"> </span>Mother Goose - Jack-A-Lynn (Live In New York , NBC TV Studios, August 20, 1991) **<br />
104<span style="white-space: pre;"> </span>Aqualung - Locomotive Breath (Live In New York , NBC TV Studios, August 20, 1991) (Rocks On The Road CD EP #2) [3-92] **<br />
105<span style="white-space: pre;"> </span>A Christmas Song (Live In Isreal) (US Promo) [1992<span style="white-space: pre;"> </span><br />
106<span style="white-space: pre;"> </span>Some Day The Sun Won't Shine For You (UK Promo) [1992]<span style="white-space: pre;"> </span><br />
107<span style="white-space: pre;"> </span>Living In The Past (UK Promo) [1992]<span style="white-space: pre;"> </span><br />
108<span style="white-space: pre;"> </span>Hard Liner (US B-side) [1993]<span style="white-space: pre;"> </span><br />
109<span style="white-space: pre;"> </span>In The Moneylender's Temple (US Promo EP) [1995]<span style="white-space: pre;"> </span><br />
110<span style="white-space: pre;"> </span>In The Pay Of Spain (US Promo EP) [1995]<span style="white-space: pre;"> </span><br />
111<span style="white-space: pre;"> </span>In The Grip Of Stronger Stuff (US Promo EP) [1995]<span style="white-space: pre;"> </span><br />
112<span style="white-space: pre;"> </span>In Sight Of The Minaret (US Promo EP) [1995]<span style="white-space: pre;"> </span><br />
113 Living In The (Slightly More Recent) Past (Live) (UK CD EP] [1993] **<br />
114 Silver River Turning (UK CD EP] [1993]<br />
115 Rosa On The Factory Floor (UK CD EP] [1993]<br />
116 I Don't Want To Be Me (UK CD EP] [1993]<br />
117 Truck Stop Runner (UK CD EP] [1993]<br />
118 Piece Of Cake (UK CD EP] [1993]<br />
119 Man Of Principle (UK CD EP] [1993]<br />
120 Rare And Precious Chain (UK Promo CD) [1995]<br />
121 This Free Will (UK Promo CD) [1995]<br />
122 Roots To Branches (US Promo CD) [1995]<br />
123 Beside Myself (US Promo CD) [1995]<br />
124 Bends Like A Willow [Edit] (UK CD Single) [12-99]<br />
125 Dot Com [Edit] (UK CD Single) [12-99] **<br />
126 It All Trickles Down (UK CD Single) [12-99] **<br />
127 Spiral (US Single) [1999]<br />
128 Wicked Windows (US Single) [1999]<span style="white-space: pre;"> </span><br />
<br />
Part One:<br />
<a href="https://www116.zippyshare.com/v/ZTtE6S0Q/file.html" target="_blank">Zippy</a><br />
<a href="https://yadi.sk/d/R8fxU4nkfAJu-Q" target="_blank">Yandex</a><br />
<br />
Part Two:<br />
<a href="https://www90.zippyshare.com/v/1RozLI1E/file.html" target="_blank">Zippy</a><br />
<a href="https://yadi.sk/d/qT3yQc_P-TEjmg" target="_blank">Yandex</a><br />
<br />
Part Three:<br />
<a href="https://www10.zippyshare.com/v/Jn66EQwi/file.html" target="_blank">Zippy (Revised 15 Feb)</a><br />
<a href="https://yadi.sk/d/l4FMPBuglBrpAA" target="_blank">Yandex (Revised 15 Feb)</a><br />
<br />Blank Frankhttp://www.blogger.com/profile/10422157939508053534noreply@blogger.com21tag:blogger.com,1999:blog-1915465523817670126.post-30620177908320056332020-02-04T23:36:00.000-08:002020-02-05T10:47:49.277-08:00Bob D*Y*L*A*N - Judas! (The Complete 1965-66 Recordings) Part Five<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9Jc2-VkcaS1el95Y_i8wMbcLr1aS55kJlxXf4rBP134ySyWw7DHe_TT939jpITNW5FNZDHVKg0Kqxsxbgi-3ZGd9wmQs1S7aY9AeMOVwNy3qnHfmD0AXE-DFXgJW-ntdj9DRS71ynU6lZ/s1600/CCF02082014_00000.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1578" data-original-width="1600" height="315" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9Jc2-VkcaS1el95Y_i8wMbcLr1aS55kJlxXf4rBP134ySyWw7DHe_TT939jpITNW5FNZDHVKg0Kqxsxbgi-3ZGd9wmQs1S7aY9AeMOVwNy3qnHfmD0AXE-DFXgJW-ntdj9DRS71ynU6lZ/s320/CCF02082014_00000.jpg" width="320" /></a></div>
<br />
Finishing up the set are the last five parts, including the very end of the UK tour, Blond On Blond, the final singles (with correct mixes/edits) and ending with a surprise, a decent copy of the Eat The Document film. Note about G(oogle)-Drive: if you choose this option, you'll need to unzip it twice. This was necessary to keep the links active.<br />
<br />
Once again, if you have any material to add, please share it. ithinkiknowofthee@yahoo.com If there are any errors, let me know in comments and I'll get them fixed ASAP. For you Dylanologists (almost reads like gynecologist, doesn't it?) out there, thanks for your understanding and support for this set.<br />
<br />
Dedicated to my son Derek, who caused me to reexamine and renew my appreciation of Bob.<br />
<br />
Part Twenty-Five:<br />
19660520 - Edinburgh [SNB]<br />
19660521 - Newcastle [SNB]<br />
19660523 - Press Conference Paris<br />
<a href="https://yadi.sk/d/9PBRbWKSq5xChA" target="_blank">Yandex</a><br />
<a href="https://www113.zippyshare.com/v/ZbiJZMlp/file.html" target="_blank">Zippy</a><br />
<a href="https://drive.google.com/open?id=1njrs0SJFoTK7k6h7SpQX9_WvuAnngFRR" target="_blank">G-Drive</a><br />
<br />
Part Twenty-Six:<br />
19660524 - Paris [SNB]<br />
19660526 - London [CBS]<br />
<a href="https://yadi.sk/d/7jU0YJRZ5vtVAA" target="_blank">Yandex</a><br />
<a href="https://www113.zippyshare.com/v/ruv8rDPM/file.html" target="_blank">Zippy</a><br />
<a href="https://drive.google.com/open?id=1vTWEt7dBlJUYgdVl3o84vqRX5nnq_nxp" target="_blank">G-Drive</a><br />
<br />
Part Twenty- Seven:<br />
19660527 - London [CBS]<br />
196604xx05xx - Eat The Document Soundtrack<br />
19660610 - US Single Columbia 4-43683<br />
<a href="https://yadi.sk/d/tfbteGRTo8P9lg" target="_blank">Yandex</a><br />
<a href="https://www113.zippyshare.com/v/T2rtaPRz/file.html" target="_blank">Zippy</a><br />
<a href="https://drive.google.com/open?id=18izVEifFo3RsoMyZ-QYE17UeRycJSntz" target="_blank">G-Drive</a><br />
<br />
Part Twenty- Eight:<br />
19660620 - US LP Blond On Blond COL C2L-41 [Mono/Stereo]<br />
<a href="https://yadi.sk/d/ziC9EYNwCt_TpQ" target="_blank">Yandex</a><br />
<a href="https://www113.zippyshare.com/v/TRGgARjv/file.html" target="_blank">Zippy</a><br />
<a href="https://drive.google.com/open?id=1u8WAWuhv_ZeBOXp6rYGsbtZ7YCzoLC5K" target="_blank">G-Drive</a><br />
<br />
Part Twenty- Nine:<br />
19660818 - US Single Columbia 4-43792<br />
19670115 - Dutch Single CBS 2921<br />
19670424 - US Single Columbia 4-44069<br />
ART - Articles<br />
<a href="https://yadi.sk/d/oPsa8w0KghIxew" target="_blank">Yandex</a><br />
<a href="https://www92.zippyshare.com/v/jCUwwoID/file.html" target="_blank">Zippy</a><br />
<a href="https://drive.google.com/open?id=1dB7gPxNvkelwwUG4vOo-PxyLfIREDI1O" target="_blank">G-Drive</a><br />
<br />
Part Thirty:<br />
Eat The Document (Complete Film)<br />
<a href="https://yadi.sk/d/7WjN-DbEfUMkSA" target="_blank">Yandex</a><br />
<a href="https://drive.google.com/open?id=19ifyFdlqTGT4esEQQzIRoGWFjWF6ExEN" target="_blank">G-Drive</a><br />
NO Zippy - too large!<br />
<br />
BTW, you might be interested in <a href="https://and-your-bird-can-swing.blogspot.com/2019/06/bob-side-tracks-deluxe-expanded-bf.html" target="_blank">my deluxe expanded edition of Bob's Side Tracks HERE</a><br />
<br />Blank Frankhttp://www.blogger.com/profile/10422157939508053534noreply@blogger.com20tag:blogger.com,1999:blog-1915465523817670126.post-41454728776066136822020-02-03T23:46:00.002-08:002020-02-03T23:46:38.733-08:00Bob D*Y*L*A*N - Judas! (The Complete 1965-66 Recordings) Part Four<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjV5884LGBzE87hcJCgyFBKcY62Z7A9tOrrTrpfSgYtigV5FMjgVhr8CMXvhHMpdFZ-jtilBYc-pf8_XdBpQ2XGfQCNq8xPngDrjpWwf2u1p_FWHrcf75NWl0kPpfJEV-sUJwpZxlYdTP95/s1600/folder.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjV5884LGBzE87hcJCgyFBKcY62Z7A9tOrrTrpfSgYtigV5FMjgVhr8CMXvhHMpdFZ-jtilBYc-pf8_XdBpQ2XGfQCNq8xPngDrjpWwf2u1p_FWHrcf75NWl0kPpfJEV-sUJwpZxlYdTP95/s400/folder.jpg" width="400" /></a></div>
This seems like a good time to remind that Judas! is both an archive and something to be enjoyed without the difficulty/annoyance of having to search for and change discs. If you want to choose your Dylan concerts/sessions while on a long drive or having a BBQ here it is. I believe Judas! to be virtually complete today. But tomorrow it might not be. This is why Willard was willing to dedicate a separate Wormhole to this project before he closed up shop. If you have an upgrade or something missing (of musical value - Joan Baez singing while Dylan types doesn't count. Nor does hearing his harmonica playing in the background while someone else is being interviewed) please share. FLAC, WAV or 320 is preferred. Once I receive it, I will convert, tag the file to match the rest of the collection, and post the update/upgrade as a separate post.<br />
<br />
Furthermore, when it comes to music, I consider myself knowledgeable but definitely not an expert. Dylan especially. The benefits (for me) of putting together these collections are researching, exploring learning and then sharing. If you find an error or omission - or even better yet something to add - please share. ithinkiknowofthee@yahoo.com<br />
<br />
PS Goggle drive links added!<br />
<br />
Part Nineteen:<br />
19660420 - Melbourne [SNB]<br />
19660421 - Interview R. Caldwell Adelaide<br />
19660428 - Press Conference Stockholm<br />
19660429 - Stockholm [AUD]<br />
19660501 - Copenhagen [SNB]<br />
19660503 - Press Conference<br />
<a href="https://yadi.sk/d/MvYDLrirgoxS0g" target="_blank">Yandex</a><br />
<a href="https://www113.zippyshare.com/v/SYzOPAix/file.html" target="_blank">Zippy</a><br />
<a href="https://drive.google.com/open?id=1dJmYbr9_Vgq4bWAORZgZ4ZrbO9EOfUMP" target="_blank">G-Drive</a><br />
<br />
Part Twenty<br />
19660505 -Adelphi Theatre, Dublin Ireland [SNB]<br />
19660506 - Belfast [SNB]<br />
<a href="https://yadi.sk/d/eu6f_-hgEKVgWw" target="_blank">Yandex</a><br />
<a href="https://www113.zippyshare.com/v/324s9qus/file.html" target="_blank">Zippy</a><br />
<a href="https://drive.google.com/open?id=1mqEGIdU-lfWc-QdQBbrbhPRNCvJJgrWW" target="_blank">G-Drive</a><br />
<br />
Part Twenty-One<br />
19660510 - Colston Hall Bristol [SNB]<br />
19660511 - Cardiff [SNB]<br />
<a href="https://yadi.sk/d/wAs2kUcq9WYK8w" target="_blank">Yandex</a><br />
<a href="https://www113.zippyshare.com/v/IHKSDtmv/file.html" target="_blank">Zippy</a><br />
<a href="https://drive.google.com/open?id=1HrJvEpYTJOAY400ItLNbF6XGpogsFc5P" target="_blank">G-Drive</a><br />
<br />
Part Twenty-Two<br />
19660512 - Birmingham [SNB]<br />
19660513 - North British Station Hotel Glasgow<br />
19660514 - Liverpool [SNB]<br />
<a href="https://yadi.sk/d/PbfnEZkrHiryWA" target="_blank">Yandex</a><br />
<a href="https://www113.zippyshare.com/v/DdvCWbAo/file.html" target="_blank">Zippy</a><br />
<a href="https://drive.google.com/open?id=18K6_2su-S9iAM66PGFn3imUQ8J2PiGxN" target="_blank">G-Drive</a><br />
<br />
Part Twenty-Three<br />
19660515 - Leicester [SNB]<br />
19660516 - Sheffield [CBS-SNB]<br />
<a href="https://yadi.sk/d/2sHuzLEfioJr7Q" target="_blank">Yandex</a><br />
<a href="https://www113.zippyshare.com/v/4LGSWQwR/file.html" target="_blank">Zippy</a><br />
<a href="https://drive.google.com/open?id=1UmO9kFLHO4u8TycYk2ta0UVwy2aHU4kw" target="_blank">G-Drive</a><br />
<br />
Part Twenty-Four<br />
19660517 - Manchester [CBS]<br />
19660519 - Glasgow [SNB]<br />
19660519-20 - Hotel Room Recordings Glasgow<br />
<a href="https://yadi.sk/d/0qWHp373XWSXJw" target="_blank">Yandex</a><br />
<a href="https://www113.zippyshare.com/v/UVtmrHx3/file.html" target="_blank">Zippy</a><br />
<a href="https://drive.google.com/open?id=17HLSrDMoDQrXda4LcsMckJ-pvFiGdfAq" target="_blank">G-Drive</a><br />
<br />
<br />
<br />
<br />Blank Frankhttp://www.blogger.com/profile/10422157939508053534noreply@blogger.com12tag:blogger.com,1999:blog-1915465523817670126.post-52821792522734621042020-02-02T23:00:00.000-08:002020-02-03T10:46:48.400-08:00Bob D*Y*L*A*N - Judas! (The Complete 1965-66 Recordings) Part Three<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjy0ABDdvcWrkCHmIQUZuQUuuR-15-aZXxk9xDcP9XVY9Gi_E5gvFlcngCFQb7toJyO5h7NMs7ukBXRYgNaQ3JXHXyBpDi9txaLnASudv2E3byYYVyP9DR6y0t8P_ccWGosHTYM0R3k88jp/s1600/bob-dylan-highway-61-columbia.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="744" data-original-width="750" height="396" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjy0ABDdvcWrkCHmIQUZuQUuuR-15-aZXxk9xDcP9XVY9Gi_E5gvFlcngCFQb7toJyO5h7NMs7ukBXRYgNaQ3JXHXyBpDi9txaLnASudv2E3byYYVyP9DR6y0t8P_ccWGosHTYM0R3k88jp/s400/bob-dylan-highway-61-columbia.jpg" width="400" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: left;">
Part Thirteen:</div>
<div class="separator" style="clear: both; text-align: left;">
19651212 - Civic Auditorium, San Jose [AUD]</div>
<div class="separator" style="clear: both; text-align: left;">
19651217 - Press Conference Los Angeles</div>
<div class="separator" style="clear: both; text-align: left;">
19651221 - US Single Columbia 4-43477</div>
19660121 - Session 03 (of 13) for Blonde On Blonde<br />
<a href="https://yadi.sk/d/1_hhf0-x_59vgg" target="_blank">Yandex</a><br />
<a href="https://www113.zippyshare.com/v/T5dCC06I/file.html" target="_blank">Zippy</a><br />
<a href="https://drive.google.com/open?id=1Xp3xvZmTibMIjHiL0KfaLJsejqueXydX" target="_blank">G-Drive</a><br />
<br />
Part Fourteen:<br />
19660125 - Session 04 (of 13) for Blonde On Blonde<br />
19660126 - WBAI-FM Studios, NY, The Bob Fass Radio Show<br />
19660127 - Session 05 (of 13) for Blonde On Blonde<br />
<a href="https://yadi.sk/d/wO-X71hqlb3jnQ" target="_blank">Yandex</a><br />
<a href="https://www113.zippyshare.com/v/OtM9lqAZ/file.html" target="_blank">Zippy</a><br />
<a href="https://drive.google.com/open?id=1te2mkD12wA_oA8tvSkSsZq9CAo_vR0_J" target="_blank">G-Drive</a><br />
<br />
Part Fifteen:<br />
19660205 - Westchester County Center White Plains NY [AUD]<br />
19660206 - Syria Mosque, Pittsburgh PA [AUD]<br />
19660214 - Session 06 (of 13) for Blonde On Blonde<br />
19660214 - US Single Columbia 4-43541<br />
19660215 - Session 07 (of 13) for Blonde On Blonde<br />
<a href="https://yadi.sk/d/vd3x6pfli5e2WA" target="_blank">Yandex</a><br />
<a href="https://www113.zippyshare.com/v/vT18GN54/file.html" target="_blank">Zippy</a><br />
<a href="https://drive.google.com/open?id=10kEkPhkItTMtyoTYtqokwzF7bSjfAp5A" target="_blank">G-Drive</a><br />
<br />
Part Sixteen:<br />
19660216 - Session 08 (of 13) for Blonde On Blonde<br />
19660217 - Session 09 (of 13) for Blonde On Blonde<br />
19660220 - Interview With M. Bronstein Montreal<br />
19660226 - Island Gardens, Hempstead, NY [AUD]<br />
19660307 - Session 10 (of 13) for Blonde On Blonde<br />
<a href="https://yadi.sk/d/C2rvBq5goIdavQ" target="_blank">Yandex</a><br />
<a href="https://www113.zippyshare.com/v/x51Zh2SP/file.html" target="_blank">Zippy</a><br />
<a href="https://drive.google.com/open?id=1XzDMSC8jbJPWJbNpBJHeUoKZDtLb2JsC" target="_blank">G-Drive</a><br />
<br />
Part Seventeen:<br />
19660308 - Session 11 (of 13) for Blonde On Blonde<br />
19660309 - Session 12 (of 13) for Blonde On Blonde<br />
19660310 - Session 13 (of 13) for Blonde On Blonde<br />
19660312 - Denver CO. Hotel Room Recordings<br />
19660324 - US Single Columbia 4-43592<br />
<a href="https://yadi.sk/d/Jen0ksBysGdjyw" target="_blank">Yandex</a><br />
<a href="https://www113.zippyshare.com/v/MuPeEsyu/file.html" target="_blank">Zippy</a><br />
<a href="https://drive.google.com/open?id=1dMM9O3YZfU-8G7Sc5EPv_ni7BiiIXGzP" target="_blank">G-Drive</a><br />
<br />
Part Eighteen:<br />
19660413 - Sydney Stadium Sydney [SNB]<br />
19660419 - Melbourne [AUD]<br />
<a href="https://yadi.sk/d/FnZssytYO7NNUg" target="_blank">Yandex</a><br />
<a href="https://www113.zippyshare.com/v/Ynhtdovb/file.html" target="_blank">Zippy</a><br />
<a href="https://drive.google.com/open?id=1rfbZDZpxl6RTJgpk0MBmDcCxJH83bPwM" target="_blank">G-Drive</a><br />
<br />Blank Frankhttp://www.blogger.com/profile/10422157939508053534noreply@blogger.com4tag:blogger.com,1999:blog-1915465523817670126.post-6406505370693183622020-02-02T01:16:00.003-08:002020-02-04T06:53:26.420-08:00Bob D*Y*L*A*N - Judas! (The Complete 1965-66 Recordings) Part Two<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwBxvIQxGtuk8t_ZuMPg8pycIjEhUGjBfk-ILRBx5VCF6SFSqNPDRMOFuqQWdHro14K2Mf9hc03N-RAANhq65tCoN0E1ttjbCInFqyjD084phucU2KdjSgDzlQ0hkTxnBFZrCO74Wz_pel/s1600/9pI4ODd.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="600" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwBxvIQxGtuk8t_ZuMPg8pycIjEhUGjBfk-ILRBx5VCF6SFSqNPDRMOFuqQWdHro14K2Mf9hc03N-RAANhq65tCoN0E1ttjbCInFqyjD084phucU2KdjSgDzlQ0hkTxnBFZrCO74Wz_pel/s320/9pI4ODd.jpg" width="320" /></a></div>
Here are some useful sites that helped keep me on track while compiling Judas! This one was fairly straightforward and I used this the most: <a href="http://www.bjorner.com/DSN00785%20(65).htm#DSN00785" target="_blank">Still On The Road</a>. Best for finding other info during research: <a href="http://www.punkhart.com/dylan/misc.html" target="_blank">Punkhart.com/Dylan/Misc</a>. And of course, what I think is the most complete, but I found it unwieldy if I needed quick info: <a href="http://www.searchingforagem.com/" target="_blank">Searching for a Gem</a><br />
<br />
Part Seven:<br />
19650616 - Session 2 (of 6) for Highway 61 Revisited<br />
19650720 - US Single Columbia 4-43346<br />
19650724-25 - Newport Folk Festival [SNB]<br />
19650729 - Session 3 (of 6) for Highway 61 Revisited<br />
<a href="https://yadi.sk/d/1uGltLrE-vuwpw" target="_blank">Yandex</a><br />
<a href="https://www113.zippyshare.com/v/xERnZco7/file.html" target="_blank">Zippy</a><br />
<a href="https://drive.google.com/open?id=1CUU1096bDIrgxE_CP-aejlfJYw6D9Mtp" target="_blank">G-Drive</a><br />
<br />
Part Eight:<br />
19650730 - Session 4 (of 6) for Highway 61 Revisited<br />
19650802 - Session 5 (of 6) for Highway 61 Revisited<br />
19650803 - Overdub Session<br />
19650804 - Session 6 (of 6) for Highway 61 Revisited (Date revised!)<br />
<a href="https://yadi.sk/d/EcvXBSNwgUu4zg" target="_blank">Yandex</a><br />
<a href="https://www82.zippyshare.com/v/w1rylaCi/file.html" target="_blank">Zippy</a><br />
<a href="https://drive.google.com/open?id=1tmo-2oigWsrSqo5fsKhSFQiGUNWsJv0R" target="_blank">G-Drive</a><br />
<br />
<br />
Part Nine:<br />
19650828 - Forest Hills Queens NY [AUD]<br />
19650830 - US LP Highway 61 Revisited COL 2389 [Mono and Stereo]<br />
<a href="https://yadi.sk/d/K2yPITIfi1kIyA" target="_blank">Yandex</a><br />
<a href="https://www113.zippyshare.com/v/bgwI0nNp/file.html" target="_blank">Zippy</a><br />
<a href="https://drive.google.com/open?id=1jv3ow78lfEdQqvfpSUgmpXr5dns2hTAu" target="_blank">G-Drive</a><br />
<br />
Part Ten:<br />
19650903 - Hollywood Bowl [SNB]<br />
19650907 - US Single Columbia 4-43389<br />
19651000- New York Nat Hentoff Interview<br />
19651005 - Session 01 (of 13) for Blonde On Blonde<br />
19651029 - Back Bay Theater Boston October 29 or 31 [AUD]<br />
<a href="https://yadi.sk/d/zyWGp34EUdGE5Q" target="_blank">Yandex</a><br />
<a href="https://www113.zippyshare.com/v/Z6oAmegq/file.html" target="_blank">Zippy</a><br />
<a href="https://drive.google.com/open?id=1s7y3yY0u-CobVhl4klLB5X-i8rpFiAS9" target="_blank">G-Drive</a><br />
<br />
Part Eleven:<br />
19651030 - Bushnell Memorial Hall, Hartford [AUD]<br />
19651130 - Session 02 (of 13) for Blonde On Blonde<br />
19651204 - Berkeley Community Theatre [AUD]<br />
<a href="https://yadi.sk/d/n-gfeHmVBP_-Lg" target="_blank">Yandex</a><br />
<a href="https://www113.zippyshare.com/v/PFqW1Dgx/file.html" target="_blank">Zippy</a><br />
<a href="https://drive.google.com/open?id=1Xe5Zta8AWqnyOo65V_TqEgMzjXbM_ntW" target="_blank">G-Drive</a><br />
<br />
Part Twelve<br />
19651211 - Masonic Memorial Temple, San Francisco (Aud)<br />
<a href="https://yadi.sk/d/5QmaXFaHbyhe7A" target="_blank">Yandex</a><br />
<a href="https://www113.zippyshare.com/v/9ssZekQS/file.html" target="_blank">Zippy</a><br />
<a href="https://drive.google.com/open?id=1mX-oqkYVAzl9YDm3iiplUTSEn4T92pR4" target="_blank">G-Drive</a>Blank Frankhttp://www.blogger.com/profile/10422157939508053534noreply@blogger.com12